Cécile Telerman

Two sisters, their families, and sometimes complicated lives.

Two sisters, their families, and sometimes complicated lives.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Mady Celliers, an attractive housewife of 60, he spends his life speaking ill of her two daughters and her husband, a man who shows a strange behavior since has retired. Antoine, the eldest son, company director, is unable to make a success of a business: out of a bankruptcy to get into another, her sister Alice madonnas obsessively paints sad. Annabelle, a nurse in an intensive care unit, tries desperately to save his family pronosticándole the future. When Alice meets by chance Jacques, a lonely police pessimistic explode all family neurosis.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

Three women in their late thirties, one with marital problems, one trying to be perfect, and a spinster, discuss their relationship to men.

출구 없는 죽음의 미로에 들어서다! 크리스마스를 맞아 네브라스카주 친척집으로 향하던 해링턴 가족은 지름길을 찾다 낯선 길에 들어선다. 하지만, 선택은 돌이킬 수 없는 일생일대의 실수였다. 지름길이라 생각했던 길은 뫼비우스의 띠처럼 끝없이 이어지고 출구를 찾지 못하고 헤매던 해링턴 가족 앞에 아기를 품에 안은 묘령의 여인이 나타난다. 벗어날 수 없는… 끝 없이 펼쳐진 공포를 만난다! 죽음에서 금방 깨어난 듯 음산한 분위기의 그녀가 갑자기 사라진 후, 실체를 알 수 없는 공포가 서서히 헤링턴 가족을 위협한다. 정체를 알 수 없는 검은 차와 연쇄적으로 일어나는 가족의 죽음!! 출구 없는 공포 앞에 가족간의 몰랐던 비밀이 들어나게 되는데… 죽지 않고 살아 나갈 순 없는 걸까?

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.