Bernard Bouix

参加作品

Holy Lands
Executive Producer
When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.
The War in Paris
Executive Producer
In Paris, in 1943, Jules, a 19-year-old Jew, lived without an ideal, tossed about by circumstances. He becomes in turn a traitor then a hero. Thomas, his fifteen-year-old brother, wants to act and fight in resistance.
Lost in La Mancha
Self - Executive Producer
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
She's So Lovely
Executive Producer
After being released from a psychiatric institution, a man tries to redeem himself in the eyes of his now-ex wife from the events that led up to his incarceration.
Unhook the Stars
Executive Producer
Widowed mother Mildred must suddenly redefine herself and find an outlet for her nurturing side when her adult daughter moves out of the family home. Though Mildred thinks she's found her purpose when her neighbor, overworked single mother Monica, asks her to look after her little boy, she has great difficulty learning to strike a healthy balance between giving selflessly to others and remembering to take care of herself.
The Horseman on the Roof
Executive Producer
In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.
カルメンという名の女
Production Manager
ゴダール版“カルメン”の映画化で彼自身も精神衰弱気味のカルメンの伯父役として登場している。物語は銀行強盗団の一人カルメンと、彼女を追っていた警察官との禁断の愛を描く。なおこの年“カルメン”の映画化が頻発したのは原作者ビゼーの著作権が切れたため。(allcinema)
I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…
Unit Manager
Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.