Gordon T. Dawson

参加作品

A Simple Adventure Story: Sam Peckinpah, Mexico and The Wild Bunch
Self
A documentary crew returns to the shooting locations of Sam Peckinpah's legendary western to reflect on the film and the way it impacted their lives.
Passion & Poetry: The Ballad of Sam Peckinpah
Self
Portrayal of a talented, influencial and troubled artist: a filmmaker who fought his own demons and seemed to live his own legend like no other director. Against all odds Sam Peckinpah was able to create a very personal body of work in the studio system of Hollywood and with his powerful directing and editing style changed the way of filmmaking forever. Legendary for his use of slow-motion violence, various scandals and his ongoing problems with sudios and producers, the story of Peckinpah is filled with tragedy, humor, success and defeat.
Sam Peckinpah's West: Legacy of a Hollywood Renegade
Self
An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.
Purgatory
Co-Producer
An outlaw band flees a posse and rides into Refuge, a small town where no one carries a gun, drinks, or swears. The town is actually Purgatory, and the peaceful inhabitants are all famous dead outlaws and criminals such as Doc Holiday and Wild Bill Hickok who must redeem themselves before gaining admittance to Heaven... or screw up and go to Hell.
Purgatory
Writer
An outlaw band flees a posse and rides into Refuge, a small town where no one carries a gun, drinks, or swears. The town is actually Purgatory, and the peaceful inhabitants are all famous dead outlaws and criminals such as Doc Holiday and Wild Bill Hickok who must redeem themselves before gaining admittance to Heaven... or screw up and go to Hell.
Sam Peckinpah: Man of Iron
Self
This straight-talking program seeks to understand the enigmatic and controversial Sam Peckinpah, whose violent films such as The Wild Bunch and Straw Dogs had a telling effect on the cinema of the 1970s and 80s. Those who knew and worked with him, including actor James Coburn, actress Ali MacGraw, his associate Katherine Haber, his cousin Bob Peckinpah, and several screenwriters and producers, examine his life in an attempt to separate the man from the persona. Clips from key films reinforce this detailed discussion of Peckinpah's art and a fixation on violence that still permeates Hollywood today.
Into the Badlands
Teleplay
A bounty hunter searches the west for a wanted outlaw named Red Roundtree.
Independence
Writer
A dedicated sheriff in the 1880s who, after his first family is ravaged by a gang of renegades, gets a chance for revenge years later when the same outlaws threaten his new family and the frontier town he single handedly tamed.
The Pigs vs. The Freaks
Story
In a small town, the hippie faction often clashes with the mainstream. To settle their differences, the hippie "freaks" take on the town police "pigs" in a football game. On opposing sides of the fence are Frank, the police sergeant, and his son Neal. Also at odds are Neal and one time friend Doug, a returned Vietnam Vet who has joined the police force, who is also protective of his younger sister who prefers the hippie element. To make things even more intense, Mickey South, who has fled to Canada to avoid the war, returns to play for the Freaks football team. Tensions mount and all are challenged as the climax of the film approaches.
The Pigs vs. The Freaks
Teleplay
In a small town, the hippie faction often clashes with the mainstream. To settle their differences, the hippie "freaks" take on the town police "pigs" in a football game. On opposing sides of the fence are Frank, the police sergeant, and his son Neal. Also at odds are Neal and one time friend Doug, a returned Vietnam Vet who has joined the police force, who is also protective of his younger sister who prefers the hippie element. To make things even more intense, Mickey South, who has fled to Canada to avoid the war, returns to play for the Freaks football team. Tensions mount and all are challenged as the climax of the film approaches.
Bring Me the Head of Alfredo Garcia
Associate Producer
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
Bring Me the Head of Alfredo Garcia
Screenplay
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
ビリー・ザ・キッド 21才の生涯
Second Unit
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
ゲッタウェイ
Associate Producer
銀行強盗をしたマッコイは、ギャングに渡すはずの金を持って逃走した。彼を追うギャングをかわしながら、マッコイは妻と共にメキシコをめざす。スリリングなチェイスが全編に渡って展開するサム・ペキンパー監督によるアクション・サスペンス。
砂漠の流れ者
Associate Producer
サム・ペキンパー監督が、古き良き開拓時代への惜別を込めて描く異色の西部劇。時代の流れに取り残された一人の男の風変わりな復讐譚がセンチメンタルに綴られてゆく。仲間に裏切られて砂漠の真ん中で一人取り残された主人公ケーブル・ホーグ。着の身着のままのケーブルは4日間歩き続けてついに水を掘り当て命拾いした。近くに駅馬車の通り道があると知ったケーブルはそこに給水所を作り、裏切り者が現われるのを待伏せるため、たった一人で砂漠生活を始めるのだった…。
砂漠の流れ者
Writer
サム・ペキンパー監督が、古き良き開拓時代への惜別を込めて描く異色の西部劇。時代の流れに取り残された一人の男の風変わりな復讐譚がセンチメンタルに綴られてゆく。仲間に裏切られて砂漠の真ん中で一人取り残された主人公ケーブル・ホーグ。着の身着のままのケーブルは4日間歩き続けてついに水を掘り当て命拾いした。近くに駅馬車の通り道があると知ったケーブルはそこに給水所を作り、裏切り者が現われるのを待伏せるため、たった一人で砂漠生活を始めるのだった…。
ワイルドバンチ
Pinkerton Man (uncredited)
バイオレンス映画の巨匠サム・ペキンパー監督が、20世紀初頭のメキシコを舞台に滅びゆくアウトローたちの姿を描いた傑作西部劇。1913年、アメリカ・テキサスでの銀行強盗に失敗したパイクら強盗団はメキシコに逃走する。旧友ソーントンら賞金稼ぎに追われる中、メキシコ政府のマパッチ将軍の依頼で米軍用列車から武器を強奪するパイクたちだったが、マパッチの裏切りに遭い、仲間を人質に取られてしまう……。スローモーションに細かいカットを挿入するペキンパーのアクション演出は後続に大きな影響を与えた。出演はウィリアム・ホールデン、アーネスト・ボーグナイン。