Valérie Saradjian

参加作品

My Donkey, My Lover & I
Production Design
Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, the father of one of her pupils. When learning that Vladimir cannot come because his wife organized a surprise trekking holiday in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with Patrick, a protective donkey.
At War
Production Design
After promising 1100 employees that they would protect their jobs, the managers of a factory decide to suddenly close up shop. Laurent takes the lead in a fight against this decision.
A Woman's Life
Production Design
Normandy, 1819. Jeanne is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. She marries a local Viscount, Julien de Lamare, who soon reveals himself to be a miserly and unfaithful man. Little by little Jeanne’s illusions are stripped away.
The Measure of a Man
Production Design
At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?
Domestic Life
Production Design
Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses to keep and husbands who return home late at night.Today she has an appointment in Paris that is important for her career, but she also has to run errands and pick up the kids from school. During the course of her day, monopolized by petty, everyday tasks, Juliette can feel the noose of domestic obligations and household chores slowly tightening around her neck.
A Few Hours of Spring
Production Design
Forty-eight-year-old Alain Evrard is obliged to return home to live with his mother. This situation causes all the violence of their past relationship to rise to the surface. Alain then discovers that his mother has a fatal illness. In the last months of her life, will they finally be capable of taking a step toward each other?
Not Here to Be Loved
Production Design
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
Fortune Tellers and Misfortune
Production Design
Chantel is happy: her son's away at school playing soccer, she and her husband get along, her neighbor Agnès is her best friend, and her job at a government office is easy. When her husband is laid off and she wonders for how long, her office pal Jackie recommends Alban, a psychic (and compulsive gambler), who promptly tells Chantel of a curse on her that will take three sessions (and 10,000 FF) to dispel. Through happenstance, she meets Alban's half-brother; thinking she is following the psychic predictions, she tries to start an affair with him. She also undergoes Alban's exorcism, and soon, terrible things indeed start to happen. Is there any way out of her misery?
Modern Comforts
Art Direction
Irene is an ordinary married woman living in Amiens, in the North of France. She works in a bank where, one day, she finds herself duty-bound to strip a client of her credit card and check book for ten years. Later on, while walking in a park Irene notices a mysterious homeless woman wearing a yellow coat. At a time she witnesses her shoplifting in a store. One night, on her way back home, she is attacked by the mysterious woman.
L’œil qui traîne
Production Design
Didier, 28 years old, is still livning with his parents. Prisoner of his own habits, he doesn't communicate with them anymore. When he casually meets his former girlfriend, Valerie, he finds again his serenity.
L'échappée belle
Production Design
Clémence Alpharo, who, in order to get a permanent contract in the company that has just hired her, must push Henri Giffard, a sales representative at the end of his career, towards early retirement. But Giffard refuses. His work is the only thing that still gives meaning to his life. Caught between the prospect of a professional future that would allow her to escape her family history and the unexpected affection she feels for the salesman, Clémence must choose. A choice that will inexorably push Clémence and Henri to the limit.