George Shane

During the 1940s, a group of young men go off to war, leaving behind Ethel Ann, who is in love with one of them, Teddy. In modern-day Belfast, a man named Jimmy endeavors to return a ring found in the wreckage of a crashed plane. He travels to Michigan, where the grown Ethel Ann, who married another man after Teddy was killed in battle, now lives. Ethel Ann must decide whether to go with Jimmy to meet the soldier who last saw Teddy alive.

Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they must fight for survival.

Violence erupts in north Belfast when the residents of Glenbyrn, a predominantly Protestant suburb, object to schoolgirls walking through their neighbourhood from the Catholic area of Ardoyne to the Holy Cross primary school.

Colin (Barry McEvoy) is a Catholic and George (Brian O'Byrne) is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper (Billy Connolly), to sell them his leads, the two embark on a series of house calls

Belfast, in 1970s. Victor Kelly is a young protestant man who hates the Catholics so much that one night he begins to brutally murder them. A reporter soon tries to uncover the murder and obtained prestige for himself, while Victor sinks deeper into madness.

Leo Doyle, a convicted IRA murderer, is released into the community after 14 years in prison on a scheme to rehabilitate former terrorists. He soon finds that the ceasefire has robbed him of both purpose and identity. Relationships with his family are difficult and reach boiling point when they find that he has rekindled his affair with a former fiancee Roisin, now married with three children.

Conn is an IRA murderer serving a life sentence in an Irish prison. He is given a 24 hour home leave during which he goes from point to point in Belfast looking to revenge his lover's murder.

A group of bored Roman Catholic teens from Belfast, Northern Ireland, United Kingdom steal cars and joyride around the city, causing havoc among the nearby Protestants and local Irish Republican Army members, all of who are outraged by the youths' nihilism. The gang, led by ace thief Sean (Marc O'Shea), is connected with the IRA but couldn't care less about the group's politics. But things turn serious when an IRA member captures one of the boys, Marley (Michael Liebmann), in an effort to end the mayhem.

Shoot to Kill is a four-hour drama documentary reconstruction of the events that led to the 1984–86 Stalker Inquiry into the shooting of six terrorist suspects in Northern Ireland in 1982 by a specialist unit of the Royal Ulster Constabulary (RUC), allegedly without warning (the so-called shoot-to-kill policy); the organised fabrication of false accounts of the events; and the difficulties created for the inquiry team in their investigation.

Kenny's work as a nurse in a psychiatric hospital isn't just a job, it's a vocation. His special group of patients are his friends - his only friends. When a strange young man is introduced to the group, he threatens the love, discipline and respect that have been the very basis of Kenny's authority, and all that surrounds the institution is scant protection from the madness of the world beyond.

Jack Higgins' straightforward thriller about a guilt-ridden IRA bomber forced into "one last job"

In the follow-up to Graham Reid’s trilogy of ‘Billy’ plays, Billy's sister Lorna Martin is left to care for their Uncle Andy. Lorna feels trapped, but Andy wishes to give her the freedom she desires.

Malachy: "Who do you kidnap? You can't touch children, women, no sons of Irish mothers. What's left?" When Frankie is released from Portlaoise Prison, his old comrades are expecting some action. He hits on a plan for raising £2 million, but his plan goes wrong.

Grim tale of marginalized souls in an apocalyptic Dublin inner city. Jimmy takes up residence in a derelict and once elegant house in a no-go inner area. He is soon joined by other squatters, George a business man trying to retain some dignity, Ronnie a drug dealer, Tom a paranoiac, Orwell a Jamaican pimp and his prostitute Mary

Cal, a young man on the fringes of the IRA, falls in love with Marcella, a Catholic woman whose husband, a Protestant policeman, was killed one year earlier by the IRA.

Belfast, 1980: July, the marching season ... Norman Martin, away for two years, returns with his 'English woman', Mavis. How will the family - particularly Billy - react? And has she achieved the impossible in mellowing the man?

A BBC film crew is interviewing a ‘typical Catholic family’ in the Divis Flats area of Belfast, when news comes in that a child, known to the family, has been hit by a stray plastic bullet fired by a British soldier – a version of events contested by the army. Back in London, editing the footage, the producer and researcher on the project wrestle with how to present the incident, and with their responsibility to the people in the film.

Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.

When DC Denis Deacey finds himself surprisingly transferred to Belfast he gets digs in a most unusual boarding house called The Crumlin View where no one is what they seem and everyone has been living with 'the troubles' for far too long...

It's 1975 in Belfast. Jimmy Doherty returns to his home town just having lost a boxing match in Dublin, where he has been living. He awakes in a rundown room and begins to take stock. He finds that things have changed and people have gone. He begins to search for Gerry Mitchell, a figure from his past. He runs into dead ends and in frustration begins to drink. In a bar, he meets two men who tell him they can take him to Gerry...

The story of the trial of Willie Gallagher, convicted of bombing the Strabane British Legion Hall in Northern Ireland, 1976. The transmission of this film was postponed by the BBC several times, and when it did finally air, it was shown with cuts; the writer, Caryl Churchill, and director, Roland Joffé, had their names removed from the credits in protest.