Albert Lamorisse
出生 : 1922-01-13, Paris, France
死亡 : 1970-06-02
略歴
Albert Lamorisse (13 January 1922 – 2 June 1970) was a French filmmaker, film producer, and writer, who is best known for his award winning short films which he began making in the late 1940s, and also for inventing the famous strategic board game Risk in 1957. He was born in Paris, France.
He first came into prominence - just after Bim - for directing and producing White Mane (1953), an award winning short film that tells a fable of how a young boy befriends an untamable wild white stallion in the marshes of Camargue (the Petite Camargue).
His best known work is the short film The Red Balloon (1956), which earned him the Palme d'Or Grand Prize at the Cannes Film Festival, and an Oscar for writing the best original screenplay in 1956.
Lamorisse also wrote, directed and produced the well-regarded films Stowaway in the Sky (1960) and Circus Angel, as well as the documentaries Versailles and Paris Jamais Vu. In addition to films, he created the popular strategy board game Risk in 1957.
Lamorisse and his wife had three children: Pascal, a son, and two daughters named Sabine and Fanny. Pascal and Sabine were featured in The Red Balloon. Albert Lamorisse died in a helicopter crash while filming the documentary Le Vent des amoureux (The Lovers' Wind), during a helicopter-tour of Iran in 1970. His son and his widow completed the film, based on his production notes, and released the film eight years later, in 1978. It was nominated for a posthumous Oscar for best documentary.
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Self (archival footage)
Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.
Producer
A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.
Director
A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.
Cinematography
Short film about Paris by Albert Lamorisse.
Director
Short film about Paris by Albert Lamorisse.
Writer
Using a device to avoid vibration, Lamorisse employs a camera in a helicopter to capture the parks, gardens and Trianon building at Versailles.
Director
Using a device to avoid vibration, Lamorisse employs a camera in a helicopter to capture the parks, gardens and Trianon building at Versailles.
Writer
Philippe Avron plays a bumbling burglar whose crime career is a textbook case of failure. One evening, Avron comes upon an abandoned nightgown. Upon donning the garment, he feels he has been transformed into an angel. Avron then joins a strange circus, whence he hopes to dispense goodwill to the other misfits of the world. As with the other works of director Albert Lamorisse (The Red Balloon) Lamorisse, it is virtually impossible to determine where reality leaves off and fantasy takes over in Circus Angel, a fact that was instrumental in the film's winning a "Best Special Effects" award at the Cannes Film Festival.
Director
Philippe Avron plays a bumbling burglar whose crime career is a textbook case of failure. One evening, Avron comes upon an abandoned nightgown. Upon donning the garment, he feels he has been transformed into an angel. Avron then joins a strange circus, whence he hopes to dispense goodwill to the other misfits of the world. As with the other works of director Albert Lamorisse (The Red Balloon) Lamorisse, it is virtually impossible to determine where reality leaves off and fantasy takes over in Circus Angel, a fact that was instrumental in the film's winning a "Best Special Effects" award at the Cannes Film Festival.
Producer
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Writer
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Director
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Producer
ある朝、赤い風船が街灯に引っ掛かっているのを見つけた少年パスカル。街灯によじ登って風船を手に取った彼は、しっかり握ったまま風船と一緒に過ごすように。だが、しばらくすると、風船は手を離してもパスカルの行く先々についてくるようになる。そんなパスカルと風船を町のいたずらっ子たちが追うが……。＜1956年に発表され、その年のカンヌ国際映画祭でパルムドールを受賞したものの、日本では観る機会が限られていた伝説の名作。赤い風船と1人の少年が織り成す、ハートウォーミングでファンタスティックなドラマが展開する。監督は“シネ・ポエム”と呼ぶべき作品を生み出した、アルベール・ラモリス。シンプルなストーリーとわずかなセリフで構成されている、詩情豊かな作品世界が堪能できる。＞
Writer
ある朝、赤い風船が街灯に引っ掛かっているのを見つけた少年パスカル。街灯によじ登って風船を手に取った彼は、しっかり握ったまま風船と一緒に過ごすように。だが、しばらくすると、風船は手を離してもパスカルの行く先々についてくるようになる。そんなパスカルと風船を町のいたずらっ子たちが追うが……。＜1956年に発表され、その年のカンヌ国際映画祭でパルムドールを受賞したものの、日本では観る機会が限られていた伝説の名作。赤い風船と1人の少年が織り成す、ハートウォーミングでファンタスティックなドラマが展開する。監督は“シネ・ポエム”と呼ぶべき作品を生み出した、アルベール・ラモリス。シンプルなストーリーとわずかなセリフで構成されている、詩情豊かな作品世界が堪能できる。＞
Director
ある朝、赤い風船が街灯に引っ掛かっているのを見つけた少年パスカル。街灯によじ登って風船を手に取った彼は、しっかり握ったまま風船と一緒に過ごすように。だが、しばらくすると、風船は手を離してもパスカルの行く先々についてくるようになる。そんなパスカルと風船を町のいたずらっ子たちが追うが……。＜1956年に発表され、その年のカンヌ国際映画祭でパルムドールを受賞したものの、日本では観る機会が限られていた伝説の名作。赤い風船と1人の少年が織り成す、ハートウォーミングでファンタスティックなドラマが展開する。監督は“シネ・ポエム”と呼ぶべき作品を生み出した、アルベール・ラモリス。シンプルなストーリーとわずかなセリフで構成されている、詩情豊かな作品世界が堪能できる。＞
Producer
南仏カマルグの荒地に、野生馬の一群が生息していた。地元の牧童たちは群れのリーダー、“白いたてがみ”を何とかして捕らえようとするが、逃げられるばかり。そんなある日、漁師の少年フォルコが、ついに牧童たちに捕らわれた“白いたてがみ”の姿を目撃。フォルコは彼を牧童から守りたいと願うが……。＜1953年のカンヌ国際映画祭でグランプリに輝いたアルベール・ラモリス監督の名作。南フランスの荒地を舞台に、“白いたてがみ”と呼ばれる美しい荒馬と、彼と心を通わせ、次第に強いきずなで結ばれる少年の物語が展開する。歳月を経ても決して色あせることのない、アルベール監督の作品世界が感動的。シンプルなストーリーとナレーション、さらにはモノクロームの映像で構成された、まさに伝説の一作。＞
Writer
南仏カマルグの荒地に、野生馬の一群が生息していた。地元の牧童たちは群れのリーダー、“白いたてがみ”を何とかして捕らえようとするが、逃げられるばかり。そんなある日、漁師の少年フォルコが、ついに牧童たちに捕らわれた“白いたてがみ”の姿を目撃。フォルコは彼を牧童から守りたいと願うが……。＜1953年のカンヌ国際映画祭でグランプリに輝いたアルベール・ラモリス監督の名作。南フランスの荒地を舞台に、“白いたてがみ”と呼ばれる美しい荒馬と、彼と心を通わせ、次第に強いきずなで結ばれる少年の物語が展開する。歳月を経ても決して色あせることのない、アルベール監督の作品世界が感動的。シンプルなストーリーとナレーション、さらにはモノクロームの映像で構成された、まさに伝説の一作。＞
Director
南仏カマルグの荒地に、野生馬の一群が生息していた。地元の牧童たちは群れのリーダー、“白いたてがみ”を何とかして捕らえようとするが、逃げられるばかり。そんなある日、漁師の少年フォルコが、ついに牧童たちに捕らわれた“白いたてがみ”の姿を目撃。フォルコは彼を牧童から守りたいと願うが……。＜1953年のカンヌ国際映画祭でグランプリに輝いたアルベール・ラモリス監督の名作。南フランスの荒地を舞台に、“白いたてがみ”と呼ばれる美しい荒馬と、彼と心を通わせ、次第に強いきずなで結ばれる少年の物語が展開する。歳月を経ても決して色あせることのない、アルベール監督の作品世界が感動的。シンプルなストーリーとナレーション、さらにはモノクロームの映像で構成された、まさに伝説の一作。＞
Screenplay
An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.
Director
An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.
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