Albert Lamorisse
출생 : 1922-01-13, Paris, France
사망 : 1970-06-02
약력
Albert Lamorisse (13 January 1922 – 2 June 1970) was a French filmmaker, film producer, and writer, who is best known for his award winning short films which he began making in the late 1940s, and also for inventing the famous strategic board game Risk in 1957. He was born in Paris, France.
He first came into prominence - just after Bim - for directing and producing White Mane (1953), an award winning short film that tells a fable of how a young boy befriends an untamable wild white stallion in the marshes of Camargue (the Petite Camargue).
His best known work is the short film The Red Balloon (1956), which earned him the Palme d'Or Grand Prize at the Cannes Film Festival, and an Oscar for writing the best original screenplay in 1956.
Lamorisse also wrote, directed and produced the well-regarded films Stowaway in the Sky (1960) and Circus Angel, as well as the documentaries Versailles and Paris Jamais Vu. In addition to films, he created the popular strategy board game Risk in 1957.
Lamorisse and his wife had three children: Pascal, a son, and two daughters named Sabine and Fanny. Pascal and Sabine were featured in The Red Balloon. Albert Lamorisse died in a helicopter crash while filming the documentary Le Vent des amoureux (The Lovers' Wind), during a helicopter-tour of Iran in 1970. His son and his widow completed the film, based on his production notes, and released the film eight years later, in 1978. It was nominated for a posthumous Oscar for best documentary.
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Self (archival footage)
Pascal Lamorisse is the son of filmmaker Albert Lamorisse. He is also the little hero of some of his father's films (White Mane, The Red Balloon and Stowaway in the Sky). Over the years, Albert Lamorisse, who took his son on all his shoots, sought to transmit his expertise and his passion for filmmaking, even on his last film, The Lover's Wind. There is something in the story of Pascal Lamorisse that touches on a fabulous story: it is the story of the transmission of cinema from father to child.
Producer
A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.
Director
A 1978 French documentary film directed by Albert Lamorisse about the landscape of Iran. Lamorisse was killed in a helicopter crash while filming the documentary, during a helicopter-tour of Iran. His widow completed the film, based on his production notes, and released the film eight years later in 1978.
Cinematography
Short film about Paris by Albert Lamorisse.
Director
Short film about Paris by Albert Lamorisse.
Writer
Using a device to avoid vibration, Lamorisse employs a camera in a helicopter to capture the parks, gardens and Trianon building at Versailles.
Director
Using a device to avoid vibration, Lamorisse employs a camera in a helicopter to capture the parks, gardens and Trianon building at Versailles.
Writer
Philippe Avron plays a bumbling burglar whose crime career is a textbook case of failure. One evening, Avron comes upon an abandoned nightgown. Upon donning the garment, he feels he has been transformed into an angel. Avron then joins a strange circus, whence he hopes to dispense goodwill to the other misfits of the world. As with the other works of director Albert Lamorisse (The Red Balloon) Lamorisse, it is virtually impossible to determine where reality leaves off and fantasy takes over in Circus Angel, a fact that was instrumental in the film's winning a "Best Special Effects" award at the Cannes Film Festival.
Director
Philippe Avron plays a bumbling burglar whose crime career is a textbook case of failure. One evening, Avron comes upon an abandoned nightgown. Upon donning the garment, he feels he has been transformed into an angel. Avron then joins a strange circus, whence he hopes to dispense goodwill to the other misfits of the world. As with the other works of director Albert Lamorisse (The Red Balloon) Lamorisse, it is virtually impossible to determine where reality leaves off and fantasy takes over in Circus Angel, a fact that was instrumental in the film's winning a "Best Special Effects" award at the Cannes Film Festival.
Producer
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Writer
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Director
A small child, fascinated by a lighter-than-air balloon, clambers aboard. The balloon takes flight, lifting the child upward to an amazing adventure. The land-bound adults have conniptions as the balloon wafts by; the child has nothing more than a great time.
Producer
허우 샤오시엔감독의 2007년작 의 모티브가 되기도 한 이 영화는, 지금까지도 전 세계 어린이 날에 단골 방영되는 영화이다. 감독 알베르 라모리스의 친아들 파스칼 라모리스가 연기한 어린 아이와 그 곁을 따라다니는 빨간 풍선 사이의 우정이 따뜻하게 그려진다. 파리에 사는 한 소년과 빨간 풍선의 우정이야기. 풍선은 다른 사람들의 손에는 닿지 못할 거리에서 애완견처럼 소년의 곁을 따라 다닌다. 그러나 결국엔 다른 소년들의 무리가 풍선을 망가뜨린다. 그러자 다양한 색깔과 크기의 풍선들이 파리전역에서 소년에게 몰려와 소년을 하늘 저 멀리 수평선까지 데리고 간다. 단지 다섯 줄의 대사를 가졌음에도, 1956년 황금종려상(최고 단편 부문)을 수상하고 아카데미 각본상을 받은 이 영화는, 대사 없이도 물 흐르듯 부드럽게 이어지는 전개를 가진 최고의 영화로 손꼽힌다. 후엔 허우 샤오시엔(후효현) 감독 줄리엣 비노쉬 주연의 프랑스 영화 의 모티브가 되었다. (2012년 제29회 부산국제단편영화제)
Writer
허우 샤오시엔감독의 2007년작 의 모티브가 되기도 한 이 영화는, 지금까지도 전 세계 어린이 날에 단골 방영되는 영화이다. 감독 알베르 라모리스의 친아들 파스칼 라모리스가 연기한 어린 아이와 그 곁을 따라다니는 빨간 풍선 사이의 우정이 따뜻하게 그려진다. 파리에 사는 한 소년과 빨간 풍선의 우정이야기. 풍선은 다른 사람들의 손에는 닿지 못할 거리에서 애완견처럼 소년의 곁을 따라 다닌다. 그러나 결국엔 다른 소년들의 무리가 풍선을 망가뜨린다. 그러자 다양한 색깔과 크기의 풍선들이 파리전역에서 소년에게 몰려와 소년을 하늘 저 멀리 수평선까지 데리고 간다. 단지 다섯 줄의 대사를 가졌음에도, 1956년 황금종려상(최고 단편 부문)을 수상하고 아카데미 각본상을 받은 이 영화는, 대사 없이도 물 흐르듯 부드럽게 이어지는 전개를 가진 최고의 영화로 손꼽힌다. 후엔 허우 샤오시엔(후효현) 감독 줄리엣 비노쉬 주연의 프랑스 영화 의 모티브가 되었다. (2012년 제29회 부산국제단편영화제)
Director
허우 샤오시엔감독의 2007년작 의 모티브가 되기도 한 이 영화는, 지금까지도 전 세계 어린이 날에 단골 방영되는 영화이다. 감독 알베르 라모리스의 친아들 파스칼 라모리스가 연기한 어린 아이와 그 곁을 따라다니는 빨간 풍선 사이의 우정이 따뜻하게 그려진다. 파리에 사는 한 소년과 빨간 풍선의 우정이야기. 풍선은 다른 사람들의 손에는 닿지 못할 거리에서 애완견처럼 소년의 곁을 따라 다닌다. 그러나 결국엔 다른 소년들의 무리가 풍선을 망가뜨린다. 그러자 다양한 색깔과 크기의 풍선들이 파리전역에서 소년에게 몰려와 소년을 하늘 저 멀리 수평선까지 데리고 간다. 단지 다섯 줄의 대사를 가졌음에도, 1956년 황금종려상(최고 단편 부문)을 수상하고 아카데미 각본상을 받은 이 영화는, 대사 없이도 물 흐르듯 부드럽게 이어지는 전개를 가진 최고의 영화로 손꼽힌다. 후엔 허우 샤오시엔(후효현) 감독 줄리엣 비노쉬 주연의 프랑스 영화 의 모티브가 되었다. (2012년 제29회 부산국제단편영화제)
Producer
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
Writer
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
Director
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
Screenplay
An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.
Director
An Arab boy, Abdullah, loves his donkey, Bim, but another boy, Massoud, who also happens to be a prince, is jealous of Abdullah and his relationship with Bim, so Massoud steals the donkey and plays mean tricks on him, such as painting him and trying to cut his ears off. Abdullah tries to rescue Bim but is caught by palace guards and is imprisoned. Realizing Abdullah's love for his donkey, Massoud becomes ashamed of his meanness and frees Bim and Abdullah. However, the donkey eats Massoud's father's lunch and is taken to a butcher. Abdullah and Massoud try to rescue Bim from the butcher, but robbers get there first and steal the donkey along with the butcher's goods. The robbers escape to the sea, and Abdullah and Massoud stage one last rescue attempt with all of their friends to try to save Bim.
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