Susanna Foster

A documentary from Universal about their Phantom of the Opera movies.

A nightclub piano player (Tom Neal Jr.) hitchhikes to the West Coast and soon figures into two deaths.

In this musical comedy, a young singer becomes so desperate to appear on Broadway that she goes to a prominent producer and tells him that she is the daughter who resulted from his day-long marriage to a young woman he knew years ago. The producer is delighted and soon puts his daughter up on stage. The trouble begins when the girl's "mother" suddenly pays a call. For her own reasons, the woman decides to play along with the girl's ruse. Fortunately, by the story's end, the truth is revealed, all differences are reconciled and happiness ensues.

Sal comes to the Barbary Coast from New England to find out who murdered her brother. She gets a job signing in Dude's saloon, falls in love with Dude, then wonders if he might be involved in the murder.

Two Bowery vaudevillians find success in producing shows on Broadway, but when one of them suddenly departs to work for a beautiful woman, a feud erupts.

Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.

18-year-old Angela, reared in a New England town by her Aunt Betsy, receives an inheritance which she uses to go to New York, ostensibly for voice training, but she is pursuing Major Hilary Jarret, an Army surgeon with whom she has become infatuated. Her departure depresses her childhood friend Jimmy Plum. Dr. Plum devises an errand on which to send his love-sick son to New York, where Jimmy discovers Angela thinks she is Jarret's fiancée. Jimmy also renews acquaintances with a group of show people, including Sally McGuire, who attempts to console him. Jimmy meets Jarret's divorced wife, Harriet, famed photographer. Jimmy engineers a meeting of Jarret and Harriet with Angela present, which forms the beginning of an understanding that Jarret is not for her. Jimmy is inducted into the Army.

In this WW II musical, a young man suddenly finds himself in charge of his family when his father is called to war. To help the flagging spirits of local factory workers, the plucky lad, his siblings and his schoolmates put on a lively little show. With a little work, he even convinces Count Basie to come with his band.

Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom".

Former child star Jackie Cooper headlines this sentimental behind-the-scenes comedy drama. He plays an ex-child star who now jerks sodas for a living in Hollywood. He gets back into the movie business when he overhears a conversation between producers discussing their newest prodigy. Cooper butts in and suggests the producers remake Skippy (a real-life 1931 film that made young Cooper a star). The bigwigs like the idea and then hire Cooper to become the boy's acting coach. Once back on the backlot, Cooper finds both trouble and romance while helping the young boy adjust to life as a movie star.

A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.