René Laloux

René Laloux

出生 : 1929-07-13, Paris, France

死亡 : 2004-03-14

略歴

René Laloux was born in Paris in 1929 and went to art school to study painting. After some time working in advertising, he got a job in a psychiatric institution where he began experimenting in animation with the interns. It is at the psychiatric institution that he made 1960's Monkey's Teeth (Les Dents du Singe), in collaboration with Paul Grimault's studio, and using a script written by the Cour Cheverny's interns. Another important collaborator of his was Roland Topor with whom Laloux made Dead Time (Les Temps Morts, 1964), The Snails (Les Escargots, 1965) and his most famous work, the feature length Fantastic Planet (La Planète Sauvage, 1973). Laloux also worked with Jean Giraud (Mœbius) to create the lesser known film Les Maîtres du temps (Time Masters), released in 1982. Laloux's 1988 film, Gandahar, was released in the US as Light Years, and made in cooperation with the artist Caza. The US version was redubbed by Harvey Weinstein, from a screenplay adapted by Isaac Asimov. The US version was not as successful as the French version, grossing less than $400,000 on its release. Laloux died of a heart attack on March 14, 2004 in Angoulême, Charente, Poitou-Charentes, France.

プロフィール写真

René Laloux

参加作品

ファンタスティック ラルー
Himself
A short documentary about the life of director and artist René Laloux, featuring an interview with Laloux from 2001.
雨の子供たち
Author
There is a world with two towns that are big enemies: Pyross and Hydross.
雨の子供たち
Idea
There is a world with two towns that are big enemies: Pyross and Hydross.
オオカミの目
Original Film Writer
オオカミの目
Writer
オオカミの目
Adaptation
L'Escalier chimérique
Art Direction
A César award winning animation where the steps of a staircase change shape and size as someone tries to use them.
囚人
Screenplay
Two kids travel to a city where silence is kept sacred.
囚人
Art Direction
Two kids travel to a city where silence is kept sacred.
囚人
Writer
Two kids travel to a city where silence is kept sacred.
囚人
Director
Two kids travel to a city where silence is kept sacred.
ガンダーラ
Screenplay
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
ガンダーラ
Writer
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
ガンダーラ
Director
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
ワン・フォはいかにして助けられたか
Writer
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
ワン・フォはいかにして助けられたか
Screenplay
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
ワン・フォはいかにして助けられたか
Adaptation
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
ワン・フォはいかにして助けられたか
Director
Wang Fo, the greatest master of medieval China, aided by his assistant who has given up everything to follow him, desperately seeks aesthetic perfection. A day comes when he thinks he has achieved it. But his genius arouses both the curiosity and the jealousy of the Emperor. Wang Fo will be able to escape the Emperor's vindictiveness only by going to the limit of his talents.
品質管理
Writer
品質管理
Screenplay
品質管理
Director
時の支配者
Screenplay
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
時の支配者
Writer
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
時の支配者
Director
On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
人間機械
Writer
人間機械
Screenplay
人間機械
Director
遊戯
Writer
遊戯
Screenplay
遊戯
Director
ファンタスティック・プラネット
Screenplay
仏のSF作家ステファン・ウルの長編小説を、マンガ家ローラン・トポールの絵でアニメ化した異色のファンタジー作品。未開の惑星イガムを舞台に人間型のオム族と、彼らを奴隷のように扱うドラーグ族の戦いと協調を描く。SF的イマジネーションの凄さと特異なアニメーション映像には目を見張るものがある。
ファンタスティック・プラネット
Dialogue
仏のSF作家ステファン・ウルの長編小説を、マンガ家ローラン・トポールの絵でアニメ化した異色のファンタジー作品。未開の惑星イガムを舞台に人間型のオム族と、彼らを奴隷のように扱うドラーグ族の戦いと協調を描く。SF的イマジネーションの凄さと特異なアニメーション映像には目を見張るものがある。
ファンタスティック・プラネット
Adaptation
仏のSF作家ステファン・ウルの長編小説を、マンガ家ローラン・トポールの絵でアニメ化した異色のファンタジー作品。未開の惑星イガムを舞台に人間型のオム族と、彼らを奴隷のように扱うドラーグ族の戦いと協調を描く。SF的イマジネーションの凄さと特異なアニメーション映像には目を見張るものがある。
ファンタスティック・プラネット
Director
仏のSF作家ステファン・ウルの長編小説を、マンガ家ローラン・トポールの絵でアニメ化した異色のファンタジー作品。未開の惑星イガムを舞台に人間型のオム族と、彼らを奴隷のように扱うドラーグ族の戦いと協調を描く。SF的イマジネーションの凄さと特異なアニメーション映像には目を見張るものがある。
お産をする山
Story
お産をする山
Writer
お産をする山
Lyricist
かたつむり
Animation
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
かたつむり
Screenplay
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
かたつむり
Writer
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
かたつむり
Director
In a distant planetoid, an industrious but hapless old farmer strives to make his vegetables flourish, however, to no avail.
小クロースと大クロー ス
Un tanneur
Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...
死の時間
Writer
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
死の時間
Screenplay
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
死の時間
Director
What is man? Man makes war, man kills man, man hunts, man is executed. A montage mixing original drawings by Topor, original shots and stock shots that ironically analyze what man is.
猿の歯
Writer
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
猿の歯
Screenplay
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
猿の歯
Director
A slow and ugly fairy tale based on the drawings of inmates at a psychiatric clinic where LaLoux worked.
アチャローネ
Writer
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
アチャローネ
Screenplay
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
アチャローネ
Director
Organic forms are beating and resorbing, reflections dance to the rhythm of Henk BADINGS 'music, circles of light flash like disturbing eyes, perpetual metamorphoses evoke a great living and throbbing organism.
チクタク
Screenplay
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
チクタク
Writer
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
チクタク
Director
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.