Jean-Claude Brisseau

Two young women in crisis prepare the separation of one of them with her companion. Without knowing that they are watched by two serial killers...

Jean-Claude Brisseau receives a film crew and some friends at his home to talk about cinema, childhood, time passing by…

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

A woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.

Two young women in crisis prepare the separation of one of them with her companion. Without knowing that they are watched by two serial killers...

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.

Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure.

Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure.

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.

Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.

Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.

Stephane, the wife of an older, prominent magistrate, coldbloodedly shoots a male visitor in her upscale home, then claims she was defending herself against a rapist. Victim turns out to be Wadek Aslanian, a gangster who's viewed as a modern-day Robin Hood. Paul, the lawyer hired by Stephane's husband, learns more than he really cares to know about his client, thanks to a series of anonymous letters. The notes provide a road map through the sordid areas of Stephane's past, allowing Paul to discover her history as an ex-prostitute, a porno movie performer -- and a frequent cohort of Aslanian. Naturally, Stephane's husband knows nothing about her past. Just as naturally , nothing that Paul discovers keeps him from falling in love with this mysterious woman.

After the death of her father, 22-year-old Céline inherits most of his estate, but gives it to her stepmother, causing her greedy fiancé to leave her. Following several failed suicide attempts, Céline is hospitalized and comes to the attention of a nurse, Genevieve, who has struggled with depression. Under her personal care, Céline gradually recovers, and the two women grow close.

After the death of her father, 22-year-old Céline inherits most of his estate, but gives it to her stepmother, causing her greedy fiancé to leave her. Following several failed suicide attempts, Céline is hospitalized and comes to the attention of a nurse, Genevieve, who has struggled with depression. Under her personal care, Céline gradually recovers, and the two women grow close.

After the death of her father, 22-year-old Céline inherits most of his estate, but gives it to her stepmother, causing her greedy fiancé to leave her. Following several failed suicide attempts, Céline is hospitalized and comes to the attention of a nurse, Genevieve, who has struggled with depression. Under her personal care, Céline gradually recovers, and the two women grow close.

17才の少女マチルドは、ある日父親のように歳の離れた49才の哲学教師と出会い恋に落ちる。中年男に唯一の心の拠り所を見つける少女と、許されぬ恋にためらいを見せつつも、少女への恋の想いに戸惑いを覚える男の揺れる心情を描いた作品。V・パラディが1990年のセザール賞新人賞、ロミー・シュナイダー賞も獲得した。J＝C・ブリソー監督作。

17才の少女マチルドは、ある日父親のように歳の離れた49才の哲学教師と出会い恋に落ちる。中年男に唯一の心の拠り所を見つける少女と、許されぬ恋にためらいを見せつつも、少女への恋の想いに戸惑いを覚える男の揺れる心情を描いた作品。V・パラディが1990年のセザール賞新人賞、ロミー・シュナイダー賞も獲得した。J＝C・ブリソー監督作。

This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

This drama depicts the misery of neglected children in big cities. 13 years old Bruno is of a good family, but since the death of his grandmother he spends most of his time alone, in a phantasy world, while his mother is away at work. But then he befriends the violent Jean-Roger, who's from a severely disturbed family, where nobody cares what he's doing. In school Jean-Roger drives their teacher into despair just for fun. To separate the two boys, she starts to stimulate Bruno's interests by giving him extra lessons. When Jean-Roger fears loosing his one and only friend, he becomes even more aggressive.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

The film follows a famous scientist who rules over his errant disabled daughter with an iron fist. He's meticulous and tyrannical, while she is impetuous but equally cruel in her own immature way.

The film follows a famous scientist who rules over his errant disabled daughter with an iron fist. He's meticulous and tyrannical, while she is impetuous but equally cruel in her own immature way.

The film follows a famous scientist who rules over his errant disabled daughter with an iron fist. He's meticulous and tyrannical, while she is impetuous but equally cruel in her own immature way.

The life of a working class family in a low rent apartment in Paris' suburb. Pierre, the father, pretends to believe in the love of his wife, who acts as she was a diva. Franck, the son, plays the rocker and escapes as often as possible from the family life. Only Nathalie, the younger one, brings balance into this breaking-down family, and puts life back into the surrounding shadows.

The life of a working class family in a low rent apartment in Paris' suburb. Pierre, the father, pretends to believe in the love of his wife, who acts as she was a diva. Franck, the son, plays the rocker and escapes as often as possible from the family life. Only Nathalie, the younger one, brings balance into this breaking-down family, and puts life back into the surrounding shadows.

A young boy moves with his mother into rent-controlled housing in a new banlieue. He begins sixth grade and meets a mysterious classmate. Produced for the "Contes pour enfants" television series that aired on former network Antenna-2.

A young boy moves with his mother into rent-controlled housing in a new banlieue. He begins sixth grade and meets a mysterious classmate. Produced for the "Contes pour enfants" television series that aired on former network Antenna-2.

A young woman unsatisfied with her life and her marriage discovers gifts of medium.

A young woman unsatisfied with her life and her marriage discovers gifts of medium.

Agnes leaves school and moves into a council house in Bagnolet with her friend Florence. She take a job as an office clerk, and becomes a staff representative after a colleague is dismissed for resisting the advances of her lecherous superior...

Agnes leaves school and moves into a council house in Bagnolet with her friend Florence. She take a job as an office clerk, and becomes a staff representative after a colleague is dismissed for resisting the advances of her lecherous superior...

The peregrinations of a group of boys and girls from Paris. Two girls swap the capital for the countryside near Montpellier. One of the girls hesitates between dream world and reality.La croisée des chemins marks the start of a significant oeuvre and is a film in which reality and dream are mixed. Jean-Claude Brisseau shot this film on Super8 in 1975. Screened in Studio 43 in Paris, the film was noticed and admired by Eric Rohmer, who attached the name of his production company Les Films du Losange to several films by Brisseau: Un jeu brutal, De bruit et de fureur en Noce blanche.

Second version of a short film Brisseau will remake in 2014.

First version

Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.

Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.

Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

A man stabbed to death is haunted by his memories and fantasies while dying alone.

A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.

A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.

A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.