Francesco Cabras

An Indian woman is looking for vengeance.

The Akram Tree is a journey through the personal and professional world of the british-bangladeshi coreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressely discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic indian kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

The Akram Tree is a journey through the personal and professional world of the british-bangladeshi coreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressely discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic indian kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

The Akram Tree is a journey through the personal and professional world of the british-bangladeshi coreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressely discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic indian kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

The Akram Tree is a journey through the personal and professional world of the british-bangladeshi coreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressely discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic indian kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

The Akram Tree is a journey through the personal and professional world of the british-bangladeshi coreographer and dancer Akram Khan. My intelligence is in my body says Akram himself, a body built by acute observations of the reality, legends, and unceasing work here well represented by Gnosis, a pièce realized in collaboration with seven artists expressely discovered in different parts of the world. These traditions and experimentations from India, Japan, Pakistan, England, Egypt, Iraq and Bangladesh collaborate together to create a work between classic indian kathak and contemporary dance. The film portrays the story of this peculiar human and artistic adventure often transcending the narration for the sake of a more visionary look influenced by the location where the documentary has been shot: the futuristic and conflictive city of Abu Dhabi with its desertic and metaphysical surroundings.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

私たちの時代の33年。 ローマのユダヤ州では、ナザレのイエスという名の神秘的な大工が「神の王国」の到来を告げ始め、謙虚な漁師のグループ、使徒たちに囲まれています。 何世紀もの間、ユダヤ人はメシアの到来を待っていました。メシアは、神聖な故郷を解放し、正義に基づいて新しい秩序を確立する摂理的な人物です。 イエスの教えは、彼がメシアであると認識する多くの信者を引き付けます。 状況に驚いたサンヘドリンは、十二使徒の一人であるイスカリオテのユダの助けを借りて、イエスを逮捕しました。 ローマに対する反逆罪で告発されたキリストはポンティウス・ピラトに引き渡されます。

Although it was shot on the set of director Mel Gibson's controversial epic The Passion of the Christ, this thought-provoking documentary is not about the making of the movie. Rather, filmmakers Francesco Cabras and Alberto Molinari delve into the nature of divinity and spiritual beliefs through revealing interviews with Gibson and members of his cast and crew -- including stars Jim Caviezel and Monica Bellucci.

第三次世界大戦後に出現した都市国家・リブリア。そこは、テトラグラマトン党の党首ファーザーが君臨し、二度と戦争が起らぬよう感情を持つことが禁じられていた。ジョン・プレストンは、同僚のパートリッジが、違反者だったことを知り射殺するが、その一件から彼の心は揺らぎ始める。そんな中、新たな同僚ブラントとともに仕事に出ることになり逮捕した違反者メアリー・オブライエンの尋問中、逆に動揺させられてしまう。

第二次世界大戦下のギリシャ・ケファロニア島はイタリア軍とドイツ軍によって占領されていた。イタリア軍占領部隊の指揮官・コレリ大尉は、マンドリンを背負った大らかで屈託のない人物だった。島民と占領軍将兵との牧歌的な日々は、やがてイタリアの単独降伏によって一変する。