Director of Photography
The wolves are howling once again, as a terrifying ancient evil emerges in Beacon Hills. Scott McCall, no longer a teenager yet still an Alpha, must gather new allies and reunite trusted friends to fight back against this powerful and deadly enemy.
Director of Photography
After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Winslow, the demented Firefly clan escape to unleash a whole new wave of murder, madness and mayhem.
Director of Photography
Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.
Camera Operator
The sequel to House of 1000 Corpses – the Firefly family are ambushed at their isolated home by Sheriff Wydell and a squad of armed men guns blazing – yet only Otis and his sister, Baby, manage to escape the barrage of bullets unharmed. Hiding out in a backwater motel, the wanted siblings wait to rendezvous with their errant father, Captain Spaulding, killing whoever happens to stand in their way.
Director
When Morris and Malik's "uncle" lets them use his ultra-hip Miami beach house they think they have it made...until Malik's cousin E arrives and steals their thunder, throwing the biggest party the beach has ever seen, inevitably leaving the house trashed.
Cinematography
A murder in a small town sets the stage for this highly improvised character driven film.
Cinematography
When Emily Woodrow and her friends happen on a treasure chest full of gold coins, they fail to to heed the warnings of a wise old psychic who had foretold that they would encounter trouble with a very nasty and protective Leprechaun.
Director
Paper Soldiers follows an overeager burglar named Shawn (Kevin Hart) through the ups and downs of his short, stressful career.
Cinematography
Sarah Morris made the film “Capital” in Washington during the final days of the Clinton administration. It is a record of now unimaginable access to the centers of power. Capital continues Morris’ investigation of the way we decode and therefore begin to understand the built world around us. “Capital”, first exhibited at the National Gallery in Berlin (Hamburger Bahnhof) draws a complex and layered city portrait. The Mall, the White House Press Office, the World Bank, uniformed members of the Secret Service, the Presidential motorcade, the Watergate Complex, the Kennedy Center, the J. Edgar Hoover Building, The Pentagon, the daily activities of the President and an overall consideration of the city form a sequence of reflection points for her series of paintings. While her earlier paintings from New York and Las Vegas offered a new examination of the codes and structures of our urban environment, these new works introduce a revised mapping of power, desire, urbanism and design.
Director of Photography
In Crash & Burn, two lovers who are ready to split up find each other after a 24-hour tailspin.
Director of Photography
Taking its title from an all-day/all-night convenience store, “AM/PM” examines the famous Las Vegas Strip, portraying the disorienting world of corporate hotels and casinos which utilise and redefine the spectacle in relation to architecture. “AM/PM” posits the concept of distraction itself as a strategy and the city as a conspiracy, which manipulates and directs the visitor.
