Liniers

出生 : 1973-11-15, Buenos Aires, Argentina.

略歴

Ricardo Siri, better known as Liniers is an Argentine cartoonist, illustrator, painter and publisher known for being the author of Macanudo, which has been published since 2002 in the newspaper La Nación, among other works. In 2012 he received a Diploma of Merit in Visual Arts by the Konex Foundation, in 2014 he was declared Outstanding Personality in the Field of Culture of the City of Buenos Aires by the Porteña Legislature and in 2018 he received an Eisner Award in the Best Publication for Novice Readers category for his book "Buenos días, planeta", and the Inkpot Award.

参加作品

Dispuesto a todo
Art Designer
Plaga zombie: zona mutante: revolución tóxica
Linierzombie
An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.
Liniers, el trazo simple de las cosas
Self
Winter 2007. Two artists from Argentina receive a grant to develop their work in Montreal (Canada). The only catch? They have to share an apartment. In this way filmmaker Franca González and cartoonist Ricardo Siri Liniers come to know each other. From the moment González becomes the roommate of Liniers, a friendship emerges between them and she makes him the proposal of doing a documentary about him. The film starts with an argument to get Liniers permission to chase him with videocameras and ends up becoming one of the most tender portraits ever done of the artist, reflecting the transcendence that ensues from the simple line of his drawings.
Kevin Johansen: Vivo en Buenos Aires
Himself
Vivo en Buenos Aires es un DVD (obviamos el comentario del CD, que contiene siete temas menos, por razones obvias) de interesantísima factura artística y que muestra cabalmente lo que ofrece Kevin Johansen en cada una de sus actuaciones, manteniendo el mismo espíritu incluso de aquellas series de actuaciones en lugares intimistas como Notorious hace ya casi una década. Una suerte de grandes éxitos en vivo que no admite demasiados reparos, más allá de las preferencias personales de cada uno (me anoto, total es gratis, con La procesión, Me fui pa'l Monte, No me abandones, Ni idea). Kevin Johansen tiene, en The Nada, a un combo numeroso que no solamente patea hacia el mismo arco sino que, conscientes de sus bondades y limitaciones, se la pasan entre ellos; y encontró en Liniers a un aliado no forzado que ha sabido comprender (y reflejar) con certeza para qué lado queda el arco contrario. Y todos disfrutan. Arriba y debajo del escenario.