Emilio Gavira

Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.

During a break on a rooftop, Teco, a young baker, notices the intriguing fall of a strange bird. He decides to venture to the next roof to have a closer look. This is only the beginning of a most unbelievable journey on the labyrinthine rooftops of Roma.

When Carlos (Eduardo Antuña) invites his father (Boris Ruiz) and his brother (David Pareja) to spend a pleasant New Year in a strange house isolated in the forest with him and his wife Ana (Itziar Castro). But what promised to be a quiet family dinner, suddenly is interrupted by the presence of a peculiar vagabond, dwarf and very bad man, who claims to be God (Emilio Gavira).

Catalina is a 35 years old make-up girl that works in a funeral house and dreams of being an actress. A fairy godmother appears and give her the chance to be part of her dream: Being part of her favorite soap opera: “Cosmética Horror”.

A look at the life of Jorge Mario Bergoglio, form his early childhood days in Argentina to his becoming Pope Francis.

Carlos has been fruitlessly looking for a job for years. One day, he finds a very special company called Nothing Co. The company is offering a job where the worker is paid to do nothing... but that day, his life will turn upside down.

A criminal produces an uncontrollable laughter to the population and Mortadelo and Filemón will have to stop him.

人気闘牛士の娘カルメンシータは生後間もなく母を亡くし、その後父が再婚。ところが継母は非常に意地が悪く、カルメンシータは継母にひどい目に遭わされながら育った。ある日、継母によって危うく殺されかけた彼女は「こびと闘牛士団」の小人たちによって助けられ、ブランカニエベス（白雪姫）という名で一座と一緒に見世物巡業の旅へと出発する。やがてカルメンシータは、女性闘牛士として才能を開花させていく。

A religious organization interferes with the life of a terminally ill girl.

The planet is facing a great threat. During the worst drought ever known, a group of wrongdoers are in the process of finishing all the reserves of water that remain on Earth. The best secret agents in the world meet urgently, but they don't even have a clue. To make things even worse, the evil Botijola plans to sabotage the meeting. His intention is to convert the water into a substitute. In order to do this, he also tries to kidnap mad Professor Bacterio and get him to work for him. However, there are two things Botijola wasn't expecting. On the one hand, Bacterio, before being kidnapped, hid the parts of his invention in different historical moments, using a time machine. On the other hand, there are two international agents who haven't turned up at the sabotaged meeting, two agents who become the world's only hope: Mortadelo and Filemón.

"Escuela de seducción" is an acceptable comedy which deals, for the umpteenth time, with the war of the sexes using misunderstandings and fake personalities as dramatic resources. The premise is by no means original, but this is something most films lack nowadays, and therefore the result could have been more than acceptable.

Two botcher killers, Paco and Alex carry out a crime caper. Later on, they are joined by Tatiana - ​a young whore, who shows great love for Alex. In pursuing its objective the losers will face a group of murderers, a butcher with dark business, a nasty gangster and a lot more...

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

Jesus and Maria are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.