Jerry, his girlfriend Angela, and their friend Harold take a trip to a local seaside carnival, but when the carnival's fortune teller, Madame Estrella, predicts death for someone close to Angela, strange things begin to happen.
는 전설적 포크락 가수 밥 딜런 특유의 시적인 가사를 줄기로 삼아 밥 딜런의 7가지 서로 다른 자아의 이미지와 이야기들을 연달아 진행시키며 미국 역사상 가장 강렬한 아이콘의 생동감 있는 초상을 완성한다. 음악적 변신으로 비난 받는 뮤지션 '쥬드'(케이트 블란챗), 저항음악으로 사랑받는 포크 가수 '잭'(크리스찬 베일), 회심한 가스펠 가수 '존'(크리스찬 베일)이 대중에게 주목받는 뮤지션으로서의 밥딜런의 실제 삶을 보여준다면, 영화 속 영화에서 '잭'을 연기하는 배우인 '로비'(히스 레저)는 밥 딜런이 아니면서도 어딘가 그를 닮은 미묘한 인상을 남긴다. 은퇴한 총잡이 '빌리'(리처드 기어)와 시인 '아서'(벤 위쇼). 그리고 음악적 스승 '우디'는 밥 딜런의 문화적 배경과 영감의 원천을 상징하며 아이덴티티를 농밀하게 완성해낸다. 영화제 소개 글. 밥 딜런의 삶과 음악을 일곱명의 캐릭터를 통해 비춰낸다는, 색다른 형식의 전기영화. 영화는 밥 딜런이 살았던 시대와 인생에 대한 비전통적인 여행이다. 6명의 배우가 딜런의 페르소나-공적, 사적, 환상적인 페르소나에 이르기까지-가 되어 연이어 등장하며 미국 역사상 가장 강렬한 아이콘의 생동감있는 초상을 완성한다. 시인, 선지자, 외부인, 가짜, 유명스타, 록커, 회심한 기독인이라는 7개의 아이덴티티가 함께 모여 각각이 은유하고 있는 시대를 농밀하게 표현하며 하나의 인생을 살아 숨쉬게 한다.
When stubborn, spotty Kevin and his equally hopeless best friend Perry go on holiday to the party island Ibiza, they see it as their big chance to become superstar club DJs and, more importantly, to lose their virginities. But they aren't prepared for the interference of top DJ Eyeball Paul, not to mention the embarrassment factor of Kevin's long-suffering parents.
석고에 덮여 죽은 고양이가 실수로 조각상으로 오해받는 일이 생기고, 한 식당 종업원이 이 작품의 작가로 호평을 받게 된다. 그의 더 많은 찬사를 받고자 하는 욕망은 점점 더 치명적인 일련의 작품들로 이어지게 되는데...
The horrifying yet delicious and chewy Gingerdead Man causes murder and mayhem on the set of a horrible low budget movie set. It will take the determination of the studio's young new owner to save both his company and well as the lives of his young new friends. Including a terminally ill young boy whose final wish it was to meet the studios stars - The Tiny Terrors.
A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.
A mysterious hypnotist is suspected by the police of being responsible for a wave of young, attractive women committing various forms of self-mutilation.
A group of beatniks unwittingly harbor a serial rapist. A cop goes after him after his wife is attacked.
The poet and painter, Lawrence Ferlinghetti, is among the world's living monuments to arts and letters. For well over a half century, Ferlinghetti helped shape the currents of poetry and literature with his forceful engagement with society and an ideological position that often found him at odds with the political currents of his day. Ferlinghetti's quiet, behind the scenes demeanor and disarming mien may have assuaged, or even fooled, certain opponents, while in reality he was a literary mercenary, a rebel at the forefront of our own cultural revolution.
This once controversial British movie that was filmed in ‘62 but released in ‘65 involves the fiancé of a depressed American heiress searching for her whereabouts amongst the Chelsea “beatnik” scene. Answers are hard to come by from the nihilistic hedonist youth that know her - but they provide mysterious hints to wild parties, sex, death and necrophilia.
Flying Saucer Rock N Roll is the debut feature film from the father-son duo Eric and Joe Callero. The year is 1957 as a group of rockabilly and beatnik teens are visited by weed smoking Martian zombies who have come to take their earth women. Filmed with respect for classic horror films and full of laughs as the viewer is taken on an adventure like no other.
A rare beatnik artifact of the early 1960s, one of only a few such films made before the hippies took over Hollywood. Low budget and in b&w, it's set in Greenwich Village, with what seems like a mostly improvised script. It begins as a late film noir crime tale involving a bank robbery where only one of a group of thieves escapes with his life, as well as $90,000 in loot. Injured and on the run, he hides in a local tour bus and is soon taken in by a group of bohemians who shoot him full of morphine to ease his pain and let him sleep it off on a mattress. Mason is the head beatnik. There's also the owner of both an upstairs coffeehouse and garret, where these beatniks hang out. They, in turn, bring the tourist trade in. Although the robbery is supposed to be the main focus of the plot, it quickly turns into more of a character study featuring these rebellious bon vivants and their odd lifestyle...
Three beatniks are brought together to rob an armored car, only to face betrayal from amongst their ranks.
A young singer's chance at fame is threatened by his hoodlum pals.
Witness the last days of the Beat poet whose works would capture the very essence of the 1960 counter-cultural movement in an informative documentary featuring Allan Ginsburg's final television interview as well as remarkable deathbed footage shot by underground cinema icon Jonas Mekas.
Two beatniks get their kicks by dealing drugs and violence.
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
A square rich boy wants to make it with a pretty folk singer, so he buys the coffee house where she and a bunch of other beatniks perform. Features performances by The Goldebriars, The Free Wheelers, and a very young Joan Rivers doing a stand-up routine.
An advertising executive and some friends go on an all-night pub crawl and lament about life, love, society, and existence in general.
