Himself (Archive footage)
ARTE documentary about a stage director Robert Wilson.
Novel
Huckabee's 2019 re-edit of the original 1983 film "Taking Tiger Mountain", adding digital effects, new sounds and a newly shot scene.
Self (archive footage)
치열한 경쟁에서 살아남아야 하는 세상. 각성제 애더럴은 많은 이에게 무기가 될지 모른다. 더욱 빠르게, 더욱 강하게, 더욱 영민하게! 하지만 그 대가는 무엇일까.
Self (archive footage)
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Self
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.
After two years of filming, director Howard Brookner brought inventor and photographer Robert E. Fulton III a trunkful of William S. Burroughs footage to see if Fulton could edit his film. The result was a decidedly experimental 23-minute cut. The director was looking for a more narrative approach, so Fulton’s edit was never used.
Thelema Now! host Frater Puck discusses William S. Burroughs, possession, synchronicities and chaos magick
Writer
To celebrate the 100th birthday of America's most audacious writer, William S. Burroughs, Chicago Humanities Festival brings together a motley crew of poets, writers, and musicians. William Seward Burroughs (1914 - 1997) was an American writer and visual artist. He was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs's needs took him across the United States, down into Mexico, to Europe and beyond. On his travels, he meets up with various members of the underground drug and "outcast" cultures.
제네시스는 전자음악, 하우스 및 테크노의 대부로 지난 30년간 언더그라운드 음악의 선구자로 추앙받은 인물. 동시에 그의 영원한 뮤즈 레이디 제이로의 과장된 여장으로 유명하다. 자신의 몸을 예술의 일부로 삼아 실험적 삶을 살고 있는 아티스트의 삶을 조명한 영화. (2011년 제12회 전주국제영화제)
Himself
Provides an insider's view of the groundbreaking, outrageous, creative juggernaut that was the band Ministry - during their world tour - as front man Al Jourgensen slips into drug addiction. Ministry made industrial rock mainstream, and along the way their music and take no prisoners lifestyle influenced the leaders of today's most important bands, many of whom are in the film.
Self
A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.
Narrator (voice)
An exhaustive examination of cut-ups, the control machine, and the algebra of need figure in this epic found-footage adaptation of Burroughs’s 1964 novel, which pits Inspector Lee and the Nova Police against the Nova Mob: Sammy The Butcher, Green Tony, The Brown Artist, Jacky Blue Note, Izzy The Push, The Subliminal Kid, Uranian Willy, and Mr Bradly Mr Martin, alias The Ugly Spirit. Features unreleased readings by Burroughs and voiceovers by Proctor & Bergman of the Firesign Theatre on such topics as hot crab people, language as virus, tape recorder warfare, death dwarfs, and Hassan Sabbah: the Old Man of the Mountain. “Minutes to go. Souls rotten from their orgasm drugs, flesh shuddering from their nova ovens, prisoners of the earth to come out.” (via cinema.indiana.edu)
Writer
An exhaustive examination of cut-ups, the control machine, and the algebra of need figure in this epic found-footage adaptation of Burroughs’s 1964 novel, which pits Inspector Lee and the Nova Police against the Nova Mob: Sammy The Butcher, Green Tony, The Brown Artist, Jacky Blue Note, Izzy The Push, The Subliminal Kid, Uranian Willy, and Mr Bradly Mr Martin, alias The Ugly Spirit. Features unreleased readings by Burroughs and voiceovers by Proctor & Bergman of the Firesign Theatre on such topics as hot crab people, language as virus, tape recorder warfare, death dwarfs, and Hassan Sabbah: the Old Man of the Mountain. “Minutes to go. Souls rotten from their orgasm drugs, flesh shuddering from their nova ovens, prisoners of the earth to come out.” (via cinema.indiana.edu)
Himself
In 1960, Brion Gysin invented the Dream Machine, a hypnotic light device with the power to induce hallucinations, drugless highs, and revolutionize human consciousness. It looks simple enough; a 100-watt light bulb, a motor, and a rotating cylinder with cutouts. Just sit in front of it, close your eyes, and wait for the visions to come. The Dream Machine enthralled mystics and freethinkers everywhere; Kurt Cobain had a dream machine, and William S. Burroughs thought it could be used to “storm the citadels of enlightenment.” With a custom-made Dream Machine in tow, director Nik Sheehan takes us on a journey into the life of Brion Gysin; his art, his complex ideas, and his friendships with some of the most eccentric counter-cultural icons. Taking the Dream Machine as the basis of its explorations, FLicKeR asks crucial questions about the nature of art and consciousness, and imagines a humanity liberated to explore its creativity in complete freedom.
Writer
Himself
A look at the life and work of American publisher Barney Rosset, who struggled to bring controversial works like "Tropic of Cancer" and "Naked Lunch" to publication.
Writer
Writer
At once wryly comedic travelogue and heartbreaking tale of love lost, THE JAPANESE SANDMAN is a visual interpretation of a letter William Burroughs' wrote to Allen Ginsberg in 1953, recounting his travels in Central America. Told through Burroughs' wickedly incisive voice, cocaine snorting in Panama and post-prom hand-jobs in 1931 St. Louis become a meditation on loss, memory and the human condition.
A portrait of the American Beat Generation writer William S. Burroughs (1914-1997) based on never-before-seen footage from his visit to Denmark in October 1983, and from his later years in Lawrence, Kansas. After having spent more than a quarter of a century outside of the United States, in Mexico, Tangier, Paris and London, Burroughs returned to New York in 1974. Shortly after, he began touring and reading his work to new generations of readers and thus establishing himself as a cult figure. The film focuses on Burroughs' unique talent as a performer, and on his later work, especially what is known as The Last Trilogy. In addition to the historic footage there are new interviews with friends and colleagues.
Tom the Priest
A look at the mystique of road movies, combining interviews, film clips, music, photography, literature and a narrative storyline featuring Paul Rudd and Tom McCarthy.
Self (archive footage)
A documentary about the film, I am Curious-Yellow (1967), and how it made it into the USA and changed film in USA forever by breaking the USA Obscenity Codes.
John McNaughton's spotlight on George Condo and his art. The film, which follows the progress of Condo's large-scale oil painting Big Red over the course of one year, features an appearance by Allen Ginsberg, as well as footage of Condo collaborating with William S. Burroughs on paintings the two made together at Burroughs' Kansas home in the mid-1990s.
Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."
Himself
One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal's poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles--at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs--are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.
Self
Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.
Preacher on Radio (voice)
The end of the millenium has taken on a certain significance in modern day prophecies. What happens if Jesus Christ has second thoughts about the Apocalypse? It is December 31, 1999 and New Year's Eve takes on new meaning when the Devil, Jesus Christ, and Christ's assistant Magdelina discuss and debate the end of the world, the opening of the seven seals, and the essence of being human.
himself
The great Beat Generation experiments took place in Tangier, the Moroccan city where William Burroughs, Brion Gysin, and the Moroccan painter Hamri taught Jack Kerouac, Timothy Leary, and Allen Ginsberg how to live outside the law. This DVD features one of the last interviews with Burroughs and previously unseen vintage footage of him in his prime during the 50s and early 60s.
Novel
A disturbingly organic-looking figure speaks to us of life, politics and death as the symbol of the common man toils away. Written and narrated by William S. Burroughs.
Narrator
A disturbingly organic-looking figure speaks to us of life, politics and death as the symbol of the common man toils away. Written and narrated by William S. Burroughs.
Self
Sissy Hankshaw is born with enormous thumbs that help her hitchhiking through the US from a young age. She becomes a model in advertising and her NY agent 'the Countess' sends her to his ranch in CA to shoot a commercial, set against the background of mating whooping cranes. There, she befriends Bonanza Jellybean, one of the cowgirls at the beauty- ranch.
Himself
A collage of Derek Jarman's super 8 footage spanning over 20 years.
Filmmaker Larry Weinstein stages a wide range of performances in tribute to the compositions of Kurt Weill.
Himself
Documentary about Kenji Sugimoto, professor in Math and Science history at Kinki university in Japan. He has spent the last 30 years publishing works about Einstein and his personality. To complete his works he travels to America to find Einstein's brain.
Novel
Burroughs takes down a book and reads us the story of Danny the Carwiper, who spends Christmas Day trying to score a fix, but finds the Christmas spirit instead.
Narrator
Burroughs takes down a book and reads us the story of Danny the Carwiper, who spends Christmas Day trying to score a fix, but finds the Christmas spirit instead.
Himself
A 1992 documentary about the making of Naked Lunch.
Novel
1973년 뉴욕시의 살충 구제원 빌은 시간이 남을 때면 아내 존과 마리화나를 피우면서 시간을 보내곤 한다. 그러던 어느날 자신의 살충약이 없어져 사장과 다투게 되고, 경찰로부터 마약을 상용하고 있다는 혐의를 받게 된다. 마약을 끊기 위해 밴웨이라는 의사를 찾아가서 도움을 구하지만 그가 권해준 약물은 오히려 그의 증세를 악화시키고 환각의 세계로 뒤섞이게 만든다. 빌은 별별 이상한 사람들이 들끓는 도시로 긴 여행을 하게 된다. 이곳에선 타이프라이터가 말을 걸어오고, 죽은 아내가 다른 사람의 아내로 살고 있다. 빌이 이 지옥을 빠져나가려 할 수록 더욱 미로 속으로 빠져들기만 한다.
James "Hive" Maker
Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.
Writer
An indictment ballad of all the different political groups in America.
Himself
An hour-long interview with author William S. Burroughs in which he expounds on American culture, art and morals.
A Speaker
An indictment ballad of all the different political groups in America.
Writer
Inspired by the German folktale, Wilhelm, a file clerk, falls in love with a huntsman's daughter. In order to marry, Wilhelm must prove his worth as a hunter and gain her father's approval. Naive and desperate, he makes a deal with a devil named Pegleg.
Butler
This musical is based on four short stories by Damon Runyon. In one tale, gambler Feet Samuels sells his body to science just as he realizes that Hortense loves him and that he would rather live than die. In another story, Harriet's parrot is killed, and she has problems dealing with her loss. Then, there is a gambler, "Regret", who has bloodhounds on his trail when he becomes a murder suspect. Finally, "The Brain" is bleeding profusely, and his friends search for a way to save his life through a blood transfusion.
Tom the Priest
마약 중독자인 밥은 그의 아내 다이앤과 친구 데이빗, 네이딘과 함께 약국을 털며 생활한다. 약국에서 가져온 약들은 환각제로 둔갑하여 그들에게 기쁨을 주기도 하고, 환각제를 찾는 이들에게 판매가 되어 돈을 벌어주기도 한다. 하지만, 밥의 뒤를 끈질기게 쫓아다니며 괴롭히는 경찰때문에 그들은 새로운 보금자리를 마련한다. 하지만, 새로운 보금 자리 역시 경찰의 감시를 벗어나기는 힘들다. 밥은 그를 감시하고 있는 경찰을 골려주려고 이웃집 남자를 부추겨 경찰에게 총을 쏘도록 꾀를 부린다. 어느 모텔에 묵고 있던 넷은, 의견충돌로 다투게 된다. 밥과 다투고, 항상 밥에게 복종하는 데이빗에게 화를 낸, 네이딘은 모텔에 혼자 남게 되고, 나머지는 병원을 털러 간다. 하지만, 병원에서의 약탈은 쉽지 않고, 이들은 간신히 병원을 빠져나온다. 모텔에 들어온 그들은 약물과다로 시체가 된 네이딘을 발견하고, 시체의 처리로 고심한다. 결국, 임시로 모텔의 천장에 숨겨두려고 하지만, 곧 이 모텔에서 지방경찰들의 행사가 열리기 때문에 방을 비워달라는 요청을 받게 된다. 사방에 경찰들로 쫙 깔린 모텔에서 어떻게 시체를 처리할지 난감한데…
Self
Celebrities and creatives -- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- recall their earliest sexual experiences.
Man in Barn
An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV evangelist. Also living at the farm is his layabout daughter and her precocious 8 year old daughter, his would-be artist son, the son's fiancée, and the black maid. Also thrown into the mix is the daughter's ex-husband, a ne-er-do-well who is seeking to get back in his ex-wife's good graces.
Himself
Maria Beatty's documentary exploring the insights and influences of the American Beat Poets. The film conveys their consciousness and sensibility through interviews with William Burroughs, Allen Ginsberg, Diane Di Prima, among others. Also weaves in additional commentary from contemporary musicians, poets and writers such as Marianne Faithfull, Richard Hell, Lydia Lunch and Henry Rollins. Also expands upon how the poets reached new levels of creativity and inspired social change.
Self
A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985.
Self
‘프리 재즈’를 통해 미국 뿐 아니라 세계적으로 큰 인기를 누린 재즈 뮤지션 오네트 콜먼(1930~2015)의 삶을 다룬 다큐멘터리. 셜리 클락은 인터뷰, 공연 기록 영상, 뮤직 비디오 등 다양한 자료를 한자리에 모아 오네트 콜먼이 걸어온 발자취를 다양한 관점에서 조망한다. 셜리 클락이 연출한 마지막 작품.
Documentation of the showcase titled 'The Final Academy', filmed on October 4, 1982 in The Haçienda, Manchester. Video 1 features the movies "Towers Open Fire" and "Ghosts at No. 9", video 2 features Burroughs' readings and performances by John Giorno and Brion Gysin.
Old Man
F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.
Self
An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth.
Story
"The Discipline of D.E." is a short 16mm film directed by Gus Van Sant. It’s based on a story in “Exterminator!” by William Burroughs that at times reads like Buddhist noir: "DE is a way of doing. DE simply means doing whatever you do in the easiest most relaxed way you can manage which is also the quickest and most efficient way, as you will find as you advance in DE.You can start right now tidying up your flat, moving furniture or books, washing dishes, making tea, sorting papers. Don't fumble, jerk, grab an object. Drop cool possessive fingers onto it like a gentle old cop making a soft arrest.”
Writer
Militant feminist scientists brainwash research subject to assassinate the Welsh Minister of Prostitution. Meanwhile World War III is being fought and the USA has been invaded.
Writer
Experimental artistic film which uses the milieu of experimental art with a background of various kinds of sounds and music. (worldcat.org) Posthumously released short film compiled from reels of film found at Balch’s office after his death.
Experimental artistic film which uses the milieu of experimental art with a background of various kinds of sounds and music. (worldcat.org) Posthumously released short film compiled from reels of film found at Balch’s office after his death.
More than 20 contemporary North American poets recite, sing, and perform their work. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours.
Filmed in Wendover, Nevada, in early 1981, Energy and How to Get It combines documentary and fictional ideas. What began as a documentary film about Robert Golka, an engineer who was experimenting with ball lightening and the development of fusion as an energy force, was turned into a spoof on the documentary form, inserting fictional characters into the story such as the Energy Czar (William Burroughs), and a Hollywood agent (filmmaker Robert Downey). (mfah.org)
Narrator (voice)
A documentary epic on magical healing in the Himalayas.
This TV documentary was made for the UK BBC TV "Arena" strand in 1981, and shows some of the colourful residents of and people connected with the New York Chelsea Hotel. Some highlights include Andy Warhol and William Burroughs having dinner; Quentin Crisp pontificating in a blue rinse hairdo on his balcony and Nico forgetting what she is talking about halfway through a dour rendition of "Chelsea Girls". A number of lesser-known characters also appear, linked together by a tour guide walking around the building and some sub-Shining sequences of a child cycling round the landings on a rickety tricycle. (IMDb)
Himself
After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.
Himself
Thot-Fal’N is a typical piece of Stan Brakhage montage: 9 minutes of completely silent close-ups, shots blurred to incoherence, and occasional clips of American streets or people. Among the identifiable humans there’s a brief sequence with William Burroughs and a balloon, and also shots of Allen Ginsberg and Peter Orlovsky.
Self
In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)
Writer
Experimental film by William S. Burroughs and Antony Balch
Himself
Experimental film by William S. Burroughs and Antony Balch
Writer
A short film about a mysterious ceremony, based on an essay by William S. Burroughs.
A film about Alexander Trocchi. Scottish born poet, writer, translator and author of "Young Adam" and "Cain's Book". Part of the film was made at the old Arts Laboratory and includes a discussion with William Burroughs. A portrait of Alexander Trocchi, covering his history as a writer, his interest in drugs, his family life, and ‘Sigma’, the organisation he founded to bring together like-minded people.
Writer
A 1968 collaboration between jazz musician Daniel Humair and beat author William S. Burroughs that recuts and reinterprets the 1922 silent film "Haxan" with a Burroughs' dark and wryly comic tone. Essentially the first "remix" film.
Narrator
A 1968 collaboration between jazz musician Daniel Humair and beat author William S. Burroughs that recuts and reinterprets the 1922 silent film "Haxan" with a Burroughs' dark and wryly comic tone. Essentially the first "remix" film.
Himself
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
Opium Jones
Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.
Story
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.
Writer
Antony Balch tackles key themes and ideas from the writing of William S. Burroughs in a unique, cinematic style.
Antony Balch tackles key themes and ideas from the writing of William S. Burroughs in a unique, cinematic style.
Writer
A bizarre silent short film showing author William S. Burroughs negotiating to buy a parrot.
Himself
A bizarre silent short film showing author William S. Burroughs negotiating to buy a parrot.
Story
Christmas Eve, a cold junkie roams the city trying to score a fix. Peculiar wanderers and a strange briefcase make his night less lonely.
Novel
Lee is an insecure man afflicted with heroin withdrawal who is driven to pursue a young man named Allerton.
Mafioso
An ironic New York City thriller involving a mafioso and a restless, witty lawyer.