A Shape of Time - the composer Jo Kondo (2016)

“왜 나갈 수 없다는 거죠? 이해가 안 돼요. 무엇이 방에서 그들을 붙들고 있는 거죠?” 한정된 공간에 갇힌 사람들이 생사가 오가는 과정에서 인간의 본능을 표출한다. 협력과 반목이 나타나고 하고 싶은 것을 하지 못하는 인간의 내면 발견한다. 점점 보이지 않는 세계에 대한 상상과 탐구 속으로 빠져들어 가는데...

This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

On December 11, 2022, Ryuichi Sakamoto’s solo piano performance will be streamed in the form of a concert. However, what we will experience that day is carefully recorded footage of Sakamoto performing a few pieces of music each day over the course of a week, that was then thoughtfully edited together. This is last performance.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.

Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.

"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.

The first experimental dance film from Croatia, which pays homage to the pioneer of experimental and dance film Maya Deren and her "Study in Choreography for Camera" from 1945. The theme of the film is inspired by a composition by Ivo Malec "Miniatures for Lewis Carroll", and the dance is performed by the members of the Studio for Contemporary Dance who, in black suits and white surroundings, seem to float in the space captured by the eye of the camera.

2017년 제작 및 초연한 현대 오페라로서, 니코 뮬리가 작곡하였다. 알프레드 히치콕의 서스펜스 영화 마니의 토대가 되었던 윈스턴 그레이엄의 소설을 원작으로 하는 이 작품은 거짓과 협박으로 물고 물리는 남녀 관계 뒤에 숨은 진실을 파헤치는 과정에서, 스릴러와 로맨스의 성격을 동시에 띄고 있다. 이자벨 레너드가 타이틀 롤을 맡으며, 마니를 협박해 결혼하는 남편 역으로 크리스토퍼 몰트만, 그리고 이스틴 데이비스와 재니스 켈리 등이 캐스팅되었다. 관록의 메조소프라노 데니스 그레이브스가 마니의 어머니 역할을 맡으며, 로버트 스파노가 지휘자로 메트에 데뷔하였다. 도벽이 있는 마니의 결점을 알면서도 매력에 빠져버린 젊은 기업가 마틴 리트랜드는 그녀를 고용한다. 그러나 그녀는 버릇을 버리지 못하고 돈을 훔치고 마는데...

This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.

“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University.

Olivier Messiaen played a leading role in the evolution of 20th-century music. In this classic interview, the late composer talks on topics such as his love of nature and his fervent Christian faith, two themes that profoundly shaped his work; his views on rhythm and tonal color; his relationship with his mother, the poet Cécile Sauvage; and his professorship at the Paris Conservatoire. Film clips of Messiaen improvising on the organ and notating birdsong for his compositions—plus excerpts of his music, some of which are performed by his wife, the celebrated pianist Yvonne Loriod—provide a deeper appreciation of his special genius. (79 minutes)

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

Knots and Fields examines the aesthetic debates and tensions that have animated the Darmstadt courses over six decades, exploring their relevance today in an increasingly globalised environment.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

José Manuel Ortiz, 32, has had a great interest and sensitivity towards music since he was very young. He grows up listening to the anecdotes of his great-grandfather Carlos Amable Ortiz who was the first academic musician in Ecuador. After the death of Carlos Amable Ortiz, his fame begins to fade, but his 237 scores have managed to survive time. Upon recovering the works, José Manuel's interest in studying and deepening the music found is awakened.

A documentary on the life and work of the composer Sofia Gubaidulina.