Non credo in niente

In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.

현란한 테크닉과 무대 매너로 80년대를 주름잡은 최고의 스타 레슬러 랜디 '더 램' 로빈슨(미키 루크). 20년이 지난 지금, 심장이상을 이유로 평생의 꿈과 열정을 쏟아냈던 링을 떠나 식료품 상점에서 일을 하며 일상을 보내던 랜디는 단골 술집의 스트리퍼 캐시디(마리사 토메이)와 그의 유일한 혈육인 딸 스테파니(에반 레이첼 우드)를 통해 평범한 행복을 찾으려 노력하지만, 냉혹한 현실은 그에게 더욱 큰 상처로 돌아온다. 결국, 죽을 수도 있다는 의사의 경고를 뒤로 한 채 그의 생애 최고의 레슬링 매치를 위해 링에 오를 준비를 한다.

It's autumn in New York. Sam has broken up with his girlfriend and his father has recently died. World-weary and sloppy drunk, he finds temporary solace in the arms of Anna, a mysterious vampire who draws him away from his friends and into a web of addiction and madness.

In the desolate countryside, haunted by recurrent dreams, a young drifter finds himself at the borderlands between the living and the dead.

The film shows the passing of a day in the life of a young woman. In the beginning, she is alone in her apartment. It seems that she is going through a separation from her beloved person (a female). She is trying to cope with this loss by reading (a book by Renée Vivien and a poem by Goethe), moving around things in the apartment, thinking about the lost person. As the day ends and night falls, a nightmare-like vision haunts her - and a new path of hope opens up. This is the primary story of the film, told in a particular way, by means of storyboard and off-narration, inspired by the works of Marina Abramovic, Chantal Akerman, Guy Gilles and Chris Marker.

A portrait of Larry Loomer, the owner of an antiquarian bookstore located in a small town. Larry is a colourful and amusing character who shares his wry take on the world.

The sudden arrival of a group of enigmatic freaks in a dying dust bowl community throws the town into chaos, causing its flimsy social order to crumble.

A voyeuristic night photographer discovers that she has become the subject of some thing's lens.

At a peculiar dinner party, an actress tries to survive amidst visions of her darkest nightmares. Without the slightest notion of space-time, the bewildered actress faces her fears and addictions, lost between what could be real or a figment of her imagination, dinner takes on a life of its own.