A young woman has three suitors on her father's logging ranch on the Quebec frontier.
François Cardinaud is one of the richest shipowners in the region. But this success arouses resentment and jealousy. When Marthe, his wife, leaves the home without warning, Cardinaud sees her life cracking little by little.
A loving couple Martin and Lea have some problems with each other too.
Judge Julien Lamy regularly deals with the welfare of children, namely down on their luck delinquents. When an orphan named Alain Robert burns down a barn belonging to his abusive foster family, Judge Lamy has no choice but to send him to a juvenile jail. There he meets an older boy named Francis Lanoux, who is desperate to escape and be reunited with his girlfriend Sylvette. The boys eventually flee the institution, as Francis goes in search of his lost love and Alain continues looking for his parents. Unfortunately, the little rebels run into some big problems once on the outside.
Hélène and Aldo Giovanni are a circus trapeze double act and a couple. Aldo is temporarily replaced by former-partner Alexandre when the former is injured. The two get into a fight and the following day Alexandre is discovered dead. Hélène suspects her husband is responsible for the murder.
Over the course of one night, a gang of twelve criminals carry out a commando-like raid on a small town.
은 한 젊은 여성이 중심에 서는 작품이다. 크리는 그녀의 약혼자와 함께 산에 위치한 리조트로 여행을 떠난다. 약혼자와 함께 로맨틱한 주말을 기대하지만 그녀는 곧 실망하고야 만다. 리조트를 운영하는 부유한 후원자가 재산을 모두 잃고 바닥 같은 삶을 살고 있기 때문이다. 장 그레미용의 저력을 확인할 수 있는 사회 드라마. (2011년 한국시네마테크협의회 - 프랑스 영화의 황금기: 1930-1960)
Reported missing in 1940, Jacques Ledru comes back to Strasbourg as Martin Schmidt. He tracks down his wife Genevieve, but she's remarried and has taken the head of his shipping company. She and her husband will do anything to get rid of Jacques and keep his company.
The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.
A famous FBI agent's vacation is interrupted by murder. His investigation leads him on the trail of three women of the local upper middle class.
Diary of a housewife, going mad. Armelle is nearly 30, with a husband and two sons. It's the early 80s in France, unemployment is high, and she's not worked (outside the home) since she was a dancer at age 20.
Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.
David is a poor but ambitious Polish Jew who reinvents himself as a powerful New York business magnate. After gaining wealth, he relocates to Paris, only to have his selfish and demanding wife squander his fortune.
Greece, 1936. An aristocratic woman engages in a series of loveless affairs before finding herself falling for a political activist.
The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.
Roswitha runs an illegal abortion clinic in Frankfurt to support her student husband and children. When she is forced to close her practice she delves into political and social activism.
Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.
Maciste arranges for himself and his new friend Bangor to be captured by a mysterious band of white-clad marauders and taken to an underground city. There the two are forced to turn an enormous wheel along with other captives as part of a gold-and-diamonds mining operation. The underground city's queen, Halis Mosab, takes note of the handsome, muscular Maciste and chooses him to be her consort if he can meet such challenges as saving the kidnapped Princess Saliura from a gigantic ape. Maciste kills the ape and carries Saliura back to the aboveground world. The white-clad marauders can't follow them if it means being caught in the sunlight which instantly dissolves them. Maciste then returns to the underground city to save the other captives. Meanwhile, high priest Kahab informs his son, Katar, that their queen is not one of them but, unbeknownst to her, was kidnapped as a small child from the "world above." If Katar can marry her...
Directors Jean-Henri Roger and Juliet Berto begin this thriller with sequences on the contemporary politics of southern France and the infiltration of organised crime into real estate development there: crime bosses were torching forest tracts to make way for their development schemes in the early 1980s. In the fictionalised story, Paula Barretto is caught in this underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.
A circus daredevil is the next victim of a danger-seducing woman who tricks him into a potentially deadly stunt after he attempted to kill her.
