My Universe in Lowercase (2013)

한 가정의 아버지가 죽고 나자 남은 미망인과 십대의 세 자녀는 가족의 전통을 계승하며 먹을 것을 구하기 위한 피의 사냥을 시작한다. 멕시코 한 가족에게 닥친 저주 같은 '카니발리즘'에 대한 처절한 생존 보고서. 평범한 악의 섬뜩함이 관객을 괴롭힐 것이다. (2011년 12회 전주국제영화제)

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.

Daniel is a young man suffering from low selfesteem, who is incapable of defending himself from the abuses of employers and of society in general. He is medicated with antidepressants to make his monotonous life more bearable; however, far from helping him, the medication worsens hiscondition with hallucinations and psychotic thoughts of vengeance that lead him to a state of total confusion.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.

Fernando and Gabriel are two brothers living in a broken home. The anger and sadness that fill the house forces them to escape for a weekend into the woods. Gabriel will witness his eldest brother's self-destruction.

Aurora suffers an attempt murder sent by her husband Jose, for giving birth to a dead and deformed child, eaven though she survives Aurora is haunted by her dead child and obliged by an old man, she digs her own tomb... When life seems like eternal hell, Aurora listens to a song that unleashes her most profound feelings for revenge.

Eufrosina Cruz Mendoza is from Santa Maria Quiegolani, an indigenous community located in Oaxaca, Mexico. After she was denied the right of becoming president of her community, just because she was a woman, Eufrosina began a struggle to achieve gender equality in indigenous communities, questioning the uses and traditions and defying the zone’s chiefs.

The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.

Francisco, a man with autism resides secluded, ignored and locked away. He's a burden on his brothers, and decides to flee into the forest, where he befriends a rat.

Bety was Diana's childhood friend. They grew up together, attended the same school, share the same friends. But Bety is in prison now and Diana wants to understand how her friend got there, so she decided to make a documentary about her friend.

Strange happenings on the last passenger train.

Five children are isolated with their father on a lonely beach after the death of their mother. As the days go by, the children start torturing their father.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

A young man sets out to the small town where his grandfather once lived to learn the story behind his death. There he learns from the town elders not only what happened to his grandfather but stories about old times and the ways the town has changed.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

Cecilia is a young woman. Mateo is a boy. They are friends and work together on the subway. Faced with a financial hardship, a security guard makes Cecilia an offer in exchange for money. After much hesitation she accepts; this leads her to make a devastating decision.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.