Forgive Us Our Trespasses (2013)

Mariana has an obsessive cleaning habit. After starting a troubled relationship with Enrique. She must accept that sex is dirty and impulsive.

한 가정의 아버지가 죽고 나자 남은 미망인과 십대의 세 자녀는 가족의 전통을 계승하며 먹을 것을 구하기 위한 피의 사냥을 시작한다. 멕시코 한 가족에게 닥친 저주 같은 '카니발리즘'에 대한 처절한 생존 보고서. 평범한 악의 섬뜩함이 관객을 괴롭힐 것이다. (2011년 12회 전주국제영화제)

Dishevelled private eye Nico Beamonte's latest case comes from God himself ... possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style - as if film noir had collided with props left over from a Ray Harryhausen film.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.

Juan Perez is a wizard who begins to remember how he lost his head, after an economic crisis in the Circus where he works, he promises to mount a spectacular act of beheading that it could again return it to its glory years. But without any fifth in the bag and with time running out to build a machine is forced to rob a real guillotine without this weighs a terrible curse.

Benjamin is an old bachelor who lives with his sister. One day he falls in love with the young Natividad. Seeing that the love letter strategy doesn't work with the girl, Benjamín decides to kidnap her.

There are promises that are impossible to keep. My uncle José made such a promise as a child in 1963 to my mother Ana Luisa, to whom he declared a special kind of devotion. There are always bonds like this between siblings establishing mysterious complicites. This is what José declared to little Ana Luisa: "The day that you die, I´m going to die with you".

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

After working for three years in the USA, Filiberto returns to his home town in Mexico. A proud man, he is searching for the recognition that will give him a new position in life. However, he finds that things have changed. His mother is dead, and Luis, his best friend, is married to his ex-girlfriend. Filiberto gets involved in the town’s disputes over a water spring.

A Mexican upper-class family suffers a great loss. After a while everyone seems to go on with their lives. But after 11 years, everyone will start to remember that tragedy and start the road to depression and self-pity, and possible self-destruction.

Immersive documentary which takes us n an intimate journey to the inner life of public baths through the voices of three characters: Felipe, the main clerk since 1984; Juana, a street sweeper in Mexico City's downtown; and Jose, a frequent client of more than forty years. Bath of Life becomes a confessionary for those who gather around the same place: the sauna.

Simón, Jorgito and Paula, do nothing but wait for a hard breakup to end to get on with their lives. Paula’s ex-husband wants to come back home, but something opens their eyes to a brand new day.

In 1979 José Efraín Ríos Montt became a reborn Christian. He was offering a sermon when a group of soldiers burst into his Christian school, and asked him to lead a military coup in 1982. Francisco Chavez Raymundo and his sister were small children when Rios' political actions annihilated their community. In March, 2013 the lives of Francisco Chavez and Rios Montt converge in the same space. Rios is called upon to testify before Guatemalan justice and is confronted by a group of Mayan Ixiles, orphans and widows of the war, Francisco is one of them.

Meanwhile Nicholas works on the street and Cecilia works on a tortillería, Davicho found a film reel that will change the common life of these three guy with infantile spirit, this is the beginning of an adventure that will end with an unexpected event.

An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.

Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.