Israel Ahumada

Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.

Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.

Tormented by pain, grievous memories and old age in a merciless solitude, the cantankerous and sullen Fausto, who goes leaving traces of bitterness behind himself, understands that never changes the final destination: return eventually to the nothingness from which we came.

Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.

Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.

Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.

Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.

Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.