Moods of the Sea (1942)

This is a mini-portrait of one of the legendary figures of the 60s who should be credited for the discovery of the Velvet Underground, for saving Bob Dylan's mind after the motorcycle crash, for her pioneering sound/image installations, for keeping the New York Sixties' art community together, for one of the key works of erotic cinema Christmas on Earth, and etc. and etc.

Imperfect 3-Image Films | EUA, 1995, 16 mm, pb-cor, 6' ... MOCAtv Presents 'In Focus' - Jonas Mekas - The Artist's Studio by MOCA 9,101 .

"I stuck landscape photographs on the faces of a cube and shot them frame-by-frame. It looks like the box is forever revolving, but in truth it only revolves 90 degrees. The trick to this sensation is fundamentally the same as the one used in SPACY. I was aiming at disturbing our awareness of space in the movement from the three-dimensional to a plane and back again." Takashi Ito

Arrival in the Bronx is shown with a view from an elevated train as it enters the city. Then follows a montage of sights from the Bronx. Many typical neighborhood activities are shown, along with scenes from many local businesses.

포와로는 시리아에서 영국군대 내부 사건을 해결하고 이스탄불에 들러 오리엔트 특급열차를 타게 된다. 이 열차의 침대차안에는 차장을 포함하여 모두 13명의 승객이 타고 있다. 승객 중의 한 명인 래체트란 사람이 포와로에게 자신의 신변보호 요청을 하지만 포와로는 이를 거절한다. 바로 그날밤 래체트는 자신의 방에서 살해를 당한 체 발견된다. 일이 이렇게 되자 오리엔트 노선의 담당자인 비앙키씨가 포와로에게 수살 의뢰한다.

A static and silent shot of a sunset off the western coast of Madagascar. Tacita Dean filmed the ‘green ray’, a legendary natural phenomenon that takes place when, in specific atmospheric circumstances, the last ray of sun passes over the horizon and becomes green.

A young woman, Junta, lives apart from her village and, for her solitude and strangeness, is considered to be a witch; when she comes to the village for one reason or another, the townsfolk chase her away. They feel that she may in some way be responsible for the deaths of several young men of the village, who have felt compelled, one by one, to climb the local mountain - and fall to their deaths - on nights when the moon is full.

Quartet Number One (1991) 8 min.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

북극의 연구소에서 일하고 있는 한 과학자가 얼음 밑에 파묻혀 있는 우주선을 발견하게 된다. 그리고 우주선을 조사하던 중 얼어붙은 조종사를 발견하게 되는데....

A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.

Thirteen years after a dinner party in which the thirteenth guest failed to arrive, the remaining guests are being murdered one by one, and their bodies being placed at the same dinner table in the appropriate seats they occupied thirteen years prior.

Nazi propaganda film contrasting Germany in the days of the Weimar Republic with contemporary Germany under Adolf Hitler.

A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.

A short experimental film dedicated to Polish artist Wacław Szpakowski (1883–1973).

Ancient of Days is a remarkable series of "canons and fugues for video" that comprises Viola's most sophisticated structural and metaphorical explorations of time. Mathematical notations of precise time-code editing were applied to construct illustrations of temporal symmetry, duality and transposition — time-based equivalents of musical compositional principles such as counterpoint and serialism. Astonishing temporal interventions — a 180-degree pan gazing downward on a New York City street that progresses from day to night, an image of Mount Rainier in which the foreground and background unfold in different time planes — unfold as symbolic transformations of natural and urban landscapes.

"The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this." - Takashi Nakajima

One film projected two times with a difference of a couple of seconds.

A short experimental film; "An hommage to silent movies".

A documentary short in Chott el-Djerid.