The Debt (1988)

스물 여섯의 야심만만한 옥스포드 졸업생 마가렛은 세상을 바꿔보겠다는 부푼 꿈을 안고 지방 의회 의원 선거에 나가지만 낙선하고 만다. 실망한 그녀를 눈 여겨 본 사업가 데니스는 특유의 유머와 따뜻함으로 그녀를 사로잡으며 평생의 후원자가 되기로 약속하고, 행복한 결혼 생활을 시작한다. 남편의 전폭적 지지 속에 마가렛은 꿈에 그리던 의회 입성에 성공하고, 곧이어 모두가 불가능하리라 여겼던 영국 최초의 여성 총리로 선출된다. 연거푸 3선에 성공, 철의 여인이라 불리며 막대한 권력과 세계적 정치 지도자로서의 위상을 떨치던 그녀는 자신의 신념과 정책을 당당히 추진하지만 이에 반대하는 이들과의 격렬한 대치가 이어지고 각료들은 11년간 지켜온 총리직에서 물러나라고 종용하기에 이르는데...

학교 애들은 내 바지를 보고 놀리기 바쁘고, 옆 동네 슈퍼 아저씨는 날 상종 못 할 말썽꾸러기 취급에, 엄마는 이래저래 간섭만 할 뿐 모든 게 귀찮기만 하다. 그러다 동네에서 아주 쿨~해 보이는 형들을 만났다. 나이도 어린 나를 동료로 인정해 주고, 찐하게 키스하는 법도 배웠다. 이제 좀 사는 것 같다 싶었는데, 리더인 우디의 친구 콤보가 감옥에서 출소하고부터 분위기가 심각해지기 시작했다. 자꾸 편을 갈라 싸우게 되고… 콤보의 이야기를 듣다 보면 전쟁에서 돌아가신 우리 아버지가 생각나고…콤보의 편을 들면 우디와 싸워야 하고, 어찌 해야할 바를 모르겠다. 모든 게 혼란스럽기만 할 뿐이다.

Based on actual accounts, this film portrays the days and hours before and during the invasion of the Falkland Islands by Argentina, which eventually lead to the Falklands War. As the Argentine forces land on the main island and make their way towards Government House, the handful of British defenders batten down the hatches and prepare to defend the Governor Rex Hunt, his family and their fellow islanders from the invaders.

The Falklands Play is a dramatic account of the political events leading up to, and including, the 1982 Falklands War. The play was written by Ian Curteis, an experienced writer who had started his television career in drama, but had increasingly come to specialise in dramatic reconstructions of history. It was originally commissioned by the BBC in 1983, for production and broadcast in 1986, but was subsequently shelved by Controller of BBC One Michael Grade due to its alleged pro-Margaret Thatcher stance and jingoistic tone. This prompted a press furore over media bias and censorship.The play was not staged until 2002, when it was broadcast in separate adaptations on BBC Television and Radio.

As England begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own.

The film centres on the experiences of Robert Lawrence MC (played by Colin Firth), an officer of the Scots Guards during the Falklands War of 1982. While fighting at the Battle of Mount Tumbledown, Lawrence is shot in the head by an Argentine sniper, and left paralysed on his left side. He then must learn to adjust to his new disability.

Argentine film about the experiences of conscripts in the Falklands War.

A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.

Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.

During the Falklands war England's attack on the ARA Belgrano outside of the conflict zone is reviewed 20 years later by a team of National Geographic hoping to find the ship and shed more light into what happened that night.

The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.

The time is the summer of 1982, and the Falklands war is at hand when the young "Argie" follows a British woman home and is stopped from raping her only because she starts to speak to him in Spanish, soon they enter into an ambivalent relationship, undecided as to whether they love or hate each other, or both. They end up on the streets when she is evicted and life becomes even less stable.

Thirty years after the Falkland's War, journalist and military historian Max Hastings explores the conflict's impact and its legacy. Hastings, who sailed with the Task Force in 1982 and reported on the Falklands campaign first-hand, looks at how victory in the South Atlantic revived the reputation of our armed forces and renewed Britain's sense of pride and its image abroad after years of decline as an imperial and military power. Hastings examines how the Falklands provided a model of a swift and successful war that was matched by other conflicts Britain fought at the end of the 20th-century. In contrast, the long campaigns in Iraq and Afghanistan have left the British public sceptical about sending our armed forces in large numbers to war again. The Falklands could well be the last popular war Britain fights, and certainly the country's last imperial hurrah.

The Falklands War - A Military History. It is over twenty years since Argentine forces invaded the Falkland Islands. Within three days, a British task force had been mobilised and was on its way to the South Atlantic on a mission to restore the islands to British control. Soon, harrowing images that demonstrated the terrible realities of war were being beamed back to the United Kingdom. This twentieth anniversary commemorative programme is a powerful record of a war that cost more than a thousand lives. It features remarkable archive footage of the fight for the Falkland Islands, atmospheric battle reconstructions and 3D animated graphics that provide a unique perspective on famous battles such as Goose Green, Tumbledown Mountain and Wireless Ridge. ‘The Falklands War’ also features the memories and recollections of British and Argentine servicemen who went to war in the South Atlantic more than twenty years ago.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.