Scherzo (1939)

디즈니에서 제공하는 극장용 단편 시리즈. 이 재미있는 단편은 픽사 스튜디오에서 애니메이터겸 스토리 아티스트로 재직 중인 한인 직원 피터 손씨가 직접 감독한 것으로 아기들을 만들어내는 회색 구름 '거스'와 '아기들을 배달하는 황새 펙을 등장시켜 이미 미국 내에서는 좋은 반응을 얻어냈다.

특별한 날이 없다고? 트롤 여왕 파피는 문득 깨닫는다. 트롤은 매일이 새로운데, 버겐은 매일이 똑같다는 사실! 버겐을 위한 홀리데이 만들기 대작전은 그렇게 시작됐다.

스노글토그에 히컵과 투슬리스, 라이트 퓨리와 새끼들까지 모두 버크 섬에 모인다

Margo, Edith, and Agnes spot an ice cream truck. The three of them go after the truck but Agnes falls as she attempts to pedal to the truck. The Minions, seeing her so upset by this, decide to build her a unicorn-themed motorcycle. Agnes goes for a little ride around town.

A Minion, seeing many owners walk their dogs, wants a puppy of his own. He tries to leash a ladybug but fails. Luckily, a UFO that sweeps away the ladybug somehow agrees to become a Puppy.

The residents of Hotel Transylvania find their world turned upside-down when youngster Dennis gets a surprise monster-sized pet.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

가난한 소녀 안젤라가 크리스마스 이브에 교회에서 아기예수 인형을 발견, 추울까봐 따뜻하게 해주려고 집으로 훔쳐오면서 벌어지는 에피소드로 구성된 3D 에니메이션 작품

런던 근교. 엉성한 발명품만 만들어내는 발명가 월레스는 생활비를 충당하기 위해 창문닦이 서비스를 하고 있다. 월레스의 영리하고 충직한 애견 그로밋은 전자공학에서 도스토예프스키까지 읽는 식견 높은 개다. 그로밋의 생일을 맞자 월레스는 전자바지를 선물한다. 첨단 공법으로 만든 전자바지는 그로밋의 산책은 물론 무슨 일이든 척척 해내는 만능바지. 그러나 이 선물 제작에 많은 돈을 쓴 나머지 생활비가 부족하자 하숙을 놓게 된다. 광고를 보고 세를 든 동거인은 야비한 성격의 수배범 펭귄 맥그로우. 자신의 위치를 빼앗긴 그로밋은 가출을 하기에 이르는데...

Scrat struggles once again to protect his nut.

올라프가 특별한 크리스마스 가족 전통이 없는 엘사와 안나를 위해 아렌델 왕국의 크리스마스 전통을 찾아 순록 스벤과 함께 모험하는 이야기. 디즈니 애니메이션 [코코] 상영시 오프닝 영상으로 공개.

이 새로운 홀리데이 클래식에서 크리스마스 트리만 초록색이 아닙니다. 슈렉이 돌아왔고 시즌의 정신을 되찾기 위해 노력하고 있습니다. 피오나와 아이들이 기억할 크리스마스를 약속한 후 피오나는 휴일에 집중 코스를 수강해야 합니다. 그러나 조용한 가족 크리스마스를 위한 모든 것이 자신에게 있다고 생각하는 바로 그때, 문을 두드리는 소리가 들립니다.

A hunt for a lost sheep turns into a competition between Hiccup and friends as they compete to become the first Dragon Racing champion of Berk.

어느날 라일리의 집에 왠 남자아이가 찾아온다. 대뜸 "라일리 있나요?"라고 묻는 소년이 왠지 못마땅한 부모들. 아빠는 화를 꾹 눌러참아보지만 녀석의 태도에 화가 치밀어 오른다. 엄마가 라일리의 의중을 떠보는 사이. 아빠의 화는 폭발하기 일보직전. 카운트 3...2...1 "GO BACK TO JAIL!(감옥에 보내버렷!!!)" 라일리의 첫 번째 데이트는 무사히 진행될 수 있을까?

Underworld: Endless War is a collection of three short, anime-style tie-in stories – whose creation was supervised by Len Wiseman, director of the first 2 Underworld movies and producer of Underworld 3 & 4 – each tell a different story, and at different periods of history to highlight new events of the Underworld mythology. These stories also tell of what happened before the events in Underworld: Awakening.

크리스마스에 보니를 따라 메이슨의 집으로 가게 된 우디와 버즈 그리고 토이 친구들. 대저택에서 사는 메이슨은 크리스마스에 메트로폴리스 공룡세트와 게임기를 선물로 받지만, 게임기에 정신이 팔려 장난감들에게는 관심도 없다. 메이슨의 장난감 속에서 우디와 버즈 그리고 토이 친구들은 자신들이 장난감임을 인식하지 못하는 렙틸러스 막시무스와 공룡들을 만나게 되고 원하지 않는 전투 배틀에 참여하게 된다. 한편, 자신이 장난감이란 사실을 알고 있지만 그 사실을 모르는 다른 공룡들을 속이며 메트로 폴리스를 지배하고 있는 악당 클레릭은 공룡들에게 자신의 비밀을 밝히려는 우디와 버즈 그리고 렉스를 제거하려고 하는데...

생일을 맞이한 안나를 위해 엘사가 특별한 생일 파티를 준비하면서 벌어지는 이야기.

친구들이 생명의 날 축하 준비에 한창일 때, 레이는 신비로운 제다이 사원의 포스에 관해 깊이 알고 싶어 BB-8과 함께 탐색을 떠난다. 그 제다이 사원에서 시간을 거슬러 스타워즈 역사상 최고의 순간으로 모험하게 되고 스타워즈 전 시대에 걸친 상징적인 영웅과 악당을 만난다. 그런데 레이는 과연 생명의 날 축제로 다시 돌아갈 수 있을까?

애니메이션 의 특별판으로 다섯 전사 사마귀 '맨티스', 뱀 '바이퍼', 학 '크레인', 호랑이 '타이그리스', 원숭이 '몽키' 이들의 과거 이야기.

Screen titles introduce the film as a modern artist's impressions of what goes on in the mind while listening to music. Grieg's "Peer Gynt Suite" accompanies images of common objects and abstract forms photographed in soft focus and through prisms: rings, pyramids, the staff of musical notes, and floating lights are all seen in multiple images, sometimes as if through a kaleidoscope, other times as if in animation. Images appear and patterns move across the screen. Sparklers celebrate at the film's end.

A play on the theme of hearts. Two hearts cavort, change shape, shoot arrows at one another, give birth, and finally become one heart bearing the message "Will you be our Valentine?"

A sing-along short with Irving Kaufman singing, Lew White at the organ, lyrics displayed for the viewing audience, and film clips illustrating the songs. "I Love a Parade" includes a montage of military marchers; "Baby Parade" is music and montage without Kaufman's singing although lyrics are superimposed on the screen images of children passing by. Then, it's on to "Presidents on Parade," featuring Washington, Lincoln, Teddy Roosevelt, Wilson, Coolidge, and FDR. Kaufman adds narration to bridge each piece.

Avant-garde piece making use of trick lighting.

At a skid row mission, a cleric opines as men wait to eat. After his sermon, he brings out a pie and cuts it into small slices. The two men at the end of the line get none. They leave the mission and head for a garbage dump where junk becomes props for their play. A dress form becomes Mae West; a rusted car gives them a wild ride. Then, one dresses as a priest and promises pie in the sky. By the end, they sport metal halos.

Against a background of bluish light, several objects appear: a square, a circle, and a set of rods. As the background color occasionally varies in shade between blue and rose, the objects move around, forming various patterns.

The patriarch of a troubled clan dies, but the resentment and yearning of the eldest son conspire to bring the errant father back for periodic visits in an only partially living state.

Shoreline images: first small breakers and the swirls they leave, then water running up the shore on a sandy beech, then water hitting pebbles and rocks. The second half is a close look at a sluggish eddy of seaweed, moving to and fro on the surface, like sodden twigs. The ocean's tide creates patterns of small surges and circles. The music of the soundtrack is more dramatic than the more gentle movements of the seaweed. Final closeups show the bulbs and leaves of the plants, then the tide takes over.

A self-proclaimed saga of oil, celebrating the speed and power of plane, trains, and automobiles.

A look at how the weather bureau tries to warn farmers and businessmen about approaching large storms. Although some precautions can be taken to lessen their impact, storms have to run their course, and there is really not much we can do about them.

Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?

David Bradley creates a faithfully suspenseful adaptation of a story by Saki which boasts an inadvertent post-modern attitude.

At a noisy inn, a young servant woman tries to sing a baby to sleep. The innkeeper and his wife berate and abuse the servant. Later that night, in hunger, misery, and desperation, she leaves and wanders through a Chagal-like landscape. The baby's cries wake up the innkeeper and his wife. Where has the woman gone? For whom is the lullaby?

Weaves a Gothic spell with its account of love and death on an isolated farm, including a startling passage of sunstruck eroticism.

In New York, a distraught woman sits in her rented room in a rocking chair. Outside, people shop and engage in commerce, men light pipes, hands type. A mother and baby play peek-a-boo: things are okay for many. The woman continues to rock. A drunk is arrested; a Salvation Army band plays, kids run around. Protesting unemployed workers appear. The rocking woman's face becomes more distorted. Military officers parade. A man picks through discarded clothes, hobos sit listless. These men are veterans of the Great War, now forgotten, many alcoholic. Passersby ignore men passed out on sidewalks. The woman stops rocking and takes action.

A parody of gangland thrillers, with children playing the parts of adults, opens with a heist. Little Geezer, a handsome and self-confident gangster, brings the loot to one of Big Shot's holes in the wall where the instructions are to divide it equally. Little Geezer takes a bigger share. Meanwhile, Big Shot is under pressure from Scarface Macaroni and his East Side gang; they're undercutting Big Shot with cheap beer. They kill one of his guys and wound Little Geezer. Meanwhile, Geezer's fallen under the spell of a siren, Greta Garbage; love leads him to want to leave gang life. But, is there any way out? Will Big Shot let him leave?

An early widescreen film that was told by cutting the two sides of the image off and replacing them with a different image.

Four prisoners, in convicts' stripes, march backwards down stairs and, under the watchful eyes of guards, hop backwards into their cells. Later, one overpowers a guard and springs his three pals. But, will they be able to pull off an escape? Other guards come to the aid of their fallen comrade before all four felons can flee. Guards and convicts spring forward and backward out of cells, up and down stairs, and into and out of freedom.

The Man in the Moon invites little Mickey and his dog over for a visit. They go on a magical trip and meet strange characters along the way.

A (barely) two minute short is that it was made specially for a Paramount newsreel segment on Bute and Nemeth making films in their teensy New York apartment. Paramount apparently never got round to including the filmmakers in any newsreel, but their own film survived in the Bute-Nemeth Archive. (weirdwildrealm.com) To the rhythm of music that sounds a bit like a Busby Berkeley tune, lines and circles appear against a black background. Then triangles, in groups. Black and white squares move in tandem. Sparkling forms turn in kaleidoscopic patterns. Then cubes appear, white against the background, bouncing; a yin and yang rotate a few times before the film ends with an quick burst of scattering light.