Obsessed with 'Vertigo' – New Life for Hitchcock's Masterpiece (1997)

스카티는 고소공포증 때문에 경찰을 그만 두고 사립탐정의 길로 들어서게 된다. 어느 날 그는 대학 친구였던 개빈로부터 망령에 사로잡힌 자신의 부인 매들린을 미행해 달라는 부탁을 받는다. 얼마 후 그는 금문교 아래에서 강물에 뛰어든 매들린을 구한 후로 그녀와 사랑에 빠지고 매들린 역시 그에게 사랑을 느끼게 되는데...

One Person on the street does not vertigo when suddenly something happens to him

영화 감독 알프레드 히치콕의 내면적 고뇌와 작품 세계를 그리는 영화.

리차드 박사는 정신과 의사이면서 자신 역시 고소공포증을 지니고 있다. 그는 의문의 죽음을 맞이했던 전임 소장을 대신해 요양소의 신임 소장이 된다. 그런데 이 요양소의 공기는 어쩐지 심상치 않다. 한 의사는 벽장 속으로 숨으려 들고 간호사는 독재자처럼 군림한다. 요양소 직원은 정서불안의 징조를 보인다. 리차드는 전임 소장의 죽음에 관한 비밀을 풀려고 하지만 마땅한 증거가 없다. 게다가 자신이 어느 살인극의 누명을 쓰는 상황에 놓인다. 리차드 소장은 고소공포증을 극복하고 복잡하게 얽힌 상황을 해결해야 하는 임무를 떠맡는다.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

1962년, 프랑수아 트뤼포는 알프레드 히치콕에게 일주일에 걸친 긴 인터뷰를 제안한다. "새", "싸이코", "현기증", "이창" 등 숱한 명작을 남긴 ‘서스펜스의 대가’ 알프레드 히치콕과 그런 히치콕을 흠모했던 씨네필이자 ‘누벨바그의 기수’였던 프랑수아 트뤼포. 일주일간의 대화 속에서 드러나는 히치콕의 작품세계와 두 감독의 우정!

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.

Seventeen-year-old Sangaile is fascinated by stunt planes. She meets a girl her age at the summer aeronautical show, nearby her parents' lakeside villa. Sangaile allows Auste to discover her most intimate secret and in the process finds in her teenage love, the only person that truly encourages her to fly.

Finding an unfinished script written by Alfred Hitchcock himself, Martin Scorsese attempts to recreate it himself as Hitchcock would have.

귈리오는 가끔 길 건너편에 사는 여자를 쌍안경으로 훔쳐보는 젊은 영화학도. 종종 엄마와 싸우는 모습을 그녀를 훔쳐보던 그는, 어느 날 그녀의 엄마가 시체로 발견 되자 범인을 추적하기 시작한다. 그 딸이 최근 비디오 가게의 한 남자와 알고 지낸다는 걸 알게 된 귈리오는 두 사람을 의심하기 시작하는데...

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

A documentary about Alfred Hitchcock's classic 1954 film Rear Window.

A journalist, who is still in love with his ex-girlfriend, becomes the obsession of his landlord's daughter.

A documentary about the making and restoration of Alfred Hitchcock's masterpiece "Vertigo." Narrated by Roddy McDowall, with behind-the-scenes talk from Barbara Bel Geddes, Henry Bumstead, Robert A. Harris, Patricia Hitchcock, James C. Katz, Kim Novak, Peggy Robertson and Martin Scorsese. Brings fresh perspective, not just to the film and the director, but to the Fifties Hollywood as well. [Included as extra with DVD release].

Documentary short focusing on the making of Alfred Hitchcock's 1953 film I Confess.

This is a wonderful and revealing film about famed horror and suspense director Alfred Hitchcock. You'll see behind-the-scenes of some of his most famous films including Psycho, Rear Window, Dial M for Murder, Vertigo and many more! Containing interviews, unique production shorts, trailers, film clips, news segments, and more, this collection offers a rare look into the life and times of this man who became a Hollywood legend and the undisputed Master of Suspense!

Screenwriter John Michael Hayes reminisces about his partnership with Alfred Hitchcock during the making of the classic 1954 film Rear Window.

Film director Hitchcock discusses his life and career in long talks with Pia Lindstrom (newscaster and daughter of Hitchcock star Ingrid Berman) and with film historian William Everson. Excerpts from several films illustrate these interviews. Discussion topics include: what is fear?, method acting vs. film acting, the difference between the usual "Who Done It" mystery and what he considers to be real suspense. His choice of leading ladies and why (Bergman, Baxter, Kelly, Marie Saint, Leigh, etc.).