Il Trovatore - Verdi (1978)
장르 : 드라마, 음악
상영시간 : 2시간 31분
연출 : Ernst Wild
시놉시스
The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.
Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
마법사 마린으로부터 마검 엑스칼리버를 얻어 나라를 통일한 우사는, 강적 콘볼과의 화해 잔치에서 그의 처를 훔쳐 보고는 마린의 마법으로 그녀와의 동침에 성공한다. 그 결과 아서(King Arthur: 니젤 테리 분)는 태어나지만, 그 불륜의 탄생으로 인해 호족들에게 맡겨져 자라난다. 어느덧 청년이 된 아서는 이상한 전설을 듣는다. 18년전 우사의 죽음 직전 바위에 검을 박은 이후 아무도 엑스칼리버를 뽑을 수 없다. 그러나 놀라웁게도 쉽게 검을 빼어드는 아서. 그는 초인적인 힘을 갖게 되고 원탁의 기사를 부려 왕국을 건설, 이상향으로의 승리를 거듭하게 된다. 그러나 화려하던 기사의 황금시대가 어느덧 쇠퇴의 위기에 접하게 되는데.
A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.
A warlock burned at the stake comes back and takes over the body of his great grandson to take his revenge on the descendents of the villages that burned him.
어릴 적에 본 마녀를 동경해 마녀 육성 학교인 루나 노바 마법학교에 입학한 카가리 앗코. 실수투성이이지만 의욕만은 최고인 앗코의 마법학교 생활이 시작된다.
Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.
Stan and Ollie travel with a band of 18th-century Gypsies holding a nobleman's daughter.
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.
Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.
Three young friends who are on vacation in Spain and a NASA scientist must join forces to save themselves and the rest of the world from an alien menace.
유령과 늑대인간이 공존하는 소박한 에스토니아의 농사공동체. 악마에게 영혼을 팔아 얻는, “크랏”이라는 살아있는 농기구 부품이 돌아다니는 와중에, 성에는 창백한 독일인 귀족과 아름다운 딸이 나타난다. 그녀에게 반해버린 한스를 되찾기 위해 절박해진 리나는 결국 암흑의 마법을 쓰는데…
Maxi thinks his life is perfect. He is a famous cook who owns a successful restaurant in Chueca and is living his life as a gay man without much complex. But when his son Edu and his daughter Alba appear, and a new attractive neighbor comes along, it will have a strong effect on his life resulting in his values being challenged for ever.
The imperious Onegin rejects naive Tatiana's proposal of love and also incites a duel with his best friend turned rival Lenski (Piotr Beczala). This sets the scene for a dramatic story of love, loyalty and betrayal. Acclaimed theatre director Deborah Warner presents this lavish new interpretation of the timeless tale. Set in the 19th century and moving episodically from farmhouse to ballroom, the production culminates in an unforgettable finale set during a snowstorm.
The Met assembled an ideal cast for François Girard’s acclaimed new production of Wagner’s final masterpiece: Jonas Kaufmann in the title role of the fool “made wise by compassion”, René Pape as Gurnemanz, the veteran Knight of the Grail, Katarina Dalayman as Kundry, Peter Mattei is Amfortas, the anguished ruler of the Grail’s kingdom, and Evgeny Nikitin sings the evil magician Klingsor.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
“왜 나갈 수 없다는 거죠? 이해가 안 돼요. 무엇이 방에서 그들을 붙들고 있는 거죠?” 한정된 공간에 갇힌 사람들이 생사가 오가는 과정에서 인간의 본능을 표출한다. 협력과 반목이 나타나고 하고 싶은 것을 하지 못하는 인간의 내면 발견한다. 점점 보이지 않는 세계에 대한 상상과 탐구 속으로 빠져들어 가는데...
Anthony Minghella’s beautiful, atmospheric production enhances Puccini’s drama of unfortunate, doomed love. Soprano Kristine Opolais brings all of her passionate commitment to her portrayal of Cio-Cio-San, the teenage geisha who gives up everything for Lt. Pinkerton. Roberto Alagna is the American naval officer who does not understand the depth of Cio-Cio-San’s love, and whose subsequent marriage to an American woman precipitates Butterfly’s suicide. Maria Zifchak is Suzuki, Cio-Cio-San’s faithful servant, and Dwayne Croft plays the American consul Sharpless, who tries to avert the tragedy. Karel Mark Chichon conducts.
Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.
Joyce DiDonato gives a sensational performance as Mary, Queen of Scots, in Donizetti’s bel canto drama, opposite Elza van den Heever as Queen Elizabeth. This Live in HD presentation of David McVicar’s acclaimed 2012 production also stars Matthew Polenzani as Leicester, the man caught between the rival queens. Maurizio Benini conducts.
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
With a double performance of piano and violin and complete improvisation, TAM performed live music in the doujin shop for the first time in Melonbooks Nagoya 2 Go. Featuring music from Kanon, AIR, CLANNAD, Final Fantasy and Super Mario Bros.
UFC Fight Night Rozenstruik vs. Gane
Alistair Overeem vs. Alexander Volkov. Frankie Edgar vs. Cory Sandhagen. Macy Chiasson vs. Marion Reneau. Manel Kape vs. Alexandre Pantoja. Andre Ewell vs. Cody Stamann. Beneil Dariush vs. Diego Ferreira.
Usman vs. Burns
Jonas Kaufmann and Anna Caterina Antonacci bring rare erotic intensity to the drama of Don José and Carmen in this darkly passionate reading of one of the most popular operas. Kaufmann uses his burnished tenor and smouldering good looks to portray the man undone by Carmen's love. As the object of his desire, Antonacci gives a physical and compelling performance.
수학여행을 가던 고등학생들이 비행기가 추락해 무인도에 표류하게 되고 거기서 거대한 곤충들을 만나 살아남기 위해 사투를 벌이는 내용이다.본격 하이브 일본버전챔피언 RED 작품답게 에로도 고어도 많이 나오는데 거기다 성관계를 하는 장면들도 나오는 등 수위가 높은 작품. 거기다 주인공이 가진 곤충 및 서바이벌 지식까지 나오는 서바이벌 비중도 높다.
After killing his brother, Prince Yamato is banished from his father's kingdom until he can bring his dangerous powers under control. On his journey, he meets and joins with the magical priestess Oto, and together they go to fight against an evil god that has been ravaging the Earth in the form of an enormous hydra. Will Yamato ever return home to reclaim his rightful place on the throne?
Pippi is a little girl who lives alone in her house, while her father is sailing the seas. With Pippi we meet her horse, her monkey and her two friends Tommy and Anika. Together they go on many journeys through the neighborhood.
혜성이 지구에 나타나고 제이크는 미지의 존재를 피해 달아나다 칼을 맞고 절벽 밑 바다로 떨어진다. 미얀마의 한 어부가 정신을 잃은 제이크를 발견하고 어부의 아내가 그를 치료한 뒤 미군 기지로 향한다. 그녀는 6년마다 혜성이 지구를 지날 때 죽음의 전사가 사원의 구멍을 통해 나타난다고 말하고 제이크를 넘겨준 뒤 미군 기지를 떠난다. 제이크의 몸에서 방사능이 검출되는 것을 수상히 여긴 육군 정보부 요원은 제이크를 심문하지만 제이크는 이전 일을 아무것도 기억하지 못한다. 얼마 후 쿠엥이 나타나 수많은 미군을 제압하고 제이크를 구해 기지에서 달아난다. 해리건, 마이라 등의 동료들과 재회한 제이크는 외계 존재 브랙스에 대한 이야기를 듣게 된다. 그리고 브랙스와 대결하지 않고 도망가면 마을 사람들이 대신 죽게 된다는 사실을 알게 된다. 제이크와 연인 마이라, 아버지 와일리 카르멘 9명의 전사는 치유능력과 첨단 무기로 무장한 브랙스와의 일전을 준비하는데...
신데렐라는 왕자님과 결혼 후 꿈같이 행복한 시간을 보낸다. 한편 심술쟁이 언니들은 신데렐라 대신 집안 일을 하면서 오늘도 신세 한탄에 여념이 없다. 그러던 어느날 신데렐라와 왕자님의 결혼 1주년을 맞이해서 요정 할머니가 숲 속에서 축하 파티를 열어준다. 그런데 우연히 신데렐라와 왕자님을 따라왔던 언니 아나스타샤가 파티를 몰래 훔쳐보게 된다. 그리고 아나스타샤는 신데렐라가 요정 할머니의 마법 덕분에 왕자님을 만났다는 사실을 알게 되고, 얼떨결에 할머니가 떨어뜨린 마술 지팡이를 가지고 부랴부랴 집으로 향하는데...
동굴을 떠나 새로운 거주지를 찾아 나선 크루즈 패밀리. 우여곡절 끝에 찾은 완벽한 트리 하우스에서 진화된 인류, 베터맨 패밀리와 마주한다. 도구를 사용하고 ‘집’에서 안전하게 살아가는 지능형 베터맨 패밀리와 맨손으로 사냥하고 자연과 함께 살아가는 본능형 크루즈 패밀리는 너무나도 다른 삶의 방식으로 사사건건 부딪힌다. 반면 처음으로 여자 사람친구를 만난 ‘이프’와 ‘던’은 가족들과 달리 우정을 쌓아가지만 점점 두 가족에게 예상치 못한 위협이 닥쳐오는데…
There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.
I due Foscari was Verdi's sixth opera and based on Lord Byron's play The Two Foscari. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457.
Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
Part of Tutto Verdi series - La battaglia di Legnano (2012) Trieste. 'La battaglia di Legnano' ('The Battle of Legnano') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. Most of the early Verdi operas are sort of rare for a reason. They do not rise to the heights of genius that his middle period and late period operas did. However, there are always some beautiful arias or choruses and most of them are great fun......sort of like bel canto on steroids! What I mean is that you can hear that he was coming from the bel canto tradition, but he liked to inject a lot more power into the characters and their music.
Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.
As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.
Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
