The Gulls (2015)
장르 : 드라마
상영시간 : 1시간 27분
연출 : Ella Manzheeva
각본 : Ella Manzheeva
시놉시스
Elza lives in a small town in the Republic of Kalmykia on the Caspian Sea. Another year comes to an end, it’s cold and the steppe is covered in a thin layer of snow. When her husband, who makes a living from illegal fishing, asks her one night what she did during the day, she lies. She wasn’t at her mother’s, but at the bus stop. She thought of leaving – to find out what it might be to escape the infinite expanse of her dreary small world. But she didn’t dare; instead she stays and withdraws into herself, unconcerned by who might see. One day, her husband doesn’t return from a dangerous boat trip. It is said that a fisherman only returns if he has a woman waiting for him and that seagulls are the souls of the missing. At the start of a somewhat unplanned pregnancy, widowed and alone, Elza wanders ever further through the city, plotting a path between tradition and the contemporary until she’s no longer on familiar ground.
On 17-year-old Kate's last weekend in town, she and her friends plan to spend it together at SpaceCON– the local science fiction convention they attend every year. At the convention Kate meets Paul, a recently turned teen-vampire (who is also dressed as one). But when Kate tries to make a move on him, he accidentally bites her in the neck. Kate and her friends soon discover Paul is not the only vampire at the convention, and it is up to them to stop the vampires and find a way to turn Kate back before it is too late.
A biographical study of legendary actress Charlotte Rampling, told through her own conversations with artist friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most famous films, this "self-portrait through others" is a revealing look at one of our most iconic screen stars.
A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.
독신의 앤디 브루스터(세스 로건)는 자신이 연구 개발한 유기 세제 세일즈를 위해 모든 것을 걸지만 고전을 면치 못한다. 앤디에게는 그의 유일한 가족이자 세상에서 그를 가장 사랑하는 엄마 조이스(바바라 스트라이샌드)가 있다. 그러나 앤디는 수다스럽고 간섭하기 좋아하는 엄마의 지나친 애정을 부담스러워 한다. 어느 날, 엄마에게 결혼 전 뜨겁게 사랑했던 첫사랑의 남자가 있었으며, 엄마가 그 사람의 이름을 따서 자신의 이름을 지었다는 말을 들은 앤디는 엄마의 첫사랑 ‘앤디 마골리스’를 찾기로 결심한다. 마침 세일즈 미팅을 위해 미 대륙을 횡단할 계획을 세운 앤디는 그 여행에 엄마와 함께 하기를 제안하고, 조이스는 너무나 행복해한다. 그러나 예상 밖의 악천후와 계속되는 세일즈의 실패, 두 사람의 신경전으로 힘든 여정이 계속되는데…
Melody returns to her old home to Fairlands the funeral of their daughter, June to attend. But Melody not recognize their city regains because it is almost entirely disappeared under tons of sand. She also learns that they have a 10-year-old grandson, River, has. Melody River will take into their new life, but this is fighting back. He wants to hatch the eggs of ostriches, which he has always fed with his mother.
Rivers father, Scoop, a lazy musician and the man in the city post office, wants Melody leaves the city. Here are a lot of conflicts, to Melody learns the truth. But haunts as a sand storm the city, suddenly everything changes.
Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs.
During the late 60s and early 70s, and decades before Nirvana, Microsoft and Starbucks put Seattle on the map, Seattle's African American neighborhood known as the Central District was buzzing. The soul sounds filled local airwaves and packed clubs seven nights a week. As many of the bands began breaking out nationally via major record deals, television appearances, and gigs with the likes of Curtis Mayfield and Stevie Wonder, the public demanded disco and the scene slipped into obscurity. Narrated by Seattle's own Sir Mix-A-Lot.
A South African spinster (Jane Birkin) murders her father (Trevor Howard) after he rapes the wife of the black foreman for his plantation.
"Psy-Show" concerns a man approaching middle age, a fragile soul who becomes the plaything of his psychoanalyst who surreptitiously re-positions his quiet motorized chair as his patient lies on the couch.
1930년대의 인도. 프랑스 대사관 부영사의 아내인 안느 마리는 인도의 더운 날씨가 견딜 수 없이 싫다. 그녀는 인도의 더위와 답답한 생활에 짜증이 나기 시작하고, 그 짜증은 덥다는 이유로 인도를 좋아하는 사람들에 대한 적개심으로까지 발전한다. 그리고 그 모든 것을 잊기 위해 안느는 사랑을 찾아나선다. 한편, 그녀의 남편은 아내의 외도를 알고 있지만 아내가 왜 그런 행동을 하는지 이해하고 짐짓 모른 척 지낸다. 그러나 그녀가 정작 원했던 것은 남편의 사랑이었다. 단지 그가 요구하지 않았기 때문에 밖으로만 나돌았던 것. 남편은 그 사실을 알고 당황한다.
Brother Number One is a New Zealand documentary on the torture and murder of New Zealand yachtie Kerry Hamill by the Khmer Rouge in 1978. It follows the journey of Kerry's younger brother, Rob Hamill, an Olympic and Trans-Atlantic champion rower, who travels to Cambodia to retrace the steps taken by his brother and John Dewhirst, speaking to eyewitnesses, perpetrators and survivors.
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
An intimate glimpse into the experiences of a young Tibetan family struggling to reconcile their traditional way of life with a rapidly modernizing world.
The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio estate in the South of France.
An intertwining story of murder and mystery across two decades. In the early twentieth century, several pregnant girls meet in a country house, where they have been sent to give birth and have their children adopted. The girls are never seen by outsiders again. Almost twenty years later, two historians return to the house to research the case, and when the disturbing truth is revealed, the dark story continues.
Irene lives with Mateo, his father, and her son David, 22 years old. Living together is harmonious and happy, but there is a conflict: David, a brilliant student of architecture, has decided to go and live with his girlfriend Clara, a supermarket cashier. Despite its liberal way of thinking, Irene cannot understand such an unequal relationship. However, David finds in his grandfather the necessary complicity to carry out his plans. Mateo is a old and vital octogenarian despite his tough history: he was a child during the Spanish Civil War (1936-1939), and he lost his house and all his family. But none of that could finish with his energy and desire to live. One day, however, Mateo arrives with terrible news.
Suddenly he thinks her alone, his wife. This person whom he doesn't know how to love and who is now falling prey to a gnawing disease. This woman whom he knows so little about and whom he would like to be with him. Right now, Just like before.
The story revolves around former food writer, Jane Stern, and how she conquered clinical depression after becoming a paramedic.
Sarah Sparks is pregnant and feeling wholly ambivalent, despite her boyfriend's pure enthusiasm. A committed tech-geek, she fears she is more interested in ultrasound technology than in what's being ultra-sounded. When her sister lures her to L.A. for what ends up being a terrorizing baby shower, Sarah keeps her rental van and hits the road in search of the source of her anxiety: her estranged mother, now living off the grid. Small, Beautifully Moving Parts takes a comical, yet poignant look at one woman's coming-of-parenthood in the age of technology.
Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.
