Mama (1976)
장르 : 모험, 가족, 판타지
상영시간 : 1시간 28분
연출 : Elisabeta Bostan
시놉시스
Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family.
Schmeerguntz is one long raucous belch in the face of the American Home. A society which hides its animal functions beneath a shiny public surface deserves to have such films as SCHMEERGUNTZ shown everywhere - in every PTA, every Rotary Club, every club in the land. For it is brash enough, brazen enough and funny enough to purge the soul of every harried American married woman.
New Opportunities were a portuguese education program with a focus on the academic certification of adults who left school early. Applicants will improve their academic degree from the re-elaboration and re-interpretation of his "life experience." These processes motivated workers to reflect on their working conditions, their training, their roots, producing a plurality of views about the school, emigration, the rural world and the universe of employment. Having its protagonists stories as a starting point, the film approches into a reflection about work in the contemporay world. This film was produced over four years work by the film director in a New Opportunities Centre.
The 4th Sailor Moon musical (and the 2nd to get a physical release.) While Usagi Tsukino and her friends are enjoying their summer vacation and planning on making their dreams for the future come true, they must deal with the Death Busters and two new Sailor Senshi who are on the hunt for the Talismans, as well as the arrival of Chibiusa.
Gaby mustn’t be left alone at night. Yet that’s exactly what her boyfriend Vincent does, to test her love for him. She struggles against her natural instincts and quickly exhausts the patience of the local guys. But Gaby decides to turn to castle warden Nicolas, an expert in loneliness, for help.
"The Magic Voice Of A Rebel" portrays the story of the Czech singer Marta Kubisová, who without never intending it, became a symbol of freedom for all generations in the newly free Czhecoslovakia in 1989. It is Marta herself who tells us her life story and how the Soviet invasion in Czechoslvakia in 1968 changed her life. Because of her deep involvement in the Prague Spring movement, she went from being the most popular singer in the country to being banned and suffering a sudden removal from the public scene by the new authorities imposed from Moscow. She refused to escape to exile and together with other banned intelectuals and artists became a disident instead. Blacklisted and persecuted by the secret police, she also suffered the betrayal of beloved people who were collaborating with the regime.
A powerful and intimate portrait, Joan Mitchell: Portrait of an Abstract Painter captures Mitchell's independent spirit and testifies eloquently to Mitchell's art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York's dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O'Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film.
In Seeing Red, three elements run parallel, overlap, diverge, lock horns and in various other ways give voice to the notion that a color, a melody, or a person has multiple characteristics that cannot be grasped by, or understood within, a simple framework. One element is purely visual. One is very verbal and minimally visual. One is purely musical. So is red the color of a fire truck or a ruby, of rust or a rose, of blood or a brick? How fixed is a melody if it can be twisted, stretched and shaken to the point where we no longer recognize its original form? And when we "see red," what color is that exactly? What aspect of passion are we feeling? Are we looking outward and seeing injustice and cupidity, or looking inward at our own limitations and failings?
The award-winning documentary film Justice for My Sister takes an intimate look at violence against women in Guatemala by chronicling the three-year journey of Rebeca as she tries to hold her sister's killer accountable. The film serves as the centerpiece of a transnational campaign to promote healthy relationships and denounce gender-based violence and femicide/feminicide.
Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.
A train enters a soap factory. Inside it, hidden travellers, immigrants. One of them gets out of the train. In the factory she finds relief, help, solidarity.
1940s British realist film about the life and struggles of a family in a Welsh mining town.
Hannah is only six years old but her mom calls her a big girl. Sometimes big girls don't go to school. Sometimes they have to tell the truth and other times they should tell lies. Being a big girl means Hannah has to do things even when she doesn't want to.
Based on a true story. In Léon Blum high school in Créteil (France), a history teacher decides to have her weakest 10th grade class take a national history competition. This will change them.
Gottland provides an unconventional look at Czechoslovak 20th century history. Inspired by the bestselling book “Gottland” from the Polish journalist Mariusz Szczygiel, this feature-length film is comprised of short stories portraying peculiar fates. Young documentary film makers from renowned Prague Film School FAMU, inspired by the book, take a closer look at the history of post-war Czechoslovakia and Czech Republic, in order to discover new heroes and remind us of the ones that were forgotten or erased from the history.
Activist/author Edward Abbey's legacy lives on in his best-selling books and now in director ML Lincoln's lively documentary. Lincoln pays tribute to Abbey and the environmental movement he inspired, reenacting his "monkeywrenching," and interviewing notable eco-warriors and present-day activists.
In Rome for a year at the American Academy, I created imaginary home movies of scenes from the life of Mary and Percy Shelley. I was attracted to these authors — their life of poetry, politics and sexual invention—and inspired by my previous fictionalizing of home movies in Covert Action and The Future is Behind You. I worked with non-actors, the seasons and the extraordinary architecture and landscapes of Italy where the Shelleys were in exile for six of their eight years together.
The result was a feature film A Shape of Error, gorgeous, emotional and harnessed to the narrative. I wanted to go further and abetted by digital technology, I have ‘exploded’ the film. The result is UNBOUND, digressive, looped, unpredictable, symphonic, spontaneous, messy—like life and memory.
Three Swedish actresses work as waitresses in Oslo one summer. They use all their wits to get as much tips as possible. They plan to start a company and buy a house. They come to be our guides in the film and reveal a world of people doing things they don't want to do, playing roles they don't know why they're playing.
The unhappy female editor of a fashion magazine is undergoing psychoanalysis.
Naturally Native follows the lives, loves, pain, joy and relationships of three sisters as they attempt to start their own business. Of American Indian ancestry, but adopted by white foster parents as young children, each sister has her own identity issues and each has chosen a very different career path. Now dedicated to starting a Native cosmetic business, they attempt to overcome obstacles both in the business world and in the home. A touching love story of family and culture, Naturally Native also interweaves a subtle, but strong wake-up call regarding the treatment of Native people in corporate America. Naturally Native also provides some insight into tribal infrastructure and gaming issues.