Trento Symphonia (2014)
장르 :
상영시간 : 20분
연출 : Flatform
시놉시스
It is sunset in a mountain landscape. An orchestra and a choir, along with a large group of adolescents who act as "living-music-stands", are filmed as they play the first part of Mahler’s 8th Symphony. The musicians gradually begin to move in a precise choreography, led by their living-music-stands. As these movements are executed, disparate groups of musicians, singers, and living-music-stands begin to disappear along with the sounds that they emit. The music progressively becomes a sound object captured in the course of its own erosion, which corresponds to the slow dissolution of the landscape’s visibility due to the setting sun. Ultimately, the music as a sound object and the landscape as a visual object become identical, all while being completely transformed in regard to the starting configuration. Thus, in TRENTO SYMPHONIA, the landscape becomes a point of convergence between contemplation, correspondence, and imagination.
Cab Calloway performs at the Cotton Club before he takes his friends down to Harlem for a jitterbug party.
초월에 대한 탐구. 인간의 심장을 묘사한 일러스트와 함께, 추상적 은유와 상징을 통해 관객에게 질문을 던진다.
Fidencio, an old violinist, embarks on a search for the members of his old orchestra in order to receive his son. When life falls silent, music reunites us.
Calligraphy on water. The first joint work of director Peter Greenaway and composer David Lang.
The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.
Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.
Popeye's nephews have been practicing their music and are getting good, but it's bedtime. After Popeye puts them to bed, they discover that many of the things in their bedroom can also be used to make music. And they are also blessed with an uncanny ability to appear to sleep every time Popeye comes to check on them.
Profiles Roy Smeck, a former vaudeville star known as "The Wizard of the Strings" because of his virtuoso talents on the guitar, banjo, ukelele and Hawaiian guitar, and who is shown to be still active, in his mid-80s, teaching students and giving occasional public performances.
A drama based on the novel by Charles Dickens which tells the story of Arthur Clennam who is thrown into a debtor's prison. There he meets a young seamstress whose father has been imprisoned for twenty-five years. A film in originally released in two parts.
Love You till Tuesday was a promotional film designed to showcase the talents of David Bowie, made in 1969. The film was the latest attempt by his manager, Kenneth Pitt, to bring Bowie to a wider audience. Pitt had undertaken the film after a suggestion by Gunther Schnedier, producer of German TV show '4-3-2-1 Musik Für Junge Leute' for the ZDF network.
Anna lives in her Mum's garden shed making videos with her thumbs. Her Mum wants her to come out but Anna doesn't want to.
A proper Edwardian lady patiently endures the ever-increasing disruption to her quiet household when her Truelove gives her all the items from the song "The Twelve Days of Christmas."
Carolina and Elsa, two friends of 10 and 13 years old who live in the same housing unit, enjoy a childhood full of mischief, video recordings and pop music in the nineties.
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
Set in the North Carolina Appalachians, Sprout Wings and Fly honors the fiddle playing of 82-year-old Tommy Jarrell of Toast, NC. Tommy was quirky, gregarious and generous, and this film shows him at his best, in fine fiddling form.
"Trees and Jamaica Daddy" was the first of a UPA series (short-lived) that featured two different subjects (plot, characters)running about 3.5 minutes each, on a seven-minute reel. The first one here was titled "Trees", featuring a little girl named Hattie giving her version of the birds, the bees and trees. The second one on the reel was called "Jamaica Daddy", about the animated Hamilton Ham and his band, who tell all about, in music and the usual UPA animation style, Jamaica Daddy, and his family tree in calypso fashion. "Ham-and-Hattie" were not a team, and did not appear together in this cartoon.
Drone mounted cameras fly around capturing people in the act... of love.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy.
The Smoke Bomb Boys are the guys who never really fit in. They do things their own way with a course set for the dream: no shitty jobs, no complicated relationships, just hanging out, blowing stuff up and fucking around. But sometimes the realities of the real world may make that seem like it's not enough and fosters an internal struggle over conformity and acceptance within their group. Choices are made, friendship's are tested, and shit explodes.
