뤼미에르! (2016)
장르 : 다큐멘터리, 역사
상영시간 : 1시간 30분
연출 : Thierry Frémaux
시놉시스
영화의 창시자인 뤼미에르 형제의 세계로 초대한다. 그들이 만든 1,400여 편의 영화에서 발췌된 장면은 원시영화의 매혹에 대한 잊을 수 없는 이미지와 독특한 시선을 제공한다. 초기영화에 대한 교과서 같은 작품.
In this filmed version of cult film director John Waters' popular one-man show, the Pink Flamingos and A Dirty Shame director takes the stage to discuss everything from his early influences, fondest career memories, and notorious struggles against the MPAA rating system. Part endearing memoir and part hilarious lecture, This Filthy World touches on everything from the insanity of contemporary pop culture to the director's unforgettable early collaborations with inimitable Pink Flamingos star Divine.
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
In 1988, German filmmaker Volker Schlöndorff sat down with legendary director Billy Wilder (1906-2002) at his office in Beverly Hills, California, and turned on his camera for a series of filmed interviews. (A recut of the 1992 TV miniseries Billy, How Did You Do It?)
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.
The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
전작 영화 강의에 이어 이번에는 지젝이 등장하여 이데올로기 문제를 중점적으로 다룬다. 그가 다루는 핵심은, 우리가 믿는 것과 행동 하는 것 사이의 간극과 시차이다. 그의 책을 통해 잘 알려진 내용들이지만 , 를 인용하며 해설을 전하고 있다. 시청각 지젝 개론서라 부를 만 하다.
Actor Sam Neill discusses New Zealand film and his own experiences within and without.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art. (Abridged version of the original collection of eight short films).
June 1944. In the newly liberated Rome, Roberto Rossellini and Sergio Amidei decide, against all odds, to make an unprecedented, true-to-life film on the tragic events that occurred during the Nazi occupation: Rome, Open City .
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
998년에 총 4부 8편(각 장은 A와 B, 두 편씩으로 구성되어 있다)이 완성된 의 출발점은 대략 1978년 몬트리올에서 고다르가 한 연속 강의에까지 거슬러 올라간다. 이 강의 중 일부를 수록한 책 >에서 고다르는 ‘참된’ 영화의 역사란 일러스트레이션이 삽입된 텍스트들이 아니라 이미지와 사운드들로 이루어져야 한다고 썼다. 는 고다르가 자신의 이런 생각에 따라 실제 영화 속 이미지와 사운드의 조각들을 몽타주해 서술한 고다르판 영화의 역사이다. 고다르가 쓴 이 영화의 역사는 우리가 보통의 영화사 서적들에서 볼 수 있는 것과 같은 연대기적인 역사의 기록은 아니다. 오히려 그는 자신이 고고학적이거나 생물학적이라고 부르는 방식을 통해 20세기의 영화에 대한 단선적인 역사가 아닌 복수의 역사를 이야기한다. 미국의 저명한 영화 평론가 조나단 로젠봄은 프로젝트의 원대함이란 측면에서 고다르의 를 제임스 조이스의 에 비견할 만한 것이라고 말한다. 고다르의 이 프로젝트는, 거의 17년의 집필 기간을 소요한 조이스의 작품에 맞먹을 에너지를 들여 만들어진 것이기도 하지만 무엇보다도 영화를 통해 지각되는 20세기를 다룬다는 점에서도 언어를 통해 이해되는 인류의 역사에 관심을 갖는 조이스의 작품에 견줄 수 있다는 것이다. 고다르가 써낸 이 영화의 역사가, 후에 20세기 영화사를 돌이켜볼 때 그 역사를 통틀어 최고의 사건 가운데 하나로 꼽힐 것임은 분명한 일이다.
역사를 표현하는 영화의 힘과 더불어 성과 죽음의 이미지를 그린다.
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
Long treated with indifference by critics and historians, British silent cinema has only recently undergone the reevaluation it has long deserved, revealing it to be far richer than previously acknowledged. This documentary, featuring clips from a remarkable range of films, celebrates the early years of British filmmaking and spans from such pioneers as George Albert Smith and Cecil Hepworth to such later figures as Anthony Asquith, Maurice Elvey and, of course, Alfred Hitchcock.
This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.
