Glimpses of Guatemala (1946)

“울면 죽여버리겠다”는 말이 귓가에 맴도는 가운데 알마와 그녀의 아이들은 살해된다. 30년 후, 민간인 대량학살의 주동자였던 퇴역장군 엔리케는 유족들로부터 형사 소송을 당한다. 그는 유죄를 선고받지만 부당한 세부조항으로 인해 석방된다. 분노한 유족들은 그의 대저택 앞에 모여 시위를 벌이고, 엔리케의 가족들은 혼란 속에서도 나름의 평정을 찾아간다. 그러나 엔리케의 신경쇠약 증상은 점점 심해지고, 밤이 되면 여인의 울부짖는 소리가 들린다며 소동을 피운다. 불안감에 휩싸인 저택의 고용인들은 모두 그들 곁을 떠나고 곧 새로운 가정부가 고용된다.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.

A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.

네 명의 젊은 친구들이 과테말라 시골에서 두 달 동안 하루 1달러로 살기 시작한다. 비디오 카메라만으로 무장한 그들은 벼랑 끝에서 살아남기 위해 굶주림, 기생충, 극심한 재정적 스트레스와 싸운다.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

Pilot JP Schulze and filmmaker Louis Cole set off to circumnavigate the world in a single-engine, 1974 Cessna T210L airplane named Balloo. They had 90 days to complete the journey, and as they traveled they met people from many different cultures and asked them - is what divides us greater than what brings us together?

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

A serial in 12 chapters. Tarzan goes to Guatemala to find his lost friend, D'Arnot. On the way he helps Major Matling search Mayan ruins for hidden jewels and an idol containing the formula for a powerful explosive. D'Arnot and the idol are rescued, but the idol falls into the clutches of the explorer Raglan.

This Traveltalk series short visits Hungary's capital, Budapest.

A travelogue showing the beauty of the state of West Virginia in 1929.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

In this Traveltalk series short we learn that four million ethnic French, German and Italian people live in Switzerland. The Alps and their important part in the country's history is noted. We view vividly-coloured alpine wildflowers which cover the mountain meadows in the spring. We see rushing mountain streams, fed by melting snows, and then learn of colourful alpine chalets and traditional wood-carving amongst other highlights.

This Traveltalk series short visits South Africa, including Cape Town.

This Technicolor portrait of Jakarta was filmed when it was called Batavia and formed part of the Dutch East Indies colonial empire. The film portrays the daily life of citizens and the relaxed atmosphere that prevailed at the time. We see Batavia's Amsterdam Gate, built by the Dutch around 1664, along with the strong influence of Dutch architecture upon other buildings, streets and waterways.