Revolution of Sound - Tangerine Dream (2017)
장르 : 음악, 다큐멘터리
상영시간 : 1시간 30분
연출 : Margarete Kreuzer
시놉시스
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Daft Punk Unchained는 Daft Punk 인 Pop Culture Phenomenon에 대한 첫 번째 영화, 전 세계 1 천 2 백만 개의 앨범 및 7 개의 그래미 상을 보유한 듀오입니다. 그들의 경력 전반에 걸쳐 Thomas Bangalter와 Guy-Manuel de Homem-Christo는 항상 타협과 기존의 쇼 비즈니스 코드에 저항했습니다. 그들은 창조적 인 과정의 체인에서 모든 링크의 통제를 유지하기로 결심했습니다. 세계화와 소셜 네트워크 시대에는 공개적으로 말하는 경우가 거의 없으며 TV에서 얼굴을 보여 주지도 않습니다. 이 다큐멘터리는이 전례없는 문화 혁명을 탐구하여 창의성, 독립성 및 자유에 대한 영구적 인 탐구로 예술가의 듀오를 드러냅니다.
1990년, DJ로 취직해 스페인 섬에 온 독일 청년. 묘한 분위기의 이웃 여인과 나이를 초월해 친구가 된다. 켜지 않는 첼로, 내뱉지 않는 독일어. 당신, 어떤 삶을 살아왔나요.
제네시스는 전자음악, 하우스 및 테크노의 대부로 지난 30년간 언더그라운드 음악의 선구자로 추앙받은 인물. 동시에 그의 영원한 뮤즈 레이디 제이로의 과장된 여장으로 유명하다. 자신의 몸을 예술의 일부로 삼아 실험적 삶을 살고 있는 아티스트의 삶을 조명한 영화. (2011년 제12회 전주국제영화제)
Minsk, Belarus, 1996. Velya, an aspiring DJ, wants to move to Chicago to make her dreams come true, but bureaucracy, a phone line and the human condition will put obstacles in her way that will be difficult to avoid.
Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
In the not so distant future, the war on drugs is considered a failure. Prohibition has ended. A group of friends risk their relationships and sanity, to create the perfect new drug.
화려한 무대와 열정으로 청중을 사로잡는 바이올리니스트 린지 스털링이 개인적인 난관을 라이브 공연으로 승화시키는 과정을 보여주는 영상
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
Live performance of the album Tubular Bells II at Edinburgh Castle
The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.
His filmmaker son probes the professional and private lives of his remote but fascinating father: bandleader, composer, inventor, and electronic music pioneer Raymond Scott.
'Blip Festival: Reformat the Planet' is a feature length documentary which delves into the movement known as ChipTunes, a vibrant underground scene based around creating new, original music using old video game hardware. Familiar devices such as the Nintendo Game Boy and Nintendo Entertainment System are pushed in new directions with startling results. Using New York as a microcosm for a larger global movement, 'Reformat the Planet' maps out the genesis of the first annual Blip Festival, a four day celebration of over 30 international artists exploring the untapped potential of low-bit video game consoles. With floor-stomping rhythms and fist-waving melodies, trailblazers of the ChipTune idiom descend upon Manhattan to pen a new chapter in the history of electronic music.
BLUE is an audiovisual series by Swedish audiovisual project iamamiwhoami aka artist Jonna Lee, music producer Claes Björklund and directors collective WAVE. It consists of 11 connected audiovisual chapters connected by its' narrative. It describes the project's own evolution seen from the eyes of the artist Jonna Lee in relation to their followers.
A Life in Waves explores the life and innovations of composer and electronic music pioneer, Suzanne Ciani.
The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
The film draws from the important stages and events in Richie Hawtin’s personal and artistic life, and follows Hawtin’s transformation from introverted and transplanted computer nerd into a DJ and techno-entrepreneur. The 70 min documentary features an extensive archive of unreleased photos, video and interviews. Of special interest are Hawtin’s relationship with his family, especially his technophile dad, his fascination with Detroit and his early DJ gigs.
This documentary covers the acid house, rave and club culture revolution in the UK and of course the chemical Methylenedioxymethamphetamine or ecstasy. This era inspired the film 24 Hour Party people and sheds light on the forgotten counter culture movement.
Live performance of the album Tubular Bells III at Horse Guards Parade London
