Animal Year (2017)

커다란 달이 유난히 낮게 뜬 어느 날, 죽은 자들이 깨어난다. 커피, 와인, 와이파이를 찾아 동네를 누비며 사람들을 공격하기 시작하는 좀비들. 이제 마을의 평화는 경찰 클리프와 로니, 민디 그리고 장의사 젤다에게 달려있다.

북태평양의 미드웨이 섬에는 수만 마리의 레이산 알바트로스 새끼들이 죽어서 땅을 덮고 있다. 시체들은 플라스틱으로 꽉 차 있다. 영화는 끔찍하고 슬픈 광경으로 우리를 안내하며 충격적인 상황과 그것에 공모하고 있는 우리 자신의 모습을 정면으로 마주하게 한다.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

상자, 병, 캔, 이런 버림받고 무시당하고 무기력한 쓰레기들이 밤이면 살아난다. 슬림은 체념한 골판지 상자이다. 하지만 어린이 장난감 상자인 스파크가 그와 그의 친구들의 운명을 영원히 바꿀 모험으로 이끈다.

20대 감독 혜민은 환경단체 영상을 찍던 중 40대 베테랑 활동가 금자를 만나 그를 롤모델로 삼는다. 그러나 나이가 들어서도 '할머니 활동가'로 살아가고 싶다던 금자는 십여 년 간 다녔던 단체를 돌연 그만둔다. 그리고 다음해, 쓰레기 대란이 있은 후 금자와 혜민은 자비를 털어 비닐봉지 규제가 강력한 인도와 케냐를 여행한다. 여행에서 돌아온 금자는 자신이 사는 동네시장에서 비닐봉지를 몰아내기 위해 고군분투하고 혜민은 그를 기록하기 시작한다.

저명한 사진가 에드워드 버틴스키의 생애와 작품을 다룬 다큐멘터리. 영화는 중국에서 벌어지고 있는 거대한 산업혁명의 현장과 그 결과를 촬영하기 위해 여행을 떠난 버틴스키를 뒤쫓는다. 여느 댐의 50배가 넘는 규모로 백만 명의 주민들을 이주시키며 세워지는 산샤 댐, 1킬로미터가 넘게 이어지는 공장 작업장, 숨막히는 규모의 상하이 재건 등이 담긴다.

Waste Not is a film about where your garbage goes, who sorts it for you, and what it is worth if it isn't just tossed into landfill. It's easier and cheaper to retrieve gold from old computers for instance, than to dig it up. Organics can be used to create fertiliser and green electricity and yet each Australian sends half a tonne of food waste to landfill each year where it is contaminated with chemicals and e-waste. We recycle only 50% of all our waste. There is an alternative to environmental apocalypse and we don't have to wait for the politicians to make it happen. All we really need to do is be creative and use our imaginations to turn this waste into wealth again. Waste Not talks to scientists, workers at waste depots, environment campaigners, gardeners and even a famous chef about how easy it is to save the planet by simply recycling properly.

Jesper Jensen is a successful IT salesman who stops at nothing, even if it means backstabbing his best friend. Being number one in the company and having a beautiful wife and a lovely home, Jesper seems to lead a perfect life, but one day his arrogance and self confidence hits him in the face like a boomerang and he loses everything overnight. Jesper is sentenced to do community service at a recycling center with the odd and funny characters Dion, Theodor, and Lotte. At first he looks down on these people and doesn't want to be associated with them. When he begins to loosen up, however, he discovers that he can learn a lot from their straight forward and honest approach to life.

A couple inherit a 'house of their dreams' and for a while they think they got lucky, but soon find themselves in the middle of a renovation nightmare.

A documentary following an Estonian fashion designer Reet Aus on a global tour to explore the origin process and the environmental footprints of today's fast paced fashion industry. On the road the mission takes an unexpected turn towards trying to introduce her "upcycling" inspired product line to some of the major fashion retailers to increase awareness of the massive resource waste built into the current product lifecycle.

A group of '90s-looking anthropomorphic dinosaur kids must come up with a way to get rid of their trash without just throwing it away or their favorite playfield will be turned into a landfill. One of them, Recycle Rex, has an idea.

An animated short about recycling.

This film tells a story about an unschooled 11-year-old girl Yi-Jie, she's a truly global child who learns the world through the United Nations of Wastes while working with her YI minority parents in this recycle workshop thousand miles away from their mountain village home town

Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.

Driven by the problem of marine plastic pollution, two designers collect nets from the bottom of the sea and, with 3D-printing, transform them into symbols of marine beauty.

The night of November 22, a recycling center outside Stockholm; Sweden will be bombed. A suspect is arrested and during the interrogation with her further circumstances arise. Soon it turns out that nothing is what it initially seems to be.