자메이카의 소울: 이나 데 야드 (2019)

An atheist, Iranian filmmaker Mehran Tamadon managed to convince four mullahs, all believers in the Islamic Republic of Iran, to come and stay with him for two days and engage in discussion. In this confined space, daily life is combined with debate, an unremitting demonstration of the problematic issue of how to live together, when each side's understanding of the world is so contrary?

Raymond Depardon sets out to meet French people to listen to them tell their tales. From Charleville-Mézières to Nice, Sète to Cherbourg, he invites people encountered in the street to continue their conversation in front of Depardon's camera and us, unfettered from any constraints.

Mathilde, aged 9, enjoys her last day of summer holidays at the seaside with her group of friends. Her father falsely interprets one of their games.

Marcia, granddaughter of Salvador Allende, the first democratic socialist president who was overthrown by the Army in September 1973, seeks to reconstruct the personal and familiar image of her grandfather, buried by his historical person, her exile and the family pain.

Ils s’appellent Azouaou, Abderhamène, Louise, Shana, Kyria ou Yanis, ils ont entre 3 ans et 4 ans quand ils commencent à discuter librement et tous ensemble de l’amour, la liberté, l’autorité, la différence, l’intelligence… Durant leurs premières années de maternelle, ces enfants, élèves à l’école d’application Jacques Prévert de Le Mée-sur- Seine, dans une ZEP de Seine-et-Marne, ont expérimenté avec leur maîtresse, Pascaline, la mise en place d’un atelier à visée philosophique.

The untold story of Charles Manson's obsession to become a rock star, his rise in the LA music scene, the celebrities who championed his music, his tragic friendship with The Beach Boys' Dennis Wilson and his descent into violence and chaos once his dreams fell apart.

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.

Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.