Self Made Cameraman (2019)

이소룡에 관한 다큐멘터리

A restless young girl yearns to leave her rural environment and "get away from it all". One day she stumbles upon a film crew shooting a western near her home. She makes friends with the film's leading man, who encourages her to try her luck as an actress. So she leaves her small town and goes to the big city to break into the picture business. However, things don't turn out quite the way she planned.

"From the Notebook of..." was shot in Florence and takes as its point of departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da Vinci's process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist's work in that he repeatedly employs a series of rapid pans and upward tilts along the city's buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers' presence and suggests his investigative gaze.

A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.

When Canadian director Sturla Gunnarsson set upon Iceland to film Beowulf & Grendel starring Gerard Butler and Stellan Skarsgard in 2004, they expected the usual complication involved in making a movie, but what they encountered made them wonder if the Norse gods were actually working against them.

Presented as loosely autobiographical, Hold Me While I’m Naked centres on the tribulations of an independent filmmaker, frustrated at every turn as he tries to make a film that pretends to artistic merit.

The Making of Fanny and Alexander is a fascinating look at the creation of a masterpiece. Directed by Ingmar Bergman himself, this feature-length documentary chronicles the methods of one of cinema’s true luminaries as he labors to realize his crowning production.

It's nearly time for the debut of the most anticipated anime movie of the year, Talking Head. There's just a few minor problems: the director has disappeared and the movie isn't even started! Desperate to meet their deadline, the studio hires a "migrant technical director" to fill in for the missing director. But there's more going on here than just slipping deadlines. One by one, the staff is being murdered and it's only a matter of time before the new director's next on the list!

A horror film about a screenwriter who loses the ability to distinguish between his fantasy world and the real world, with disastrous consequences. As he ruminates on his place in any world and loses his grip, he also loses his wife and his children's respect, and critics tear him apart. The final undoing of this screenwriter is a deadline that must be met at all costs, costs that perhaps are too great.

An in-depth look at the making of John Carpenter's cult classic sci-fi horror The Thing, telling the story of a group of researchers in Antarctica who encounter a parasitic extra-terrestrial life-form that assimilates, then imitates other organisms.

In an interview at age 84, Chuck Jones (1912-2000) talks about his life, particularly his childhood: he describes an adventurous uncle; his mother, who never said no; his father, a critical and abusive man who had his uses; Chuck's going to art school and studying the human body; success as an animator; and, old age. As he talks, we also see clips from his work, we watch him draw, and simple animation illustrates parts of his story. He talks about growing up on Sunset Boulevard, going to the beach, his enjoyment of Mark Twain, his mother's loving creativity, the connection of his personality to some of his cartoon characters, and the joy of being alive.

This documentary explores the incredible life of Merian C. Cooper, from his time as a soldier and pilot in three different wars, to his exploits in Hollywood, as a director, producer and cinematic innovator.

나이 어린 제인에게서 편안을 느낀 피터는 곧 제인을 사랑하게 된다. 빠리와 로마 사이의 먼 거리는, 그들의 타오르는 사랑을 오히려 가속시킨다. 만리이역까지 찾아온 아내 옆에서 시종 울적해하던 피터는, 촬영스탭을 뒤로하고 빠리로 달려간다. 부르너와의 동거 생활에 권태를 느끼고 피터를 갈망하던 제인과의 상봉은 그대로 타오르게 된다. 유부남인 피터와의 사랑은, 마침내 부르너를 버리고 로마로 온 제인과의 사이에 아내 수잔이 개입함으로써 문제가 생긴다. 피터는 그의 배신을 힐난하는 아내에게 사랑지상주의의 가치를 피력한다.

아마도 영화 역사상 스탠리 큐브릭의 만큼 다양하고 풍부한 해석을 이끌어낸 영화는 흔치 않을 것. 큐브릭 특유의 정교한 시각적 배치에서 인종말살에 대한 공포라는 숨은 주제에 이르기까지 그야말로 열정 하나로 을 읽어내는 지독하게 집요한 다큐멘터리

Two best friends, Vietnam War veterans-turned-stuntmen, are sent as spies to the Philippines on a top secret mission for the Australian government.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Academy Award - winning filmmaker Peter Jackson invites you behind the scenes of his latest movie to witness the birth of King Kong.

각 영화계에서 활동하고 있는 감독, 촬영감독, 제작자, 편집자들의 인터뷰를 담은 다큐멘터리 는 빠르게 디지털화 되어 가는 영화제작의 현실을 다룬다. 제작자이기도 한 할리우드 배우 키아누 리브스가 직접 영화계의 거장들을 인터뷰 하며 영화계의 혁명으로 불리는 ‘디지털 방식’에 대해 좀더 심층적인 관점으로 관객들에게 다가간다. 또한 35mm 필름과 디지털 방식이 서로 공존할 수 없는지에 대한 문제를 제시하면서 디지털화로 인해 무엇을 얻고 무엇을 잃었는지 그리고 장래의 영화 산업에 어떤 영향을 미칠 것에 대한 대안도 조심스럽게 제시 해본다. 영화 제작이나 감독 또는 촬영, 편집에 이르기 까지 영화제작에 종사 하고 싶은 영화과 학생들에겐 더 없이 좋은 참고자료가 될 작품이다. (제 17회 부산국제영화제)

두 편의 영화가 모두 실패한 감독 아성(장국영)은 애인 메이(막문위)에게 얹혀 사는 신세다. 간신히 일거리를 얻지만 3류 에로 영화를 찍기에는 자존심이 허락하지 않는다. 그러나 언제까지 놀고 먹을 수는 없는 일. 결심하고 촬영에 나선 아성은 사사건건 문제를 일으킨다. '예술'을 하려는 아성은 '장사'를 하려는 제작자와 궁합이 맞지 않는 것이다. 게다가 그의 영화는 사실 '예술'도 되지 못한다. 한심한 포르노를 찍는다는 패배의식은 아성을 무겁게 짓누르고, 여배우 몽교(서기)와의 사이를 의심하는 여자친구와도 크게 다툰다. 아성은 나날이 지쳐가던 중 수십편의 포르노를 분석하는 촬영 감독의 진지한 자세에서 새로운 사실을 깨닫는다.

When small time exploitation filmmakers Craig (Brad Jones) and Neil (Jake Norvell) are denied filming permits by the snooty head of the local film commission (Ryan Mitchelle), Craig’s only option is to go undercover as a pretentious film snob. But once accepted by the group Craig finds himself thrust into a strange and deadly mystery surrounding the very secretive club.