Urmas Jõemees

Current anthropological anima-doc focusing on the world’s cultural heritage, one of the most “vital” and tangible outputs – the cemetery architecture. Film attempts to capture everything related to the traditions of commemorating the deceased in Europe over the past 5,000 years and creates a pseudo-life with the help of the magic of anima technique hyperlapse.

The development of nature is controlled by the genetic chain. Life goes on as the information code is stored in the gene chain. Every living being tries to indulge and laze. Unfortunately, development doesn't happen this way. The gene chain only rusts. Progress will only be made if there is an urgent need for it. The protagonist's rusty gene chain only starts working when the fear of death arises. What code is hidden in the human gene chain becomes clear during development. Mankind has debated the meaning of life for a long time, not knowing that it has long been found. What everyone is striving for is collectively creating strange patterns. After that, we become the starting point of a new gene chain again.

The development of nature is controlled by the genetic chain. Life goes on as the information code is stored in the gene chain. Every living being tries to indulge and laze. Unfortunately, development doesn't happen this way. The gene chain only rusts. Progress will only be made if there is an urgent need for it. The protagonist's rusty gene chain only starts working when the fear of death arises. What code is hidden in the human gene chain becomes clear during development. Mankind has debated the meaning of life for a long time, not knowing that it has long been found. What everyone is striving for is collectively creating strange patterns. After that, we become the starting point of a new gene chain again.

할아버지 목장에 여름방학을 맞은 손주들이 놀러 온다. 할아버지는 손주들에게 시골 생활의 소박한 아름다움을 보여 주려고 하지만, 결국 모두가 중노동을 하다 지치고 만다. 게다가 말썽쟁이 꼬마 녀석들이 젖소 한 마리를 풀어놓기까지! 할아버지와 손주들이 24시간 안에 젖소를 찾아내지 못하면, 우유를 짜지 못한 젖이 불어 폭발하고 대재앙이 덮치게 된다.

An adventurous tragedy about Estonia's first film maker Johannes Pääsuke and his aspirations to travel around with a film camera and find happiness. Together with a good friend, Volter, Pääsuke will spend an incredible week in Setumaa.

With the distinctive technique of using multi-level glass tables, Norwegian animator Elin Grimstead has created a darkly mystical fairy tale. A girl and a boy seek to remove death from the world as they create their own funeral rites for the dead animals they find.

"Happy Birthday" is an outlook vision about the duel between the bible hero Jesus and a man-made robot. Does the robot manage to break the formed dogmas and convert the religion into his favour or will the status quo remain firm?

A postman endeavors to fly to the moon in one breath so he can deliver a package.

A postman endeavors to fly to the moon in one breath so he can deliver a package.

Short film from Rao Heidmets about voyeurism, violence and media. Mixing live action with stop motion animation.

One night there gather weird figures to the Karahundzhi Palteau. They are the figures of God created by Man in different times and cultures - puppets. At the same time in some technical center they are printing out all letter combinations in all known languages. According to Tibetan monks this act - writing down all the names of God - will bring along the end of the universe. The Creator has decided to introduce the gods to each other before the great end.

One night there gather weird figures to the Karahundzhi Palteau. They are the figures of God created by Man in different times and cultures - puppets. At the same time in some technical center they are printing out all letter combinations in all known languages. According to Tibetan monks this act - writing down all the names of God - will bring along the end of the universe. The Creator has decided to introduce the gods to each other before the great end.

The man in the sand distributes dreams to a group of strange characters.

The man in the sand distributes dreams to a group of strange characters.

The man in the sand distributes dreams to a group of strange characters.

Doors in our life. Each has a melody, like a music box. They have stories, like a book. They will be opened one by one.

Doors in our life. Each has a melody, like a music box. They have stories, like a book. They will be opened one by one.

A mixture of popular stories are reversed and adapted to the Barbie universe. Queen Tiina (that's what these Barbies are called) asks who is the most beautiful in the city of Las Tiinas and someone dares to say that there is someone more beautiful than her. Immediately afterwards, Queen Tiina decides to kill the beautiful doll, who ends up in the sewers surrounded by forgotten toys (such as a melancholic Pinocchio and a charming rag doll).

A mixture of popular stories are reversed and adapted to the Barbie universe. Queen Tiina (that's what these Barbies are called) asks who is the most beautiful in the city of Las Tiinas and someone dares to say that there is someone more beautiful than her. Immediately afterwards, Queen Tiina decides to kill the beautiful doll, who ends up in the sewers surrounded by forgotten toys (such as a melancholic Pinocchio and a charming rag doll).

What happens when the Maker loses control over his creation and it starts to obey its own will?

A Man comes into this world. He searches for something, runs across a Power, and gets shocked of it. He becomes convinced by the rightness of the Power. He is not able to separate right or wrong anymore. He makes mistake and dies, but the Goodness will give him a new trial - a new possibility to make mistake.

A Man comes into this world. He searches for something, runs across a Power, and gets shocked of it. He becomes convinced by the rightness of the Power. He is not able to separate right or wrong anymore. He makes mistake and dies, but the Goodness will give him a new trial - a new possibility to make mistake.

Part of the puppet film trilogy "Gabbage Head," the film features the main character - the stubborn and selfish peasant Saamuel - and his loyal partner Pink Piglet. The actions take place in Internet, into where Saamuel and his Piglet get by accident. Saamuel understands the importance of information and starts do deal with it.

Film about conflict between young and old generations. In this animated film with live actors the protagonist is a girl, who is brought up by her grandfather. He lives in a strictly regulated world where animate as well as inanimate creatures have fixed places, which are marked by chalk on the living-room floor. Anything surpassing those borders is mercilessly scarped out of the film strip. The young girl, in whom the primal forces of nature are awakening, learns from her grandfather’s fading sexuality. She starts to scrape the filmstrip as well, to change the world according to her own will. What will she draw instead of her past childhood?

An animated opera version of "Goldfish". In this modernised version of the fairy tale of the Goldilocks, everything is absurdly modern - turned upside down. It's the story of a man who lives underwater and a fish who lives above the water in the air and can grant people's wishes. The man catches the fish and starts wanting all sorts of things, but...

Balancing on the borders of the real and the unreal the film strives to express the monotony of this world, its illusory character, and emphasize the lack of spirituality in everyday routine.

The protagonist of the film is the Bat living in an old mill and fighting rats and crows. It’s the war fought by disproportioned forces, where the battle is won by cleverness, skill and cunning. Somewhere outside the mill another war is fought.

There is only one animal living in the zoo - the giraffe. No one but the little girl goes to see her. To attract visitors, the director of the zoo orders an advertising giraffe. But then it turns out that people are only fascinated by artificial giraffes, they are not interested in a living animal. The general "giraffe boom" begins. The film ridicules the fascination with "mass culture" not from the real and the living, but from the imitation and the artificial.