Puddles (2019)

날카로운 면도날이 여자의 눈을 향하고, 거침없이 눈을 잘라낸다. 손 위에 우글거리는 개미들과 죽은 당나귀를 실은 그랜드피아노를 끌어당기는 남자 등 기묘한 이미지의 파편들이 이어진다. 루이스 부뉴엘과 초현실주의 화가 살바도르 달리가 함께 시나리오를 쓴 부뉴엘의 데뷔작이다. 줄거리가 잡히지 않는 기괴한 이미지들의 나열은 지금까지도 충격과 공포를 안겨주며, 초현실주의의 진정한 걸작으로 남아있다. 여자의 눈을 잘라내는 남자는 바로 부뉴엘 자신이다.

세계 제3차 대전이 발발한다. 파리의 오를레이 공항에 있는 한 산책로에서 다보스 헨릭이라는 남자가 헬렌 카텔린이란 여자를 바라보는데 원자 폭탄이 폭발한다. 그 후 영화는 핵 쓰레기로 가득찬 지상을 떠나 사람들의 지하 생활을 보여준다. 지하 생활자들은 더 이상의 파괴를 막기 위해 '과거와 미래를 오갈 수 있는' 약을 가지고 과거와 미래 세계의 사람들을 보내지만 결국 다보스 만이 성공한다. 68혁명에 대한 크리스 마커의 입장과 함께, 영화-이미지가 시간과 기억과 맺고 있는 관계성을 매체의 본질에서부터 추적하는 마르케의 작업물들을 대표하는 작품이다.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

해설자가 올림픽 경기의 역사를 설명하는 가운데 구피는 경기를 시연한다.

A teenage boy plays truant from school, and spends the day riding around the town and the deserted beach on his bicycle, letting his mind wander as he imagines he is the only person in the world...

A girl tells the story of her life and hopes for the future.

A man wakes on the ceiling of his bedroom and breaks a lamp to alert his wife to his predicament. She puts on her heavy boots, unstraps herself out of her bed and uses a hook on a pole to drag him back down. The next day he goes to his job where he works as a deodorant tester, sniffing the armpits of exercising test subjects. On this day though, he faces an event that will change his life forever.

The movie covers 3 events in a girl's life. The first shows her as a very young girl watching her father get ready to go out for a night. In the second segment she's a teenager who witnesses a nasty incident involving a cow. While in the third she's a young adult who goes to a creepy building with her boyfriend. He goes upstairs, leaving her to fidget nervously below. But then he calls to her ...

Buster manages the store while Roscoe delivers the mail, taking time out for hide-and-seek with Molly. The constable, also interested in Molly, steals $300 while being observed by Buster.

버스터는 우연히 악명 높은 무법자 '죽음의 총잡이 댄'으로 오인받게 된다. 경찰서장의 추격을 받게 된 그는 변장을 하면서 추격을 따돌린다. 그는 우연한 만남으로 사랑에 빠지게 된 버지니아의 집을 찾아가게 되지만, 그곳에서 기다리고 있는 것은 뜻밖의 결말이다. (2004 아크로바틱 액션 개그 : 버스터 키튼 회고전)

버스터는 대범하게도 현상수배범의 사진으로 꼼수를 써 도박장을 털려다 곤경에 처한다. 가까스로 집에 돌아온 버스터는 다른 남자와 함께 있는 아내를 보자 눈이 뒤집힌다. (2015 영화의 전당 - 버스터 키튼 탄생 120주년 특별전)

In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

Animated documentary about two Sudanese children who are abducted and used as slaves

A woman's story of how she became involved in terrorist activities in the 1970s.

At the height of the Great Depression, the showman of a renowned circus leads his troupe through the devastated American landscape, lifting the spirits of audiences along the way. During their travels they discover a man without limbs at a carnival sideshow. However, after an intriguing encounter with the showman he becomes driven to hope against everything he has ever believed.

Official animated movie of Tim Minchin's 9-minute beat poem Storm. Written and performed by Tim Minchin. Directed and animated by DC Turner. Produced by Tracy King. www.stormmovie.net www.timminchin.com www.kershoot.com

At the edge of society, a cow tips the balance of destiny with quite some impact.

Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.