Attention! (1999)

런던 근교. 엉성한 발명품만 만들어내는 발명가 월레스는 생활비를 충당하기 위해 창문닦이 서비스를 하고 있다. 월레스의 영리하고 충직한 애견 그로밋은 전자공학에서 도스토예프스키까지 읽는 식견 높은 개다. 그로밋의 생일을 맞자 월레스는 전자바지를 선물한다. 첨단 공법으로 만든 전자바지는 그로밋의 산책은 물론 무슨 일이든 척척 해내는 만능바지. 그러나 이 선물 제작에 많은 돈을 쓴 나머지 생활비가 부족하자 하숙을 놓게 된다. 광고를 보고 세를 든 동거인은 야비한 성격의 수배범 펭귄 맥그로우. 자신의 위치를 빼앗긴 그로밋은 가출을 하기에 이르는데...

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

The low budget film starring the young Bruce Campbell that influenced the Evil Dead films.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

날카로운 면도날이 여자의 눈을 향하고, 거침없이 눈을 잘라낸다. 손 위에 우글거리는 개미들과 죽은 당나귀를 실은 그랜드피아노를 끌어당기는 남자 등 기묘한 이미지의 파편들이 이어진다. 루이스 부뉴엘과 초현실주의 화가 살바도르 달리가 함께 시나리오를 쓴 부뉴엘의 데뷔작이다. 줄거리가 잡히지 않는 기괴한 이미지들의 나열은 지금까지도 충격과 공포를 안겨주며, 초현실주의의 진정한 걸작으로 남아있다. 여자의 눈을 잘라내는 남자는 바로 부뉴엘 자신이다.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

제2차 세계대전이 끝난 지 10여년이 지나 버려진 수용소의 현재 모습은 흑백의 기록화면으로 이어진다. 12년 전 빈 들판엔 수용소 건설이 진행되었고 ‘밤과 안개’ 작전으로 유대인들이 수감되기 시작했다.

공장에서 일하며 혼자 사는 앙투안은 오페라나 클래식음악을 즐긴다. 베를리오즈 음악 과정을 듣던 앙투안은 귀여운 소녀 콜레트를 보고 첫눈에 반한다. 그녀의 화목한 가족들은 앙투안을 식구처럼 대하지만, 그에 대한 콜레트의 감정은 애매모호하다. 안제이 바이다, 렌조 로셀리니 등과 함께 작업한 옴니버스영화 중 한 작품. <400번의 구타>의 앙투안이 17세가 되어 돌아왔으며, 그의 이야기는 로 이어진다. (2012 부산 영화의 전당 - 프랑수아 트뤼포 전작전)