가라, 가라 두 번째 처녀 (1969)

Minayo plays the legendary "Siren," a ghost who lives forever by sucking men's life force. She skillfully seduces men using her body as bait, and those who fall prey to her turn into mummified corpses.

Disappearances... What if a magical fairy beyond human knowledge is lurking in the shadows of incidents that could occur in our daily lives? Mysterious disappearances and slaughters in a seemingly peaceful and ordinary port town are so bizarre that all the bodies found have been mummified. Detective Junpei investigates this mysterious case. His father, who was also a detective, disappeared 20 years ago while investigating another strange case.

Hotaru Amami is a female detective who uses her knowledge of the law and her beautiful body as weapons. Together with her assistant, Mizuno , a law student, she works day and night to eliminate crimes that prey on women. Can they successfully trap the powerful con artists who appear one after another and save their clients? Two beautiful women put their bodies on the line in this definitive sexy detective story.

Suddenly, men abandon their jobs and families and come to the sea for no reason at all. Their disappearance was connected to an incredibly powerful force. One chilly day, when Cassiopeia shines strangely, two men suddenly arrive at the beach house "Kaijotei," asking to be allowed to stay here. The two men, who did not know each other and had no relation to each other, were drawn to the same beach for unknown reasons. Kazuhiko and Ayako, two lovers who run a beach pavilion, have no choice but to accept the two men, who are not moving even with their leverage, since it is out of season and there are no bathers. A few days later, a new man named Furuta arrives. Furuta is an expert in astronomical observation, and he senses something unusual in the way the stars have been shining these past few days.

The Internet, where anyone can easily come and go. In this virtual cyber world, a magical being with a will lives.... A strange rumor whispered among net surfers. It was a rumor that if one accessed the address "siren", he/she could experience virtual sex with a beautiful girl living in the Internet. In reality, however, those who access the address invariably disappear mysteriously. Ohtaka, who works for a computer software production company, heard this story from a colleague and at first thought it was ridiculous. One day, however, he goes missing, leaving behind a note with the address of "siren".

Nami’s deco-truck business is booming. It all started in high school when her late father, Torajiro, became tangled up in crime. This third installment of the smash hit series centers on Nami’s desperate early days when she gets to know her pals Kikuo and Ayano even more in her father’s troubles. It throbs, hums, and mesmerizes with all the style of a deco truck rolling down the highway!

As Nami (Akiho Yoshizawa) was on her usual deco-truck errand, a High School girl called Kanna shows up. She tells Nami that she is her long-lost sister since she was 5 years old, and she has run away from home after quarreling with her mother. Nami cannot recall much about her mother, Nanako but it turns out that she is Nami’s favourite radio program DJ! Can she forgive her mother for abandoning her!? What will become of the ongoing romance with Kikuo!?!? The 4th installments of the popular “Deco Truck Nami” series – More drama, more tears and simply irresistible!

Tanaka came to Marika. He tells Marika, "We met in Sendai a year ago today," but Marika has no idea. However, Tanaka shows a photo as evidence, which is a two-shot of a woman with a flashy face and Tanaka.

Masaru is freed from a juvenile detention center. Filled with rage and frustration he rapes a woman (Yuki Kazamatsuri) in the woods. She then meets his older brother, a deliveryman and tells him her story, and they soon become good friends, which will lead to a sexual relationship. Later, she finds out the two men are brothers and files a police report against the older one, accusing him of raping her. It seems she couldn't forget that night in the woods...

‘사랑’이라는 뜻의 이름을 가진 22살의 '아이(Ai)'는 도쿄의 SM클럽에서 일하면서 사랑 없이 섹슈얼 판타지에 매달리는 사람들의 공허한 초상을 목격한다. 가죽 코르셋에 하이힐 차림으로 네온이 빛나는 도시를 바라보면서 몇 시간이고 묘한 자세를 취하라고 주문하는 야쿠자 두목이나, 목을 졸라 희열을 맛보게 해달라고 요구하는 젊은 남자, 최고급 레스토랑의 단골이라는 점을 자랑하고 싶어 못 견디는 졸부 등 그녀가 만나는 손님들은 하나같이 은밀한 곳에서야 숨겨둔 욕망을 드러내는 너무나 인간적인 사람들. 트리플 섹스의 파트너로 만나게 된 또 한 사람의 고급 콜걸 '사키'는 자신의 직업에 대해 "돈이 많은 사람들, 자랑스럽지 못하게 번 돈 때문에 불안해져 마조히스트가 된 사람들을 상대로 돈을 버는 게 자랑스럽다"고 말하지만, 알고 보면 그녀도 사람들과 자신에 대한 환멸을 느끼며 마약에 기대어 살아간다. 그러던 중 아이는 몇 달 전에 헤어진 음악가 '스도'의 귀국 소식을 접한다. 유부남인데다가 유명인인 그와 사귀는 일도 쉽지 않았지만, 그를 잊는 일은 더욱 어렵기만 했던 '아이'. 그동안 점술가의 예언이나 행복을 가져다 준다는 토파즈 반지에 연연하며 흔들리는 마음을 주체하지 못하던 '아이'는 지구가 파멸한대도 입장을 분명히 하라는 '사키'의 충고에 용기를 얻어 요코하마에 있는 '스도'의 집을 찾아나선다.

The lovely Ryoko is attending a Japanese University on an exchange program. She’s pretty, vulnerable, shy and full of mysterious secrets. Meeting up with her long-time friend Rumiko, Ryoko shuns her aggressive lesbian advances by saying she’s still a virgin. Rumiko is surprised at this revelation and, over the next few days, she takes Ryoko on a series of misadventures to help her with her sexual awakening...

Three people whose lives have taken a turn for the worse retreat into a world of erotic dreams made flesh in this drama from director Sai Yoichi. An executive with a large industrial corporation finds his job and his future is on the line when his firm is beset by labor troubles at the same time severe financial mismanagement has been discovered. As the executive looks for a way out of his situation, he becomes involved in a ménage à trois relationship with two fellow employees, a woman and another man. As real life becomes all the more unpleasant, the businessman and his lovers become deeply attached to one another as he explores sides of his sexual nature he's never been able to investigate in the past.

In May 1936, the “Abe specific incident.” shook the entire country of Japan. It is said that Abe had a live-in maid (Yuma Asami), the owner of the restaurant’s employer Ishida (Nobuyuki Matsuda) was killed, that the cut is more localized. With respect to neither confirm nor deny the crime, frustrated by the testimony of the specific criminal Urakawa Abe (Shun Sugata). And the relentless questioning of Urakawa, we are told the circumstances leading to death and cut from the bodies of penis. Result of fierce passion between men and women debauched erratic, and saw two people … and the constant questioning after the incident, and the constant “last seven days” to depict that Katsuaki the in the here and now Abe no specific story that you have to watch it!

Murakami's partner Mayumi has gone missing. He fears that she could have run off with another guy or gotten into difficulty by involving by herself with a 'telephone relationship club', a solution which hooks up strangers trying to find easy, anonymous sex, no concerns asked.

Separated from her lover Kenji after he is sent off to war, Sanae is raped by general Takada and gives birth to a girl, Junko, who grows up to become a prostitute. One day, Kenji accidentally meets Junko and confuses her with Sanae, prompting Junko to tell him of her mother's fate. They make love, leaving Junko pregnant with his child - Hiroko, who goes on to have a chance encounter with Takada at a hostess club...

전쟁 말기, 어두운 시대 속에서 절망과 허무함에 허덕이는 알코올중독 소설가와 성(性)불감증 매춘부가 ‘전쟁이 끝날 때까지’ 라는 단서를 달고 끊임없이 서로를 탐닉한다. 한편, 전쟁터에서 오른팔을 잃고 귀환한 병사는 전쟁 트라우마로 인해 아내와 더 이상 정상적인 성관계를 할 수 없게 되고… 어느 날, 몇 명의 남자들에게 강간을 당하는 여자를 보면서 흥분하는 자신을 발견하는데….

Japanese roman porno.

Naoko is getting a lot of obscene phone calls, so she decides to stay at her girlfriend Mari's home for awhile, afraid of a rape attack. But the telephone calls don't stop, and the mysterious pervert caller is bothering her there too. Naoko reluctantly agrees to meet meet him at a local restaurant, hoping the man will stop. When she arrives, Naoko is surprised to find the café is operated by Harada, a man whom she and Mari had liked so much in the past that, in fact, they had cat fights over him at their working places. It was due to a love triangle scuffle that they had been both fired from their previous jobs.

A harrowing S&M roughie from erratic cult filmmaker Hisayasu Sato, this gay-themed pinku-eiga entry deals with an abused man who literally turns into an insect. Naturally, Sato borrows heavily from Franz Kafka's {-Metamorphosis} and several of his other works, but the overall effect is far more Sadean than Kafkaesque.