Michio Akiyama

A man is trying to flee from his past, and he ends up in an underworld filled with strange characters. He finds a job skewering meat in a dirty old room in a shabby old house filled with prostitutes, gangsters and a weird old tattoo master. He clearly doesn't fit in to this new world, and the inhabitants of it immediately despise him.

하세가와를 비롯한 8명의 죄수들은 형무소 안에서 우연히 쪽문을 발견하고 탈옥을 결심한다. 각기 다른 목표를 가지고 탈옥한 이들은 숨겨진 길을 찾기 위해 후지산 근처의 학교로 향하던 중간에 길을 잃는다. 혼란에 빠진 가운데 길을 찾기 위해 애쓰던 그들은 우여곡절 끝에 학교에 도착한다. 이후 삶에 대한 희망을 가지게 된 그들은 자신들이 잃어버린 것을 찾기 위해 다시 여행을 시작하는데...

14 year old Nakamura is sexually abused by her stepfather. She invents a friend who is coming to her rescue when she really needs it.

A directionless young man, recently released from prison, tries to make a new start in life as a boxer...

A delirious roman porno re-imagining of Seijun Suzuki's 'Branded to Kill'. Directed by Atsushi Yamatoya and scripted by Yôzô Tanaka, both 'Branded to Kill's' screenwriters and Suzuki's regular collaborators.

Roman Porno from 1973.

A banker and a high school girl start a brothel in the snowy countryside of Hokuriko.

Pinku from 1972.

혁명군 '사계협회'의 추秋군단은 수도총공격을 기약하며 미군기지습격 무기착취작전을 감행한다. 그러나 작전은 생각대로 진행되지 않고 부하들은 죽게 되고 대장은 눈을 다쳐 눈이 멀게 된다. 이를 계기로 내부적인 분열이 일어나고 그 작전 자체에 대한 회의 마저 일기도 하며 과연 혁명이란 존재하는 것인가 등에 대하여 많은 질문을 던진다. 그러나 그들은 결국 다시 뭉치고 끝까지 싸울 것을 맹세하고 폭탄을 들고 거리를 나선다. 감독은 60년에서 70년대에 걸쳐 에로스와 폭력과 정치에 관련된 충격적인 작품을 발표하였으며 당시 학원 투쟁등 당시 투쟁을 하던 젊은이들에게 열광적인 지지를 받았던 영화들 중의 한 작품이다. 째즈 연주자 야마시타 료스케의 음악 또한 귀기울여 들어볼만 하다.

아다치 마사오가 팔레스타인으로 가기 전에 만든 마지막 극영화. 삶을 마감한 젊은이들의 유서와 고등학생 남녀 4인조의 매춘 행위를 소재로, 성 문제 등을 실천적이면서도 관념적으로 풀어내는 작품. 전공투 운동이 퇴조하고 도시가 급격히 변해 가는 시대에, 풍경론 이후 영화의 가능성을 제시하였다.

A faction of the Communist Party puts Tokyo rocked by demonstrations that they start. Despite this marked the inner circle of more uncertainty and group sex than determination and morale. When the police forcing them to go underground, and the mysterious Suzuki joins, starts the internal tensions in the group take over.

During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.

During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

A brother and sister live as outcasts from their hamlet due to a belief that mental illness runs in their family. A group of villagers plot to steal their property by beating and hanging the brother and gang-raping the sister. Believing the brother to be dead, scheming to kill the sister, and making both deaths look like accidents... unbeknownst to them, the brother survives and proceeds on a mission to slaughter those responsible in the hamlet.

After being sexually assaulted on a rooftop, seventeen year old Poppo meets a mysterious boy, and swap their traumas and fears, with fatal consequences.