Obsession (2015)

마크는 현재 영화 스튜디오에서 일하는 카메라맨이다. 그는 과외 시간을 이용해서 옐로우 잡지나 신문 등에 암거래하는 누드 사진을 찍는 부업도 하고 있다. 그러나 그는 어린 시절 아버지의 이상 실험에 영향을 받아 연속적으로 살인을 저지르는 살인자. 거리의 여인들을 촬영하고는 잔인하게 살인을 저지르고 피해자의 얼굴에 장난을 치는등 미친 짓을 계속한다. 드디어 경찰은 조사를 시작하고 마크의 방에서 엄청난 필름들을 발견하기에 이르는데...

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

An evening at the local movie theater, including a sing-along led by Maestro Stickoutski at the Mighty Fertilizer organ, a Goofy-Tone newsreel, and the feature, Petrified Florist, featuring caricatures of Bette Davis and Leslie Howard.

In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.

An old 35mm film projector was entirely disassembled, a mould was made of every part, a bronze copy was then created and the bronze parts were subsequently assembled. The whole process was filmed, to then be projected by the new, bronze projector. The observation that a projector projects the process of its own creation goes beyond a purely conceptual statement. This project is simultaneously an ode to craftsmanship and to how that changed radically over the course of the 20th century. The precise type of projector, the Iskra NP-21, also calls a complete history to mind, as Iskra was as omnipresent in Tito’s post-war Yugoslavia as Bosch and Miele in the West. In this manner, what is perhaps the very last, ultimate 35mm projector simultaneously becomes the first fully-fledged monument to a culturally supremely important device.

A itinerant cinema comes to Rita’s small town and she has the opportunity to go to the movies for the first time in a long time.

The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

A young boy called Murad, who aspires to become like Shahrukh Khan.

A young vampire, named Selena, resides in Los Angeles and has her mute lackey Monk hunt down women to kill and drink their blood. Selena brings into her small group Antonio, a hulking wolf-man to assist and further terrorize the people of L.A. In the meantime, a dogged police inspector and a resourceful young woman try to piece together the strange murders and disappearances before more victims turn up.

마크는 현재 영화 스튜디오에서 일하는 카메라맨이다. 그는 과외 시간을 이용해서 옐로우 잡지나 신문 등에 암거래하는 누드 사진을 찍는 부업도 하고 있다. 그러나 그는 어린 시절 아버지의 이상 실험에 영향을 받아 연속적으로 살인을 저지르는 살인자. 거리의 여인들을 촬영하고는 잔인하게 살인을 저지르고 피해자의 얼굴에 장난을 치는등 미친 짓을 계속한다. 드디어 경찰은 조사를 시작하고 마크의 방에서 엄청난 필름들을 발견하기에 이르는데...

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

An evening at the local movie theater, including a sing-along led by Maestro Stickoutski at the Mighty Fertilizer organ, a Goofy-Tone newsreel, and the feature, Petrified Florist, featuring caricatures of Bette Davis and Leslie Howard.

In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.

An old 35mm film projector was entirely disassembled, a mould was made of every part, a bronze copy was then created and the bronze parts were subsequently assembled. The whole process was filmed, to then be projected by the new, bronze projector. The observation that a projector projects the process of its own creation goes beyond a purely conceptual statement. This project is simultaneously an ode to craftsmanship and to how that changed radically over the course of the 20th century. The precise type of projector, the Iskra NP-21, also calls a complete history to mind, as Iskra was as omnipresent in Tito’s post-war Yugoslavia as Bosch and Miele in the West. In this manner, what is perhaps the very last, ultimate 35mm projector simultaneously becomes the first fully-fledged monument to a culturally supremely important device.

A itinerant cinema comes to Rita’s small town and she has the opportunity to go to the movies for the first time in a long time.

The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

A young boy called Murad, who aspires to become like Shahrukh Khan.

A young vampire, named Selena, resides in Los Angeles and has her mute lackey Monk hunt down women to kill and drink their blood. Selena brings into her small group Antonio, a hulking wolf-man to assist and further terrorize the people of L.A. In the meantime, a dogged police inspector and a resourceful young woman try to piece together the strange murders and disappearances before more victims turn up.