Screenplay
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Director
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Assistant Director
Camera Operator
'White on White' is director Viera Cákanyová's video diary that she kept while staying at the Polish Antarctic station, where in 2017 she shot the film 'FREM' (2019), whose main character was an artificial neural network. During her stay, the author chats with various artificial intelligences, leading conversations that touch on the nature of film, art, and the meaning of life while also revealing a way of thinking that's free from humanity and from an emotionality that forces deep introspection. Footage from her routine, everyday life at the station contrasts with lyrical images of the immaculate Antarctic nature, which the author complements with her own commentary and thoughts provoked by the loneliness of the ice-covered landscape.
Camera Operator
기후 위기가 되돌릴 수 없는 지경에 이를 정도로 점점 더 긴급해지고 인공지능이 기하급수적으로 확장됨에 따라, FREM은 포스트 휴머니즘적이고 인간중심적인 사고의 현재 흐름에 대해 놀랍고 때로는 불편한 반응을 보인다. 독특하고 실험적인 다큐멘터리인 비에라 차카뇨바의 영화는 지구상에서 가장 아름답지만 극단적인 풍경들 중 하나인 남극해 연안의 킹 조지 섬에 대한 잊을 수 없는 그리고 미래주의적인 묘사를 제공한다.
Director
The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
Producer
Oscar, a digital hipster, dives into the fantastic world of analogue loving projectionists. It’s not as easy as it might seems, one may even get hurt! The documentary is about the dying culture of 70mm material and the last mohykans, who aren’t afraid of fighting for their beloved film copies and feed the hungry old projectors with them.
Screenplay
Oscar, a digital hipster, dives into the fantastic world of analogue loving projectionists. It’s not as easy as it might seems, one may even get hurt! The documentary is about the dying culture of 70mm material and the last mohykans, who aren’t afraid of fighting for their beloved film copies and feed the hungry old projectors with them.
Director
Oscar, a digital hipster, dives into the fantastic world of analogue loving projectionists. It’s not as easy as it might seems, one may even get hurt! The documentary is about the dying culture of 70mm material and the last mohykans, who aren’t afraid of fighting for their beloved film copies and feed the hungry old projectors with them.
Director
Lonesome middle-aged man Milan steals back the very last memory of working family - retriever Goldy. The mere symbol of the former happiness - Goldy - is transformed into Milan's guide that leads him to the knowledge of himself, his soul and mind. In his mind together with Goldy he chases another fifty wild dogs.
Assistant Director
First Assistant Director
Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.
Assistant Director
On New Year's Day, two preteen boys wind up in the apartment of Katerina, a teacher from their school, along with her friends, Stepan and David. As the older trio bickers, drinks and flirts, the boys gain eye-opening insight into the adult world.
