Paris '50 - Existence imagined (1981)
장르 : 다큐멘터리
상영시간 : 1시간 10분
연출 : Ellis Donda
시놉시스
An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.
Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and of the strong, shining beacon inviting us to ascend. This is a story, a history of the events that led up to our conquest of space, and the consequences throughout wider humanity. The film is a collage. Of genres, documentary and comedy. Of media, drawing from painting and film. Of films, cannibalising all film history. Of truth, both objective and subjective. Watch the small steps and let your mind take a giant leap.
Who Will You Be When the World Ends? - When it is announced that the world will end in 7 years, a young woman must decide what is truly important to her in life and what she is willing to sacrifice to reach her goals.
한 청년이 숱한 사람들을 만나면서 삶과 죽음과 꿈에 관한 이야기를 듣는다. 그들은 삶이란 무엇인가, 자아란 무엇인가, 그리고 영혼과 전생은 존재하는 가에 관한 자신들의 견해를 털어놓는다. 그 중에는 혼돈스러운 세상에서 자신의 목소리를 내기 위해 스스로 몸에 불을 질러 분신하는 사람도 있고, 괴한을 만난 이후 총을 소지하게 된 한 남자가 오발로 살인을 하기도 한다. 그가 기억하지 못하는 사람들이 그를 알아보기도 하고, 또 우연히 스치며 알게 된 사람들이 그를 기억하지 못하기도 한다. 스위치를 내려도 꺼지지 않는 조명, 시간을 읽을 수 없는 시계… 그리고 모든 사람들과의 대화는 꿈인지 현실인지 구분할 수 없는 상황이 계속 펼쳐지고, 그는 꿈을 따라가면서 깨어있는 삶과 꿈 사이의 절대적인 차이를 발견하고자 하는데…
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Alan Watts talks about our perception of the world, and how we derive metaphysics from it. Watts recorded this video in 1971 as a pilot for a public television series in the United States.
Umberto Eco, the author of best-selling novels who passed away in February 2016, unveils the secrets behind his undertakings and novels.
A burning flame, black-and-white, opens Nasos Karabelas’ “Osmosis”, a philosophical piece on life, death, loneliness and nothingness. Nothingness, this absence, this lack of something, is a major force in Karabelas’ film. It’s disorienting, just like the sound which the director uses carefully, subtly even, in order to reinforce the voice over, written by his friend Christos Makridimitris. The almost nihilist voice-over accompanies the lonely journey of a young man through fields, through ruinous structures, along rivers. One wonders whether the voice over is actually the voice in the young, unnamed protagonist’s mind.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
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In the late-night-early-hours of the morning, Gary has an existential crisis; he questions the meaning of life, much to the annoyance of his level-headed partner Meg, who attempts to calm him down.
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