Förorten brinner: Om segregation (2012)
장르 : 드라마
상영시간 : 53분
연출 : Ulf Stenberg
시놉시스
Why hate society? Why just think that crime and riots are the only way into the future? Actor Ulf Stenberg and dancer Emil Rosén from "Teater Fryshuset" shapes young lives in this strong and intense performance. We follow three characters with very little faith in the future, who are tormented by poverty and segregation. It is a story of powerlessness and alienation, of hopelessness and distrust of police, government and society. The play is created partly to give young people an increased understanding of the consequences of making the wrong choice, and partly to increase the understanding of what young people's exclusion actually leads to. The play is based on real fate and interviews with guys and girls about their lives.
1984년 6월. 젊은 프로그래머 스테판 버틀러는 제롬 F. 데이비스가 쓴 밴더스내치라는 게임북을 게임화하려는 열망을 품고 있었다. 버틀러는 소설의 게임화를 위하여 잘나가는 게임 회사인 터커 소프트에 찾아가서 사장인 모함 터커와 수석 제작자 콜린 리트먼에게 밴더스내치의 게임화를 제안한다. 버틀러는 게임의 크리스마스 시즌 발매를 목표로 잡고, 터커에게 자사 직원들과 함께 게임을 제작하자는 제안을 받는다. 그리고 서서히 무너져 내리는 가상과 현실의 경계. 이제 게임의 엔딩은 그의 선택에 달려 있다.
70 년대 초 노스캐롤라이나주에서 일어난 시민 운동가인 앤 애트워터와 인종차별주의자 클레이본 폴 엘리스의 이야기에 초첨을 맞춘 책 , 오샤 그레이 데이비슨의 “Race and Redemption in the New South” 를 바탕으로 하고 있다 . 앤 애트워터는 하녀 출신에서 사회운동가가 되었으며 클레이본 폴 엘리스는 가난한 백인 노동 계급을 대신하여 도시회의에 참석 하기 시작 하였던 노동자 였으며 , 두 사람은 법원에서 명령한 인종차별 폐지 정책을 가지고 만나게 되면서 펼처지는 이야기 입니다.
남아공 상공에 불시착한 외계인들은 요하네스버그 인근 지역 외계인 수용구역 ‘디스트릭트 9’에 임시 수용된 채 28년 동안 인간의 통제를 받게 된다. 외계인 관리국 MNU는 외계인들로 인해 무법지대로 변해버린 ‘디스트릭트 9’을 강제 철거하기로 결정하고, 프로젝트를 추진하던 중 책임자 비커스가 외계물질에 노출되는 사고를 당한다. 유전자 변이를 일으키면서 외계인으로 변해가는 비커스. 정부는 비커스가 외계 신무기를 가동시킬 수 있는 유일한 인물이라는 것을 알고 비밀리에 그를 추적하기 시작한다. 정부의 감시시스템이 조여오는 가운데, 비커스는 외계인 수용 구역 ‘디스트릭트 9’으로 숨어드는데…
This 20th anniversary production of Jonathan Harvey's play about two working class teenage boys falling in love on a south east London council estate was captured by Digital Theatre live at the Arts Theatre in London's Leicester Square.
Jamie is 16 and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. Sixteen: the edge of possibility. Time to make your dreams come true.
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Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
In 1960, a pilot testing an experimental rocket powered aircraft accidentally flies into the future and finds himself in a sealed city whose people suspect he is a spy from outside their walls, but who want to keep him to procreate with the ruler's daughter because the majority of the inhabitants are sterile.
The Marcomb County Police Department obtains footage of several troubled teenage girls documenting violent and disturbing behaviors. This footage is being released to general audiences for viewing as a public service. Note to audiences, this is reality at it's most sincere and disturbing. Criminal cases are pending on several of the seen individuals in the film.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
The story of an Aboriginal family's attempts to forge a new life for themselves within the segregated society. At the urging of headstrong teenager Trilby, the Comeaways relocate from their family camp, to a house in the main town.
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This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.