APT 17 (2019)

A down-on-his-luck dentist of the Wild West is held up by a gunslinging crook, or so it seems.

An experimental exploration and celebration of the Juggalo subculture in Buffalo, New York. Long and static takes of Juggalos engaged in their favorite activities, first and foremost of which - causing mayhem. Among these seemingly random acts of the everyday, preening, sexual gratification, backyard wrestling, explosions and destruction, a tentative narrative begins to emerge.

A short comedy about riding the elevator.

A young African boy with a haunting back story starts school in Ireland, and finds out quickly exactly what it means to be the new kid. Winner of Best Narrative Short at the 2008 Tribeca Film Festival and nominated for an Oscar.

베토벤의 바이올린 소나타 9번 `크로이체르 소나타`에서 제목을 따온 톨스토이의 소설을 원작으로 한 영화이다. 아내를 살해한 한 남자의 이야기를 다룬다.

Ardal Travis is in love. There’s just one problem. He’s an 8 year old schoolboy and the object of his affection is his Second Class teacher, Miss Purdy. But when her boyfriend arrives on the scene Ardal is heartbroken. His reaction, though, is a little unexpected. He challenges Miss Purdy’s boyfriend to a duel. To the death.

A deaf 4-year-old girl named Libby lives in a world of silence until a caring social worker teaches her to use sign language to communicate.

An official adaptation of the award winning game "Papers, Please" by Lucas Pope.

그는 진정 위대한 배우였을까, 걸작을 망친 괴물이었을까. 아버지가 남긴 TV 연극 영상을 발견한 아들 데이비드 하버 3세. 그는 그 안에 담긴 가족의 비밀을 알게 된다.

자신을 연쇄살인범이라고 자백한 벤(브누아 포엘부르드 분)이라는 한 남자에 대한 영화를 찍는 제작진에 관한 이야기. 벤은 범죄를 저지르면서 서서히 영화 제작진을 자신의 공범으로 만들어간다. 거기에 더해, 그는 제작진들에게 푸짐한 식사를 대접하면서 그들이 시체를 처리하는 일을 돕도록 만들고 제작진에게 경제적인 도움까지 주게 되는데...

Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.

A film of a sloth, using three-colour separation to show sloth time.

Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.

Selamet, who is working at the old central of a company which is on the eve of moving to a big center, tries to make his life similar to a stranger on the phone by discovering his closeness to that person.

A fourteen-year old girl communicates with a spider in a dark basement, without knowing the time and place.

This movie is a collection of portraits of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.

It's getting late on a Friday night and Ralph is keen to get out of the office, but the boss won't let him. No big deal, right? It's just that the full moon is rising and Ralph is a werewolf.

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.

Sait lives with his family in Diyarbakır. Her daughter Hacer is abandoned by her fiancé Jesus. Sait, who cannot accept this situation, sets out to search for Jesus, who is also his former apprentice. Sait confronts some facts after a while.

Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began