APT 17 (2019)
Gênero :
Runtime : 11M
Director : Diego Vicentini
Sinopse
An intoxicated girl is forced into an apartment. A witness decides to intervene. All is not as it seems.
A down-on-his-luck dentist of the Wild West is held up by a gunslinging crook, or so it seems.
An experimental exploration and celebration of the Juggalo subculture in Buffalo, New York. Long and static takes of Juggalos engaged in their favorite activities, first and foremost of which - causing mayhem. Among these seemingly random acts of the everyday, preening, sexual gratification, backyard wrestling, explosions and destruction, a tentative narrative begins to emerge.
A short comedy about riding the elevator.
A young African boy with a haunting back story starts school in Ireland, and finds out quickly exactly what it means to be the new kid. Winner of Best Narrative Short at the 2008 Tribeca Film Festival and nominated for an Oscar.
Pózdnychev percebe que seu casamento se baseia apenas na atração física. Sua esposa toca regularmente “A Sonata a Kreutzer” com um violinista, da qual emerge uma nova paixão. A partir desse momento, o marido é consumido pelos ciúmes.
Ardal Travis is in love. There’s just one problem. He’s an 8 year old schoolboy and the object of his affection is his Second Class teacher, Miss Purdy. But when her boyfriend arrives on the scene Ardal is heartbroken. His reaction, though, is a little unexpected. He challenges Miss Purdy’s boyfriend to a duel. To the death.
A deaf 4-year-old girl named Libby lives in a world of silence until a caring social worker teaches her to use sign language to communicate.
An official adaptation of the award winning game "Papers, Please" by Lucas Pope.
When actor David Harbour finds lost footage of his father's disastrous televised stage play of a literary classic, he uncovers shocking family secrets.
O protagonista, Ben (Poelvoorde), ganha a vida matando, diariamente. Mata a torto e a direito todo tipo de deserdados da sorte, jamais um milionário. Para Ben, "se você mata uma baleia, será perseguido pelos ecólogos, pelo Greenpeace, pelo comandante Custeau... mas se você fatura um cardume de sardinhas, garanto, eles te ajudam a carregá-las." Para demonstrar o que diz, Bem aceita ser acompanhado por uma equipe de reportagem.
Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.
Durante quarenta minutos lentos, observamos a preguiça enquanto dorme. Por vezes ela se move, mas fica principalmente pendurada ou num estado indefinido entre ambos. Do preto e branco minimalista, passamos a imagens em separação tricolor que enfatizam a lentidão e abalam nossos sentidos.
Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.
Selamet, who is working at the old central of a company which is on the eve of moving to a big center, tries to make his life similar to a stranger on the phone by discovering his closeness to that person.
A fourteen-year old girl communicates with a spider in a dark basement, without knowing the time and place.
Uma coleção de fotos de moradores do interior da Rússia. Nem uma única palavra. Apenas um longo olhar em direção à câmera. Paisagem. Passagem do tempo.
It's getting late on a Friday night and Ralph is keen to get out of the office, but the boss won't let him. No big deal, right? It's just that the full moon is rising and Ralph is a werewolf.
Intrigada pela exposição The Living and the Artificial da artista Ydessa Hendeles, Agnès Varda decidiu ir até Toronto para entrevistá-la. Ydessa conta tudo sobre a singularidade de sua abordagem artística e discute o Holocausto, a que ambos os pais sobreviveram.
Sait lives with his family in Diyarbakır. Her daughter Hacer is abandoned by her fiancé Jesus. Sait, who cannot accept this situation, sets out to search for Jesus, who is also his former apprentice. Sait confronts some facts after a while.
Unpredictably, as most of my life’s key events have been, for a period of several years of late sixties and early seventies, I had the fortune to spend some time, mostly during the summers, with Jackie Kennedy’s and her sister Lee Radziwill’s families and children. Cinema was an integral, inseparable, as a matter of fact, a key part of our friendship. The time was still very close to the untimely, tragic death of John F. Kennedy. Jackie wanted to give something to her children to do, to help to ease the transition, life without a father. One of her thoughts was that a movie camera would be fun for children. Peter Beard, who was at that time tutoring John Jr. and Caroline in art history, suggested to Jackie that I was the man to introduce the children to cinema. Jackie said yes. And that’s how it all began
