rocio das vagas (2020)

실제 범죄를 바탕으로 한 소설로 베스트셀러 작가가 된 ‘앨리슨’. 새로운 소설의 소재를 찾기 위해 일가족 몰살 사건이 벌어졌던 저택으로 이사 온다. 우연히 집 안에 남겨진 필름들을 발견한 ‘앨리슨’은 호기심에 이를 보고 경악을 금치 못하는데.. 필름엔 자신이 조사하던 살인 사건의 가족들이 죽어가는 충격적인 장면이 찍혀있었던 것! 카메라 뒤에 숨겨져 있을 범인을 찾기 위해, ‘앨리슨’은 필사적으로 단서를 추적하다, 모든 사건의 가족 중 아이들이 한 명씩 사라졌음을 발견하는데...

A lonely character in a deserted world watches as it goes up silently in flames.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

In 1927, filmmaker Oskar Fischinger traveled for three weeks along the side roads between Munich and Berlin, filming frame by frame the people he met along the way and the places he passed through. In 2020, the director did a remake of this film during a month-long walk between Paris and Brest.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

The human psyche unfolds and becomes something different in this musical dance film featuring specialised choreography and direction.

2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.

On a quiet afternoon an elderly woman prepares some afternoon tea for her and her husband. This short film was made on a single Super-8 cartridge, edited in camera, shot in sequence with only one take per shot. This was originally made for an Los Angeles film event called: "Attack of the 50 Foot Reels".

Event and murmur: modulating attention through channels, like shifting through radio, can reveal signals in noise – the basis for "frequency hopping" cryptography, which gives the logic for mobile networks. At the beach, networks fail, we hop waves, acumulate dead time, roam. ( Super8 films shot in the 1970s and processed only in 2020.)

an eight-hour long experimental film/performance art piece in which filmmaker chandler pippin creates their own arbitrary form of service work and films a shift in its entirety.