We Are Epicenters of the Earthquake (2020)
장르 : 다큐멘터리
상영시간 : 40분
연출 : Tomáš Hlaváček
각본 : Tomáš Hlaváček
시놉시스
The earth is scorched; trees are dying; species are becoming extinct; rivers are drying up. Human interventions have thrown the ecosystem off balance. The irreversible changes will have a devastating impact. A trip of a young urban couple to the country provides a base for a spontaneous poetic contemplation on dried-up landscape and mankind's environmental grief. Nature has ceased to be a relaxing place.
라이언은 12살 때 비행기에서 우연히 제니퍼란 동갑내기 여자아이의 옆자리에 앉게 된다. 그리고 이때부터 이 둘의 운명적 만남이 계속된다. 고등학교때 이웃 고등학교간의 미식축구경기에서 다시 만난 이들은 하나는 치어리더로 또 하나는 많은 사람들 앞에서 우스갯거리가 되는 덜떨어진 고등학생이 되어 있다. 두 사람은 서로의 첫 만남을 기억해내곤 다시 곧바로 헤어진다. 세번째의 만남은 버클리 대학에서이다.
First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
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Lynch's first film project consists of a loop of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.
In his squalid apartment, a man tries to squash with his shoe an insect of some kind that is moving around the room.
모항이란 해변 마을로 어머니와 함께 빚에 쫓겨 내려온 영화과 학생이 불안해서 시나리오를 쓴다. 안느라는 이름의 세 여인이 등장하고, 그들은 차례로 모항으로 내려온다. 첫 번째 안느는 잘 나가는 감독이고, 두 번째 안느는 한국 남자를 비밀리에 만나는 유부녀이고, 세 번째 안느는 한국여자에게 남편을 빼앗긴 이혼녀이다. 모항 갯벌 앞에는 한 펜션이 있고, 그곳엔 주인부부를 대신해 펜션을 지키는 딸이 있고, 해변 쪽으로 가면 항상 해변을 서성이는 안전요원이 있다. 안느들은 모두 이 펜션에 숙소를 정하고, 그 펜션 딸의 작은 도움을 받게 되고, 또 모두 해변으로 나가 그 안전요원을 만나게 된다.
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A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens?
A businessman lives out his daily routine until he meets unexpected stress in the form of his apartment building's elevator.
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