Protective Coloration (1979)
장르 :
상영시간 : 13분
연출 : Morgan Fisher
시놉시스
Protective Coloration shows Fisher seated at a mottled table. He wears short-sleeved hospital garb, surgical green ‘scrubs’. Nose-clips block his nostrils while a mouth-guard that looks like fake lips covers his mouth. Over the course of 11 minutes he masks his face and covers his hands with bright gear in colours that accumulate to resemble those of the standard reference chart: he puts on orange eye-caps, then a yellow bathing cap; covering his nose and mouth and the gear already there, he dons a black gas mask; a silky black sleeping mask voids his already covered eyes, a cyan blue bathing cap caps the yellow; yellow rubber gloves snap on his hands and forearms; puts on cyan eye goggles, then struggles with yet another bathing cap, hazmat orange, over the other two. A silvery transparent shower cap tops the caps, itself topped by a plastic green helmet. Finally heavy-duty magenta gloves hide most of the yellow rubber. Preserved by the Academy Film Archive in 2008.
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
공장에서 일하며 혼자 사는 앙투안은 오페라나 클래식음악을 즐긴다. 베를리오즈 음악 과정을 듣던 앙투안은 귀여운 소녀 콜레트를 보고 첫눈에 반한다. 그녀의 화목한 가족들은 앙투안을 식구처럼 대하지만, 그에 대한 콜레트의 감정은 애매모호하다. 안제이 바이다, 렌조 로셀리니 등과 함께 작업한 옴니버스영화 중 한 작품. <400번의 구타>의 앙투안이 17세가 되어 돌아왔으며, 그의 이야기는 로 이어진다. (2012 부산 영화의 전당 - 프랑수아 트뤼포 전작전)
런던 근교. 엉성한 발명품만 만들어내는 발명가 월레스는 생활비를 충당하기 위해 창문닦이 서비스를 하고 있다. 월레스의 영리하고 충직한 애견 그로밋은 전자공학에서 도스토예프스키까지 읽는 식견 높은 개다. 그로밋의 생일을 맞자 월레스는 전자바지를 선물한다. 첨단 공법으로 만든 전자바지는 그로밋의 산책은 물론 무슨 일이든 척척 해내는 만능바지. 그러나 이 선물 제작에 많은 돈을 쓴 나머지 생활비가 부족하자 하숙을 놓게 된다. 광고를 보고 세를 든 동거인은 야비한 성격의 수배범 펭귄 맥그로우. 자신의 위치를 빼앗긴 그로밋은 가출을 하기에 이르는데...
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
남북전쟁이 끝난 후 남아도는 대포를 처리하는 방법을 연구하다가 큰 대포를 만들어 안에다가 사람을 태운 우주선을 집어 넣고 달로 쏘아 올리기로 결정한다. 사람들에게 환송을 받으며 천문학자를 태운 로켓이 대포로 발사되고 곧 로켓은 달에 착륙한다. 천문학자는 달에 도착하자마자 잠을 자고, 일어나고 나서 동굴로 가자 거대한 버섯을 발견한다. 한 천문학자가 우산을 펼치자 곧바로 버섯으로 변해 버린다. 이때 외계인이 나타나지만 천문학자는 이를 쉽게 죽인다. 곧 더 많은 외계인이 나타나서 천문학자들은 둘러싸이게 되고, 외계인은 그들을 잡아 우두머리에게 데리고 간다. 천문학자들이 우두머리를 죽이고 도망친다. 다섯 명이 비행선 안으로 들어가고 나머지 한 명은 절벽에 걸친 비행선에 달린 로프에 매달려 비행선을 우주로 떨어뜨린다. 우주선은 지구로 떨어져 바다에 빠진다. 천문학자들은 구조되어 큰 환대를 받는다.
제2차 세계대전이 끝난 지 10여년이 지나 버려진 수용소의 현재 모습은 흑백의 기록화면으로 이어진다. 12년 전 빈 들판엔 수용소 건설이 진행되었고 ‘밤과 안개’ 작전으로 유대인들이 수감되기 시작했다.
Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.
The low budget film starring the young Bruce Campbell that influenced the Evil Dead films.
Children are mysteriously falling ill at an orphanage. Candy Boy, the most valiant of the orphans, investigates, but the arrival of a new boarder complicates his inquiries.
날카로운 면도날이 여자의 눈을 향하고, 거침없이 눈을 잘라낸다. 손 위에 우글거리는 개미들과 죽은 당나귀를 실은 그랜드피아노를 끌어당기는 남자 등 기묘한 이미지의 파편들이 이어진다.
루이스 부뉴엘과 초현실주의 화가 살바도르 달리가 함께 시나리오를 쓴 부뉴엘의 데뷔작이다. 줄거리가 잡히지 않는 기괴한 이미지들의 나열은 지금까지도 충격과 공포를 안겨주며, 초현실주의의 진정한 걸작으로 남아있다. 여자의 눈을 잘라내는 남자는 바로 부뉴엘 자신이다.
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
After amusements working in a restaurant, Charlie uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal. Photochemical preservation by the Academy Film Archive in 2012.
When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.
Finding an unfinished script written by Alfred Hitchcock himself, Martin Scorsese attempts to recreate it himself as Hitchcock would have.
